Two Songs for Miladun-Nabee

I. In Praise of Prophet Muhammad (May Peace Be Upon Him)

By Izzat Muneyb

Author’s note:  This song introduces us to some of the titles by which Prophet Muhammad came to be known.  They are: ‘Ahmad’, ‘Mustafa’, ‘Rahmatan li’l-‘aalameen and ‘King of law laak’.  The words ‘law laak’ in Arabic mean, “Were it not for…” There is a Hadith of Prophet Muhammad, where Allah speaking to His prophet, says, “Were it not for you, I would not have created the universe – law laaka lamaa khalaqtu’l-aflaaka.” [1]

N.B: The lines marked * are sung twice.

Muhammad, Muhammad,
How shall we praise you, Muhammad?*

Shall we call you Ahmad?*
He who is praised in heaven
Shall be praised here on earth.

Muhammad, Muhammad,
How shall we praise you, Muhammad?*

Shall we call you Mustafa?*
The Chosen of God on earth,
You have brought us the Qur’an.

Muhammad, Muhammad,
How shall we praise you, Muhammad?*

Shall we call you Rahmatan li’l-‘aalameen?*
God sent you as a Mercy
To the whole of creation.

Muhammad, Muhammad,
How shall we praise you, Muhammad?*

Shall we call you the ‘King of law laak’?*
Even God says He created
The universe for you.

Muhammad, Muhammad,
How shall we praise you, Muhammad?*

© Copyright: Izzat Muneyb

Date posted: Friday, February 3, 2012

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[1] Source: Sukheel Sharif, The Jawziyyah Institute, 2006

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II. Building The Prophet’s Mosque in Madinah – Masjeedun-Nabee

By Izzat Muneyb

Author’s Note: This ballad tells the story of how the first mosque in Islam, the Prophet’s Mosque in Madinah, Masjeedun-Nabee, was built and how the first Muslims were called to prayer, with Bilal, a black Muslim, reciting the first adhaan. [1] The Prophet (Peace be upon Him) let his she-camel, Qaswaa’, who was “under the command of God”, choose the site. This allowed him to not have to accept land from, and thus show partiality to, any of the influential clans in Madinah.

N.B: The first line of each verse is sung twice. The ballad should ideally be sung to the accompaniment of a guitar.

Qaswaa’ the camel has chosen the ground,
Dig here, O Muslims and level the ground.        Qaswaa’.…….1

Muhammad has said, “O, here will I stay,
Here build my mosque and here shall I die”.         ..…….………2

Cut down the trees and make the pillars,
Lay down the bricks and cement with mortar.      ……………….3

The Muhaajiroon [2] and the Ansaar [3]
Work with a will in the spirit of Islam.                   ……………….4

Aly then asks how to ‘complete’ the mosque,
“How shall we call the believers to prayer?”          ..…………….5

The Muslims think hard, “O shall we use bells [4]
If not a Jewish horn, then a trumpet perhaps.”     ………………6

Then, humble and meek, Abdallah did speak,
“I dreamt, Ya Rasool, a human voice, I pray.”       ..…………….7

Muhammad then said: “O my faithful Bilal,
It is you who must say the very first Adhaan.”      ..………….…8

And so did Bilal God’s praises sing
And his powerful voice in Madinah did ring.          ..……………9

Here endeth my tale of Masjeedun-Nabee,
It still stands today in Madinah city.                       …………….10

© Copyright: Izzat Muneyb

Date posted: Friday, February 3, 2012
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[1] Adhaan is the Muslim call to prayer. Bilal climbed up a palm tree, to recite the first adhaan, because he wanted his voice to carry far and wide. Minarets appeared around eighty years after the Prophet’s death, to call the faithful to prayer.
[2] Muhaajiroon– The Emigrants, Muslims who made the hijrah or migrated from Makkah to Madinah, because of the persecution of the Makkan Quraysh. The Prophet finally made the hijrah during September 622 A.C., after all the Muslims, except Imam Ali, had left Makkah.
[3] Ansaar – The Helpers, Madinan Muslims, who helped the Makkan Muslims settle in Madinah.
[4] Ringing church bells is a Christian practice – the Muslim call to prayer had to be unique to Islam.

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About the writer: Izzat Muneyb has an Honours degree in English from Birmingham University, a Post-Graduate Certificate in Education from Kings College, London and a Masters in Curriculum Studies from London University, England. She has had a varied career, working in the fields of education, health, commerce and public order. She has served on various Jamati institutions, including the Shia Imami Ismaili Tariqah Board, Mombasa, His Highness the Aga Khan Provincial Tribunal and His Highness Aga Khan Education Board in Nairobi. As an Education Board member, she originated the concept of, and edited, the Commemorative Issue 1977-78, to celebrate sixty years of Ismaili education in Kenya. From 1983–1994, she worked at the Institute of Ismaili Studies in London as a Member of the Education Unit and contributed to the Ta’lim Curriculum.

She now lives in London and focuses on her own creative writing.

Please click At the Ismaili Centre for her previous contribution to Simerg.

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RELATED: Please also click Nativity of the Prophet Muhammad: The Mevlud/Mawlid Tradition to read an excellent piece contributed by Omid Safi.

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4 thoughts on “Two Songs for Miladun-Nabee

  1. Powerful songs. I love the first one but I especially love the second one and the birth of the call to prayer and how it all came to be. Very very interesting.

  2. It would be a good lesson for BUI children to sing the songs on Miladun Nabi in theit class or even in Darkhana on Tuesday night before the outreach lecture.

  3. Well done Izzat. I have been waiting for this and many more contributions from you. I hope you continue and produce a lot more for the English readers.

    Congratulations to you and Simerg for taking this up.

  4. Sallu ‘ala khayri al-anam al-Muatafa Badr al-Tamam… Sallu ‘alayhi wa-sallimu yashfa’ lana yawm al-zaham.
    Allahumma Salli wa-Sallim a’la Sayyidina Muhammad wa-alihi ajma’in

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