The Aga Khan Museum, the Ismaili Centre and their Park: Why I Like This Photo

As work commenced on the large empty plot that had formerly housed the Bata Shoe Company, the trees that lined the perimeter of the site were carefully removed, and gave way to heavy construction equipment and trucks as well as hundreds of skilled professionals for the multi-year construction phase of new Aga Khan Museum, the Ismaili Centre and their Park. Cranes illuminated the night sky. From a highrise building across the Don Valley Parkway, and from the beginning of the project, resident Jim Bowie began taking pictures of the site every single day from his balcony. When we published his highly acclaimed photo essay, In the Making: The Aga Khan Museum, the Ismaili Centre and their Park, we  invited  our readers to select a photo they liked. Here are reposts of two winning entries, as Canada and the world await the opening of the magnificent Aga Khan Museum to the public on September 18, 2014.

The Symbolism of the Halo

By Dana Lopez

Click to enlarge

A halo from the construction site of the new Ismaili Jamatkhana and the Aga Khan Museum in Toronto. The long exposure created this halo from the lights on November 29, 2010. It is not an effect that Jim Bowie created, and he can't quite explain it. Photo: Jim Bowie, Toronto.

A halo from the construction site of the new Ismaili Jamatkhana and the Aga Khan Museum in Toronto. The long exposure created this halo from the lights on November 29, 2010. It is not an effect that Jim Bowie created, and he can’t quite explain it. Photo: Jim Bowie, Toronto.

I enjoyed viewing Jim Bowie’s photo because of its symbolism. Two features are notable in particular. First, the area ringed by the halo appears calm, whereas the area outside the halo pulsates with heavy traffic. I came away with the impression that the haloed area represents a beacon in a hectic world. Second, the three bright lights inside the halo look like newborn stars, perhaps even a new universe. Viewed through this prism, the photo is asking us to make enlightenment the focal point of our daily lives. This interpretation is consistent with the desired impact of the center: to give strength to those of the Ismaili faith while beckoning others to explore the rich contributions of Islamic culture.

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Camera in Balcony

Click to enlarge

Jim Bowie's camera aimed at the construction site of the Aga Khan Museum, the Ismaili Centre and their Park. Photo: Jim Bowie

Jim Bowie’s camera aimed at the construction site of the Aga Khan Museum, the Ismaili Centre and their Park. Photo: Jim Bowie

By Kathreen Anne Lelis

I like this photo because it depicts the rising beauty ought to be discovered and deserves a future glory. The building site is surrounded by streets and industrialized buildings to mark new development – the Aga Khan Museum, Ismaili Center and their Park built at the center to serve as EMBLEM of a country with unity amidst cultural diversity. The light from the site shows its glowing hope in building a strong foundation to create glory. The camera serves as the people’s excitement to capture the priceless beauty made for them. It is facing the horizon which means that people are ready to face the opportunities the buildings offer and travel from the past to discover the reason of their success towards the future.

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About the winners: At the time her winning entry was published, Dana Lopez was a law student studying to become a child advocate at the California Western School of Law. She was honored to participate in Simerg’s essay contest because she believes that replacing fear with hope for a brighter future is the best way to ensure a stable civil society. Kathreen Anne Lelis lives in Philippines where she studied at the San Pedro College of Davao City.

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