Much of the inspiration for my paintings comes from Mawlana Hazar Imam His Highness the Aga Khan’s guidance to the Ismaili community on the importance of brotherhood, pluralism, and living a life where we “do not forsake the soul for the material world.” Indeed, I draw continued encouragement from the Imam’s guidance as an artist and in my daily life.
Last year, I curated a painting for King Charles’s coronation, and on the occasion of Navroz — the Persian New Year — on March 21, 2024, the same painting, “Take Me Away,” was gifted to Mawlana Hazar Imam, who graciously accepted it and encouraged me to pursue my talents. His message moved me, and as a show of gratitude to celebrate his 67th Imamat Day on July 11, 2024, I have embarked on a series of Mawlana Hazar Imam portrait paintings that will be presented in the coming months on this website.
Simerg and its sister website, Barakah, share the first painting in this series that captures a very youthful Hazar Imam. When asked about my choice to depict Mawlana Hazar Imam at this age, I explain that it’s the image that has been etched in my mind growing up: a sympathetic, youthful figure radiating with light. This personal connection with the Imam drives my artistic expression and deepens my sense of gratitude.
Delving into mixed-media mediums, I use my heritage and strong affiliation with spirituality to sow the seeds of my creativity. Since completing my Graduate Diploma (Art & Design) and Master’s Degree (Painting) from the Royal College of Art, I have explored the intricacies of nature, human relationships, and spirituality within the field of art and their interrelationship.
Religion and spirituality are not just important themes in my art; they are the essence of my work, reflecting my deep exploration of faith and the human connection to the divine. My canvases are vibrant and alive, filled with a playful mix of colour, form, and texture, with natural mediums playing a pivotal role. Faith pushes me to transcend the physical and visible, uncovering what resides at the core and infusing the outer edges with life. Indeed, with such portraiture of the Imam, the lines between literal and divine interpretation are moving and profound.
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This portrait of the Aga Khan, painted with meticulous care and deep gratitude, captures his serene and compassionate essence. I have highlighted his gentle smile and thoughtfully intelligent eyes, conveying wisdom and kindness. The subtle use of colours and shading brings out the depth of his character and position in humanity, reflecting his profound impact as a spiritual leader and guide. One can easily see an overarching glow settled upon the canvas — reflecting his holy and elevated demeanour.
The border, crafted in real gold and liquid charcoal, symbolizes his love for nature and adds a unique, elegant touch to the piece. This artwork is a heartfelt tribute, expressing deep appreciation for the Aga Khan’s guidance and positive influence on my life and practice. It stands as a testament to the enduring respect and admiration he commands.
Upon gazing at this painting, one can forget that it is not a photograph. My brush has sought to create a three-dimensional profound effect which makes it appear that the face is emerging from the confines of the page to look into the viewer’s eyes, saying:
“Everybody makes mistakes. Never regret them; correct them. There’s no such thing as a perfect world or perfect life” — His Highness the Aga Khan.
Date posted: July 9, 2024.
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Work in progress, as Ismaili artist Shafina Jaffer paints a portrait of His Highness the Aga Khan in her studio in Dar es Salaam, Tanzania. The iconic artist was invited to the residence of the US Ambassador to Tanzania on US Independence Day, July 4, 2024, to exhibit her paintings featuring African women.
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