“Together-Ensemble”: The Amazing Aga Khan Foundation Exhibition on 18 Wheels – Interview and Photos

BY ABDULMALIK J. MERCHANT
Publisher-Editor, Simerg

“Development is ultimately about people, about enabling them to participate fully in the process and to make informed choices and decisions on their futures.” – His Highness the Aga Khan, 49th Ismaili Imam speaking in 2013, excerpt on a panel display at the exhibition.

Stephanie in front of the exhibition bus. Photo: Malik Merchant

Stephanie in front of the exhibition bus. Please watch her interview with Simerg, link at bottom of page. Photo: Malik Merchant/Simerg.

Launched on April 27th, 2015, at the Delegation of the Ismaili Imamat Building by the Honourable Christian Paradis, Minister of International Development and La Francophonie, and Khalil Shariff, Chief Executive Officer of Aga Khan Foundation Canada, the collaborative exhibition of Global Development under the theme “Together” (French “Ensemble”) arrived at the city’s famed Le Breton neighbourhood, located by the new War Museum on Thursday, May 7, 2015 for a 7-day stop over.

I took an opportunity to visit the astonishing bus filled with educational and inspiring exhibits today (Sunday, May 10th), a much cooler day than the previous few days when the temperatures in the city had surged to 30 Celsius, not taking humidex into consideration. While thousands of local Ottawa residents and tourists were enjoying the marvellous and colourful annual tulip festival by Dow’s Lake, hundreds of parents with their children took to the Le Breton grounds to visit the Ottawa International Children’s Festival as well as take a tour of the exhibition in the “Together/Ensemble” bus, just metres away.

Before reaching the Aga Khan Foundation's magnificent Together bus, I was politely confronted by

Before reaching the Aga Khan Foundation’s magnificent Together bus, I was politely confronted by “a past British Monarch” who was measuring my loyalty to her rule. I excelled as a fine citizen, for which she offered to crown me with some kind of an Order named after the Ottawa’s River Parkway, a fine and scenic road running by the Ottawa River one hundred metres behind her! Photo: Malik Merchant/Simerg.

The Together Exhibition Bus just metres away from  activity tents set up  for the Ottawa International Children's Festival. Photo: Malik Merchant/Simerg.

The Together Exhibition Bus just metres away from activity tents set up for the Ottawa International Children’s Festival. Photo: Malik Merchant/Simerg.

A youth takes the time to view the interactive global map and test out his knowledge. Photo: Malik Merchant/Simerg

A youth takes the time to view the interactive global map and test out his knowledge. Photo: Malik Merchant/Simerg

A panel introducing the work of the Aga Khan Foundation Canada and its  founder, Mawlana Hazar Imam, His Highness the Aga Khan. The Aga Khan Foundation offices around the world are now agencies within the Aga Khan Development Network, a global network created by His Highness the Aga Khan to serve millions on this planet in all areas of human endeavour.  Photo: Malik Merchant/Simerg.

A panel introducing the work of the Aga Khan Foundation Canada and its founder, Mawlana Hazar Imam, His Highness the Aga Khan. The Aga Khan Foundation offices around the world are now agencies within the Aga Khan Development Network, a global network created by His Highness the Aga Khan to serve millions on this planet in all areas of human endeavour. Photo: Malik Merchant/Simerg.

Children exchange their ideas and thoughts on global matters on these little leaves. They are invited to take away with them any leaf containing the though of another child. When the leaf is cut open at home it contains wild flower seeds that children can plant in their gardens. Photo: Malik Merchant/Simerg.

Children exchange their ideas and thoughts on global matters on these little leaves. They are invited to take away with them any leaf containing the thought of another child. When the leaf is cut open at home it contains wild flower seeds that children can plant in their gardens. Photo: Malik Merchant/Simerg.

A young child's aspirations and hopes for a better world:

A young child’s aspirations and hopes for a better world: “No hunger, child labour, everyone being treated equally.” Photo: Malik Merchant/Simerg.

Another child, 8 year old Hannah Saikaley, describes her thoughts of helping others:

Another child, 8 year old Hannah Saikaley, describes her thoughts of helping others: “Donating food, money, drinks and clothes and by cleaning the earth.” Photo: Malik Merchant/Simerg.

Another informative section of panels inside the bus. Photo: Malik Merchant/Simerg.

Another informative section of panels inside the bus. Photo: Malik Merchant/Simerg.

The front of the Togther-Ensemble exhibition bus. Over the next 2 years, the bus will be travelling across Canada to highlight perspectives on Global Developments to thousands of Canadians. Photo: Malik Merchant/Simerg. perspectives

The front of the Together-Ensemble exhibition bus. Over the next 2 years, the bus will be travelling across Canada and offer perspectives of Global Development to thousands of Canadians. Photo: Malik Merchant/Simerg.

The centre panel is the actual width of the bus. The two side panels show the extensions for this bus, giving the exhibition space inside the bus the feel of an actual museum gallery. Photo: Malik Merchant/Simerg

The back of the Together-Ensemble Bus. The centre panel is the actual width of the bus. The two side panels show the collapsible exhibition extensions on the bus, giving the space inside the bus the feel of an actual museum gallery. Photo: Malik Merchant/Simerg

Inside the bus, an exhibit. Photo: Malik Merchant/Malik

Voices of Change exhibit inside the bus. Photo: Malik Merchant/Malik

The

The “Together-Ensemble” Exhibition Bus at the Le Breton neighbourhood at the Canadian War Museum grounds. Photo: Malik Merchant/Simerg.

A display inside the bus under the theme

A display inside the bus under the theme “Stronger Together.” Photo: Malik Merchant/Simerg

Stephanie, coordinating the media on behalf of the Aga Khan Foundation, was eager to participate in an interview with me, though she felt before the interview that she was a little bit nervous. “Simerg is the first media I am talking to,” she explained. But any apprehension that she felt quickly dissipated as she enthusiastically explained the exhibition with all her charm and grace. Please watch her excellent interview by clicking on the link below.

Date posted: Sunday, May 10, 2015.

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We invite your feedback and comments. Please click Leave a comment.

Please also visit the Aga Khan Foundation Canada Website http://www.akfc.ca for more details and schedules about the Global Development Exhibition, which will be touring Canada in 2015/2016.

This piece has been simultaneously published under a different format at Simerg’s photoblog. Please click Photoessay and Interview: Aga Khan Foundation’s Unique Global Development Exhibition on 18 Wheels

Prophet Muhammad’s Miraj: A Powerful Metaphor for Our Spiritual Journey

Photo: The Trustees of the British Museum. Copyright.

Photo: The Trustees of the British Museum. Copyright. Click on image for article, I Have a Time with God

“While ascent (al-ma’arij) in its simple meaning gives a clue to the upward direction of the Prophet’s journey, it proclaims very emphatically that if God has placed man on this earth, He has also set up a ladder for man to climb up to Him. No wonder Allah calls Himself the Lord of the Ways of Ascent (Dhu ’l-ma‘arij).”Read more

This is an unusual example of the Prophet Muhammad (s.a.s) pictured in an Islamic manuscript. It comes from a royal miniature made to illustrate a copy of the poems of the celebrated Persian Nizami, and depicts the Prophet’s ascension to heaven on the horse Buraq, guided by the archangel Gabriel, with an escort of angels. According to tradition, the face of the Prophet is blanked out in the miniature.

“In spiritual life, serial time no longer exists. The moment a soul breaks through created time and reaches the ‘Eternal Now in God’, everything created is annihilated in its experience. The serial time is torn. Finally, the Prophet says: ‘And He revealed to me secrets that I am not allowed to communicate to you’” — Read more

The identity of the artist who created the illustration is not known. The calligraphy in this piece was created by Shah Mahmud Nishapuri (d. 1564-5) for Shah Tahmasp (r. 1524-76) — the ruler of Iran who at one point owned the Koh-i-noor diamond, then the world’s largest, and now in the Tower of London.

“His yearning for the ‘exalted station’ becomes intense, and as often as he feels this longing he turns to Bilal and says: “O Bilal, comfort us by the call to prayer.” Thus to the Prophet every time of prayer is an ascension (mi’raj) and a new nearness to God.” — Read more

The story of Prophet Muhammad’s journey has had a profound influence on Islamic thought, and Sufism and other esoteric traditions in Islam particular see it as a powerful metaphor for man’s spiritual journey. Please read The Prophetic Tradition ‘I Have a Time with God’ (li ma’a Allah waqt).

Text for image compiled from the website of the British Museum. Please visit http://www.britishmuseum.org.

Date posted: Sunday, May 10, 2015

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A Beautiful Fashion Accessory: The Lapel Pin Canadian Ismailis Received on the Occasion of Mawlana Hazar Imam’s 78th Birthday

full pins

By Abdulmalik J. Merchant
Publisher-Editor, Simerg.com

I was among the thousands of Ismailis across Canada who received this tiny object of sublime grace and beauty on the occasion of the 78th Salgirah (birthday) of Mawlana Hazar Imam, His Highness the Aga Khan, on December 13, 2014. The octagonal pin commemorates last September’s opening of the magnificent Toronto Ismaili Centre.

As a fashion accessory, the lapel pin has been growing in popularity in recent years, and is considered to be more memorable than many other accessories, as part of being “well-dressed!”

Lapel Pin Ismaili Centre Opening

The pin is octagonal, a pattern that has become very familiar in Islamic history since the 7th century. Within this octagonal structure are 3-sets of the eight-pointed star, which as a religious symbolism stretches in history to ancient civilizations. [1] The geometric octagonal design permeates numerous aspects of the new Toronto Ismaili Centre opened in 2014 as well as the first Ismaili Centre built in Burnaby, Canada, in 1985. Bruno Freschi, the architect of the Burnaby Ismaili Centre, said in an exclusive interview with Simerg:

‘GEOMETRY governs the entire site, the building. It is symbolized in the octagon, the mythical squaring of the circle. THE OCTAGON is Omni-directional. All axial relationships are equal providing an open and non-hierarchical circulation. The centre is everywhere, and everyone is in the centre.” [2]

Ismaili Jamatkhana and Centre: Light, Shadow and Darkness as sunlight filters through the lantern like windows.The Ismaili Jamatkhana and Centre, Burnaby. According to the architet, Bruno Freschi:

Ismaili Centre Tooronto Foyer

Top photo: Embossed octagonal patterns in the carpet of the  prayer hall of the Ismaili Centre and Jamatkhana located in Burnaby, Canada. Centre: The octagonal domes of the Burnaby Ismaili Centre. Bottom: The design of the exquisite lapel pin distributed to members of the Canadian Jamat on December 13, 2014, matches that of the floor in the foyer of  the Toronto Ismaili Centre, which has repeated octagonal geometric designs within which are 3 sets of the eight-pointed star. Photos: Gary Otte. 

The lapel pin will provide a great opportunity for members of the Jamat to stand out in public and achieve a look that is fresh and original. Wearing the pin will be an opportunity for Canadian Ismailis to make a historical statement in the context of the Jamatkhanas that have been built. It will draw the attention of others not familiar with the Ismaili Centres in Toronto and Burnaby to learn more about the buildings as well as the ethos of the Ismaili community and the Institution of Imamat by which Ismailis have been led since the demise of Prophet Muhammad (s.a.s.). On our part, an understanding of our faith and identity as Ismaili Muslims then becomes essential.

Ismaili Centre Lapel Pin

What may be regarded today as an object of fashion, might become one day an object of historic importance and lasting value like other objects, coins and memorabilia that have been produced during Ismaili history.

In the meantime, this graceful pin, whenever worn as part of your outfit will go to show how the addition of something so small can totally transform a look on someone or help to emphasize the image of our community and faith that we wish to portray. We can thus become role models and true ambassadors for the Jamat.

Enjoy the lapel pin!

Date posted: Monday, May 4, 2015.

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[1] For an interesting discussion about the significance of the 8-pointed star in Islamic architecture, please click on http://archnet.org/archive/message_107815.
[2] Please click Voices: Bruno Freschi, Architect of the Ismaili Centre in Burnaby, in Conversation with Simerg.

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