Introduced by MALIK MERCHANT
Publisher/editor Simerg (2009), Simergphotos (2012) and Barakah (2017)
When Ayaz Pirani is in your neighbourhood doing a reading from one of his books, please attend the event. You will become utterly relaxed listening to his beautiful poetry reading in a calm, gentle and soothing voice. He was in Toronto last year and I attended his reading at Knife Fork Books on 244 Augusta Avenue in the vibrant Kensington Market Area. I couldn’t locate the place easily, and even the NU Bügel staff did not know there was beautiful poetry being served upstairs on a regular basis. After a few more inquiries, I climbed a few set of stairs, excused myself for arriving a little bit late and sat to listen to Ayaz! The small crowd, mainly a gathering of Ismaili youth and professionals, kept urging Ayaz to continue with his reading, and he graciously complied. Meeting him later, I came away even more convinced of the nobility of his heart and soul. I acquired Kabir’s Jacket Has a Thousand Pockets but had to put it away in storage with my other books, as I was preparing to leave for Vancouver to be with my mum. I never got to reading the book nor interviewing this highly gifted literary personality in the Ismaili community. Recently, I asked him to present a short overview of his titles. I am delighted to present his piece below. Links to some on-line stores selling Ayaz’s books are provided at the end of the piece. I look forward to interviewing this literary jewel in the coming months, once my nomadic life style comes to an end!
“My love of ginans is various and unending. They have the charms and rhetorical force of written language as well as the emotional and nourishing elements of oral tradition” — Ayaz Pirani
By AYAZ PIRANI
With my first book, Happy You Are Here, I began to wrestle with geography and humanness in my poems. Canadian poet Suzanne Buffam called Happy You Are Here “tender and intimate” and Heather Birrell said “Ayaz Pirani positions himself as a kind of plainspoken anti-prophet, bringing human nosiness and gratitude to a number of subjects—displacement and immigration, the oak woods of the Arroyo Seco, a mother’s love, a pub in Toronto…—as well as the more mysterious geographies of the soul.”
My second book, Kabir’s Jacket Has a Thousand Pockets, was described as “wisdom poetry” that was “surprising and sly” by New England poet David Rivard. All of my work, including my new chapbook, Bachelor of Art, is informed by my affection for Ginans. Perhaps for this reason Rivard felt they were tinged with perennial truths.
My love of Ginans is various and unending. They have the charms and rhetorical force of written language as well as the emotional and nourishing elements of oral tradition. When a Ginan is experienced in situ, that is, in a Jamatkhana, there is further the resonances that come from a living heritage.
Happy You Are Here was reviewed in The Dalhousie Review and Qwerty Magazine and my individual poems have recently appeared in The Malahat Review, ARC Poetry Magazine, and The Antigonish Review.
My new work, Bachelor of Art, is a chapbook of poems. Individual poems include “Ali’s Tiger,” “Nutshells,” and “Sat Panth.” It’s a bit hard to talk about my own work without sounding pretentious, especially when it’s a genre like poetry which has so many romantic associations. In my work I’m trying to describe a particular diaspora experience by finding resources in various treasuries: ginans, divans (of Kabir, Ghalib, et al.), and English literature. I suppose I’m conscious of trying to situate my poems as a Canadian experience as well. I’m drawn to subjects like loneliness, immigration, faith, human awkwardness, love.
Ayaz Pirani’s books are available in local bookstores and online at Amazon and Chapters-Indigo. His new book, Bachelor of Art, is currently available from Anstruther Press for $10. The cover features a calligram of Hazrat Ali as the tiger of God.
Date posted: June 30, 2020.
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Proud that we have a poet like Ayaz Pirani who is inspired by the ginans, the core that has held the tread of love for the Imam in the Satpanth tradition of recitation of the ragas. The music that is transformative every time I sit with legs folded and head down, eyes closed in the Jamatkhana. The song, I believe, is what keeps the community together. I am inspired to read Ayaaz.