Heart breaking images from Prince Hussain Aga Khan’s ongoing “The Living Sea: Fragile Beauty” exhibition at the Ismaili Centre Toronto

The image of a snared dolphin that sunk my heart

By DR. NURIN MERCHANT

The photograph by Prince Hussain Aga Khan of two dolphins swimming side by side had the greatest impact on me when I visited his exhibition The Living Sea — Fragile Beauty at the Ismaili Centre Toronto.

My eyes were immediately drawn to one of the dolphin’s tails, which had a black rope (presumably from fishing equipment) tightly ensnared around it. The rope had been cinched so tight over time that it was now embedded in the dolphin’s skin. My heart sank — such an intelligent yet helpless creature experiencing so much pain and suffering due to mankind’s irresponsibility with its creation.

I would like for the readers to think about something we can all relate to for a moment — pretend that one day you are walking barefoot on a beach, somewhat far from home. Suddenly, OUCH! You feel a sharp pain, and notice that you have accidentally stepped on a piece of glass that has become deeply embedded in the sole of your foot. Somehow, no matter how hard you try, you cannot remove the glass. No one is around to help you, so you are forced to walk all the way home; each step is a painful burden as the glass digs in, deeper and deeper. A few hours later you reach home, fetch a pair of tweezers, and thankfully succeed in removing the shard.

Habituated bottlenose dolphins taken by Prince Hussain Aga Khan at a site known as Dolphin Reef near Hurghada, Egypt, November 2020. Note the rope attached and digging deep into the second dolphin's tail
Habituated bottlenose dolphins taken by Prince Hussain Aga Khan at a site known as Dolphin Reef near Hurghada, Egypt, November 2020. Note the rope attached and digging deep into the second dolphin’s tail — impossible for a simple diver to remove. Photograph: Nurin Merchant/Simerg

This dolphin has no one to help it. In the scenario you just imagined, just like we use our feet to propel us forward, the dolphin uses its tail. Unlike the scenario though, this dolphin has likely been living with this injury for months, not hours. And one day, it is very probable that he or she will die from this injury.

This photograph highlights the damage that we continue to inflict upon nature and juxtaposes it with nature’s strong will and resiliency. I see it every day in my career as a veterinarian — animals are far more resilient and perseverant than humans, but this is because they have no choice but to survive, but to persevere.

We must be their voice. And we must always remember: nature’s resiliency cannot compete with our destruction. One day, just as this dolphin — an animal recognized by many scientists as a non-human person due to their high level of intelligence and ability to be self-aware — will succumb to its injuries, so will our ecosystems and the species who call it home (ourselves included).

Each and every one of us has a duty to protect, preserve, and conserve Nature and our home, Planet Earth. Without it, there is no us.

____________________________

Plastic in the Oceans

Ismaili artists Al-Qawi Nanavati pictured at Prince Hussain Aga Khan's exhibition at the Ismaili Centre Toronto
Al-Qawi Nanavati, a graduate student pursuing Printmaking at the University of Iowa pictured at Prince Hussain Aga Khan’s exhibition The Living Sea — Fragile Beauty, at the Ismaili Centre Toronto; May 22, 2023. Photograph: Malik Merchant/Simerg.

By AL-QAWI NANAVATI

Originally from Mumbai, India, I have long been an artist and am currently pursuing a graduate program in Printmaking at the University of Iowa through an Iowa Arts Fellowship. My recent visit to Toronto happily coincided with the presentation by Prince Hussain Aga Khan of his exhibition The Living Sea: Fragile Beauty at the Aga Khan Museum. I then spent a considerable amount of time viewing the exhibition in the Ismaili Centre Toronto’s social hall and patio. I left the two events feeling inspired and motivated to do whatever I can to assist Prince Hussain in his goals of educating us and raising our awareness about the disturbing state of the oceans and its sea creatures.

The two images shown below captured my attention the most after hearing Prince Hussain speak about his passions and purpose behind the show. The images are mounted on a large panel in the patio of the Ismaili Centre. Titled Plastic Bag and Plastic Waste, they were taken in two different parts of the world, the Philippines and Sardinia, 3 years apart. I thought a lot about these two photographs long after I left the show. They were extremely poignant and show us a mirror into what we are doing to our planet.

Story continues below

Plastic bags in ocean, Hussain Aga Khan, simerg
Two photographs captured by Prince Hussain Aga Khan of plastic bags in the ocean (top the Philippines, bottom Sardinia) that alarmed Al-Qawi Nanavati when she visited his exhibition The Living Sea — Fragile Beauty at the Ismaili Centre Toronto; May 22, 2023. Photograph: Al-Qawi Nanavati/Simerg.

Prince Hussain has caption notes accompanying the two photographs. For the first photo, taken in May 2017 in the Philippines, the Prince writes: “This was the most depressing thing I’ve ever witnessed.”

For the bottom photo, taken in August 2020 in Sardinia, Prince Hussain laments: “Unfortunately few, if any, effective solutions exist to rid our oceans of this ongoing problem. Most would be difficult to bring to scale. As long as mankind isn’t ready to give up plastic or capable of producing reliable alternatives, our marine environment (and others!) will suffer.”

Date posted: May 28, 2023.
Last updated: May 29, 2023 (reformatting.)

______________

Nurin Merchant’s Photos of the 2021 Tulip Festival in Ottawa, with the Aga Khan Park’s Perspective on the Venerated Flower

Nurin Merchant gets to Dows Lake on a sunny day to photograph some of the 300,000 tulips that are planted there, making it the biggest tulip festival in Canada. She incorporates into her piece some excellent material prepared by the Aga Khan Park on the origins and significance of the tulip, one of the most venerated flowers in Islamic culture, to make her photo essay truly informative and and educational….PLEASE CLICK HERE OR ON IMAGE BELOW FOR PHOTO ESSAY

Please click on photo for Nurin’s photo essay on tulips.

Date posted: May 6, 2021.

________________________

Before departing this website please take a moment to review Simerg’s Table of Contents for links to hundreds of thought provoking pieces on a vast array of subjects including faith and culture, history and philosophy, and arts and letters to name a few. Also visit Simerg’s sister websites Barakah, dedicated to His Highness the Aga Khan, and Simergphotos.

An Incredible ‘Yellowstone’ Experience: Part III – The Old Faithful Basin of Yellowstone National Park

The Yellowstone Caldera and Geysers of the Old Faithful Basin

By Malik and Nurin Merchant

~~~~~~~~~~~~

A Note to Readers: Please scroll down or click Home page for other recent posts and click What’s New for links to all articles published on this blog since March 2009. Subscribe to this Website via the box near the top right of this page.

Previous post: A Brief Introduction to the Muslim Calendar and Major Muslim Festivals and Religious Observances

An Incredible ‘Yellowstone’ Experience: Part II – Wildlife Safari at Grand Teton National Park

“I encourage everyone to travel and visit the forest, for they are amazing…there will be fewer and fewer in the future. That’s what I say to myself when I take every photograph…In my photographs, I let the animals and trees speak for themselves and hope other people will see the beauty I see.”

– Prince Hussain Aga Khan –

Our Incredible ‘Yellowstone’ Holiday: Part II – Wild Life Safari at Grand Teton National Park

~~~~~~~~~~~~

A Note to Readers: Please scroll down or click Home page for other recent posts and click What’s New for links to all articles published on this blog since March 2009. Subscribe to this Website via the box near the top right of this page.

Previous post: The Holy Qur’an, Lailat al-Qadr and Forgiveness