Prince Amyn to Grace Aga Khan Museum’s Digital LAPIS Event on September 24, 2020: Register to Watch It; and a Poem by Farah Tejani

The Aga Khan Museum has been hosting the annual fund raising LAPIS event for the past few years, with Prince Amyn Muhammad Aga Khan honouring the event by personally attending it. Now due to Covid-19, the signature event has been reinvented with a broadcast from the Aga Khan Museum that everyone is invited to register for free. The program on Thursday September 24, 2020 will live streamed at 8 PM ET, and include remarks from Prince Amyn, Chairman of the Aga Khan Museum Board, meaningful conversations with acclaimed international artists on art in a changing world and four breathtaking performances with diverse talent from around the world.

The Aga Khan Museum invites you to join with friends and family from around the world as together it shares a unique message of hope, resilience and light. Please click HERE TO REGISTER.

And while we are on the subject of the Aga Khan Museum, let us remind our readers that September 12, 2020 marked the 6th anniversary of the inauguration of the Aga Khan Museum and the Ismaili Centre by Mawlana Hazar Imam, His Highness the Aga Khan, and the then Prime Minister of Canada the Rt. Hon. Stephen Harper. The Museum officially opened to the public on September 18, 2014, with the Ismaili Centre Jamatkhana (known as the Toronto Headquarters Jamatkhana) opening to Ismaili community for prayers on Friday, September 19, 2014.

To commemorate the openings of the Aga Khan Museum and the Ismaili Centre as well as to celebrate the LAPIS event on Thursday September 24, 2020, we are delighted to present this thoughtful poem by Farah Tejani of Vancouver.

Celebrating the Aga Khan Museum and the Ismaili Centre in Toronto

Ismaili Imamat Projects on Wynford Drive, Toronto, Canada. The Ismaili Centre (with glass dome), the Aga Khan Museum and the Aga Khan Park.

By FARAH TEJANI

Two complementary sister structures of architectural elegance and splendor
Jut out and pierce the heart of Toronto’s sky.
The Aga Khan Museum and
The Ismaili Centre.

United are they for the beneficial purpose of extending a hand
Of Everlasting Friendship,
Between Muslims and Non-Muslims alike.
Uniting the Muslim Ummah,
The World Ummah,
With Cultural and Religious Tolerance and Respect…

Dispelling all deplorable depictions of Islam in the Media,
By propagating the Truth:

Peace, Love, Brotherhood, Compassion, Spirituality and Prayer.

Yes, we extend a hospitable, gracious, loving hand of friendship,
Celebrating Cultural Diversity,
Historical Traditions,
Arts and Artifacts,
Awe-inspiring Calligraphic Designs and Structures,
Tours, Recitals, Exhibitions, Theatre, Films and
Educational and Cultural Activities.

The Ismaili Centre has unique and grand tiled floors
Laced with elaborate, poignant calligraphy,
Upon entering the prayer hall
We begin every act beseeching God to
Bless and Accept
All Our Endeavours.

The Prayer Hall’s distinctive
And elegant Crystalline dome,
Illuminates the night sky,
Reflecting itself into the pond,
While angels come together to lift and carry,
Each and every Murid’s,
Most Earnest and Heartfelt Prayer
To the stars:
Just Outside Allah’s Door.

Comprising one fifth of the world,
We are Muslims…
Yet there is little known of our faith and traditions.
These two buildings will stand side by side like Doves of Peace,
Aiming to bridge the gap and promote Compassion and Understanding,
Welcome, one and all.

Housing Well-Preserved Priceless Works of Art:
Objects and Artifacts,
From the Aga Khan and his Family’s Personal Collection,
The Aga Khan Museum’s Relics will tell of themselves,
For countless years to come.

Tradition and Modernity,
Come and join together to create these Majestic Timeless Landmarks,
For people from all parts of the world to enjoy.

As His Highness the Aga Khan said at the Opening Ceremony:
“We are, after all, a community that WELCOMES THE SMILE!”
With His Grace, many outdated notions of what Islam is
Will be Demystified,
And the Exemplary Fundamental Truths Unveiled
For all to see.

So again we say Welcome…
We extend a hand of Loyal and Loving Friendship,
With Peace, Brotherhood, Unity and Prayer at the Core of Our Existence.
And from the Heart of each and every individual Ismaili,
We welcome you to
Our Wonderful Universal and Timeless Tradition.
Come discover, share and learn.

Date posted: September 24, 2020.

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We welcome feedback from our readers. Please complete the LEAVE A REPLY form below or click on Leave a comment . Your letter may be edited for length and brevity, and is subject to moderation.

Farah graduated with her Bachelor of Arts in English Literature and her Master of Fine Arts in Creative Writing from the University of British Columbia in May of 1997 and earned top Honors for her Thesis on Short Fiction. With the help of her agent Barbara Graham she then went on to publish a collection of short stories published by Trafford, called, “Make Your Own Chai, Mama’s Boy!” — ten short stories dealing with different dilemmas South Asians face. Farah also wrote and co-directed her stage play, “Safeway Samosas,” which won “The Best of Brave New Playwrights Award” in July 1995. Her short story , “Too Hot” won third place in the “Canada-Wide Best Short Fiction Award.” and was read at The Vancouver Writers Festival. Currently, Farah is working on Childrens’ stories and a collection of poetry called, “Elastic Embrace” to be published in 2021. Her most recent poetic pieces are Behold the Light of Ali and The Great Sacrifice.

Iringa Jamatkhana, Mohamed Hamir, Ismaili, Simerg

Alijah Mohamed Hamir Pradhan, Inspiration Behind the Ismaili Jamatkhana in Iringa, Tanzania

By MOHAMED HAMIR

[This special piece for Simerg is a revised version of the original article by the author that was published in Khojawiki in July 2020 — Ed.]

In 1933, in the midst of a global recession, a landmark building, a prayer house, arose in the center of a small provincial town in the interior highlands of Africa. The story of this remarkable building had its genesis in Kutch based family patriarch by the name of Hamir Pradhan, my great grandfather.

The Hamir family of Sinogra/ Nagarpur districts of Kutch was remembered as a reasonably prosperous and enterprising family in the latter half of 1800s. Hamir Pradhan had sired eight sons and one daughter. He was also a person of deep faith and community service. He had built and donated a small Jamatkhana in Sinogra. There is evidence that Hamir Pradhan had created a legacy of community service and sacrifice that left deep impression on his children and the community in Kutch. 

During early part of 1900s, six of the Hamir male siblings had joined the large scale migration of peoples from Kutch, Kathiawaar and other parts of Gujarat plagued by large scale famine, to the colonized countries of eastern and southern Africa. One of the young men among these siblings to migrate was Mohamed Hamir Pradhan, my grandfather. He was married to Bachibai, my grandmother. She and their first born daughter Fatma, who was around 3 years at the time, were to join my grandfather in Africa several years later.

Mohamed Hamir Pradhan (1880 - 1943) of Iringa, Tanzania Simerg
Mohamed Hamir Pradhan (1880 – 1943). Photo: Hamir Collection.

My grandfather, Mohamed Hamir (Pradhan) was born in Sinogra, Kutch in 1880. Following his siblings, in 1902, he arrived in Tanganyika (now Tanzania), a German colony at the time. After a short stint in Kilosa with one of his brothers, Haji Hamir, he followed another brother, Satchu Hamir, to Iringa, a quintessential German/British colonial outpost town in the Southern Highlands, where he went to work for him in his retail (duka) shop. He helped his brother expand his business to inland villages, often traveling for weeks with a caravan of porters carrying merchandise. In 1905, three years after his arrival in Tanganyika, he formed his own business.

Benefiting from his trading experience and extensive contacts with both the German and later British colonialist, he was able to capitalize and benefit from the war economy of the First World War (1914-1918). Over the next three decades he became a successful entrepreneur in retail and residential real estate development. Also over the next several years he and my grandmother Bachibai who had joined him from Kutch, expanded the family to include three more daughters and a son. This expanded, and eventually extended family through marriages, was to play a large role in my grandfather’s business successes, and more importantly in helping him achieve his ultimate legacy. Since his son, my father was only 12 or 13 years of age, his daughters played a key role in running his retail business and were deeply involved on his legacy project.

Bachibai Mohamed Hamir Pradhan, Ismaili Iringa simerg photos
Bachibai Mohamed Hamir Pradhan. Photo: Hamir Collection.

The names of my grandfather’s children and their marital families are (chronologically): daughters Fatma Mahamed Ladha, Sikina Bhimji Asser Sachedina, Jena Ramzan Parpia, and Rehmat Fazal Manji; and son and daughter-in law Akbar and Kulsum Mohamed Hamir.

In early 1930’s and in the midst of The Great Global  Economic Depression, our grandfather embarked on a project that would become a matter of pride and an important legacy for our family and the Ismaili community of Iringa. Inspired by his father Hamir Pradhan’s generosity and community service, as well as his own deep faith, he proposed to the community that he wanted to build a Jamatkhana complex and donate it to the Imam for benefit of the Ismaili community in Iringa. My grandfather’s proposal called for a two story Jamatkhana building with a capacity for 600 people, four times the Jamat size at the time. The complex was to include primary school facilities, a social hall, a guest house (dharmshara) and a recreation compound. The building was to be located right in the middle of the main street, which later was named as Jamat Street, a tribute to the Ismaili community of Iringa for the Jamatkhana building that manifested prominently on the street.

With perseverance and after several design changes, he was able to get an agreement on his plan and approval for the project from the appropriate jurisdictional leadership as well as our Imam. The construction was commenced in 1931 and completed in 1933. Due to drastic economic conditions, my grandfather had to resort to borrow money to complete the project. Several prominent families had stepped up to lend him the money. Our family folklore describes his obsession with the project that was of legendary proportion. At times, things got so desperate that he personally and physically toiled on the projects along with our family members to help the project move along to completion.

Iringa KIsmaili Jamatkhana, landmark street scene, Simerg.
Street scene with Iringa Ismaili Jamatkhana standing out prominently with its high tower and clock. The Jamatkhana was completed in 1933 with the support and initiative taken by Alijah Mohamed Hamir Pradhan. Photo: Courtesy Shafin Haji.

At the time of the completion of the Jamatkhana in 1933, it was reported to be one of the best in Tanganyika, and architecturally one of the most beautiful in the whole of East Africa. Over the next twenty-five years the Ismaili Jamat in Iringa grew five-fold, exceeding the original capacity of 600. The Jamatkhana complex was not only the anchor of the community, but also a major catalyst for the growth of the Ismaili community in Iringa. Later in the 1960s, my father, Alijah Akbar Mohamed Hamir, expanded the capacity of the Jamatkhana to accommodate the growing Khoja Ismaili community in Iringa.

At the Golden Jubilee of Imam Sultan Mahomed Shah in Nairobi 1936, our grandparents were scheduled for special audience with the Hazar Imam in order to formally present the gift of the Iringa Jamatkhana. However due to the last minute illness of my grandmother they were not able to make the long journey to Nairobi. Our Imam accepted their gift in their absence, and conveyed much appreciation and blessings to them and to their family. This was the happiest moment in our grandfather’s life! The Imam also bestowed on him an honorific title of Alijah.

Iringa Ismaili Jamatkhana Tnazania Simerg article
A close up view of Iringa Ismaili Jamatkhana, completed in 1933 with the support and initiative taken by Alijah Mohamed Hamir Pradhan. Photo: Courtesy Shafin Haji.
Aga Khan Ismaili Iringa Jamatkhana close-up of bell clock, Simerg
An enlarged view of the prominent bell clock of the Iringa Jamatkhana. Photo: Courtesy Shafin Haji.

Since its manifestation almost 90 years ago, the Iringa Jamatkhana  continues to stand as symbol of the town’s identity. Located in the heart of the town, the high and prominent clock tower, adoring the architecturally beautiful building, remains the emblem and inspiration to the local and diasporic community of Iringa. Its large bell clock and high visibility reminds people to the calling of the time, and the out-of-town visitors to their bearings.

It is a source of pride for our community and our family to have the Jamatkhana be such an iconic monument of the town. It is also a tribute to my grandfather’s foresight, faith, leadership and perseverance. His generosity and service to the community is a remarkable legacy and an inspiration for our family and for the future generations.

Date posted: August 2, 2020.

We welcome feedback/letters from our readers. Please use the feedback box which appears below. If you don’t see the box please click Leave a comment. Your comment may be edited for length and brevity, and is subject to moderation. We are unable to acknowledge unpublished letters

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Mohamed Hamir

About the author: Mohamed Hamir, originally from Tanzania, has lived in numerous locations throughout USA since 1969. He is a retired financial services executive including a 20 year career with Citibank in the USA. He has an undergraduate degree in science from London University, UK and an MBA in finance from Indiana University. His work experience and extensive travel included both USA domestic and international markets.

Since his retirement in 2001, he has been passionate about causes involving female infanticide and education of marginalized children. He is on the Advisory Board and member of the LEADers Circle of PRATHAM USA, a prominent global educational NGO. He is also the Executive Producer of “Petals in the Dust”, an award winning documentary exposing gender discrimination, girl killing and violence against women in India.

Among his numerous services to the Ismaili community, he has served as both Mukhi and Kamadia of the Jamats in the USA. From 1988 to 1991 he served as a member of the National Council for USA with a portfolio of fund raising for Jamatkhanas. In 1968, when he was a student in London, he co-founded and was the first president of the inaugural Aga Khan Sports Club of U.K. He currently resides with his family in Southern California.

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Before departing this website please take a moment to review Simerg’s Table of Contents for links to hundreds of thought provoking pieces on a vast array of subjects including faith and culture, history and philosophy, and arts and letters to name a few.

Translucent Night

 

 

By NAVYN NARAN

A grain of sand,
Held in its shell.
A pearl is born, hidden from sight
These are reflective within the whole
Under the opaque crystal
Of the peaked Ismaili Centre dome
Here grains of sand
transform into pearls.
A mountain peak risen
From circular white granite
The translucent glass faces
His one time home.

The moon is peeking out
As it waxes on a journey
The clearest night paves the way
towards a seventh heaven
No clouds to deter the clarity and blessings
of quanta and waves.
Piercingly clear, nothing interferes.
The dome sits majestically, still as thin air
In the bright night lit of stars
Where all souls pray.

Those who eat of the fruits of that which is within
In the peace of the night
Light enters through the transparent glass
You search for the spiritual nature of being
Between the opaque and the transparent.

Peace tonight as Shawwal arrives
Then dawn will break clearly
And rustle of wings and hymns of birds will be heard,
As buds have been born
Tulip has bloomed
Russian sage is waking
Cherry blossoms are done
Serviceberry smart in rows, salutes
Infinity pools await water,
Thoughts take root.

And so we wonder,
What is under this dome?

Ismaili Centre Toronto Dome
The dome of the Ismaili Centre Toronto

Date posted: May 25, 2020.

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About the author: A regular contributor to this website, Dr. Navyn Naran was born in Dar es Salaam, Tanzania, to Anaar (1936-2017) and Badrudin Naran (1930-1979). She is currently in Toronto working in pediatrics and volunteering at the Aga Khan Museum.

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We welcome feedback/letters from our readers. Please use the feedback box which appears below. If you don’t see the box please click Leave a comment. Your comment may be edited for length and brevity, and is subject to moderation. We are unable to acknowledge unpublished letters.

Before departing this website please take a moment to review Simerg’s Table of Contents for links to hundreds of thought provoking pieces on a vast array of subjects including faith and culture, history and philosophy, and arts and letters to name a few.

 

Photos: Walking through the Aga Khan Park on a beautiful day of spring

PLEASE CLICK: Photos of Aga Khan Park, Ismaili Centre, Aga Khan Museum and Cherry Blossoms at Japanese Canadian Cultural Centre

Aga Khan Park Photos at Simergphotos
Please click on image for more photos.

Date posted: May 8, 2020.

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Latest on COVID-19: Ismaili institutions in Canada announce Jamatkhana closures nationwide as provinces take steps to limit large gatherings

Please click on image for guidelines and other important information issued by the Ismaili institutions in Canada

Ismaili institutions in Canada respond to COVID-19 with Jamatkhana closures

LATEST DEVELOPMENT: The Aga Khan Museum has announced that it will be temporarily closed until April 7, 2020. All scheduled events and programs up to and including April 6 have been cancelled. Ticket purchases for affected Museum events, programs, and performances will be automatically refunded by March 20, 2020.

The following information has been compiled from the Ismaili Canada website and the Al-Akhbar special COVID 19 supplement:

Provincial health authorities in Canada have announced additional steps to limit large gatherings and reduce the risk of infection from the spread of COVID-19.  As a result, the Jamati Institutions, in consultation with public health officials, and with the aim of protecting the most vulnerable in our Jamat, have closed Jamatkhanas in each jurisdiction. This includes morning, evening and weekend ceremonies. All Jamatkhana-based programming is also cancelled including social events associated with the celebrations of Navroz such as dandia raas, traditional dancing as well as jamans (large scale dining).

The decision to close our Jamatkhanas has not been taken lightly, and we seek the Jamat’s understanding and forgiveness for any inconvenience caused.  While the Public Health Agency of Canada continues to assess the risk to the general population in Canada as “low”, we are taking these precautionary steps in the interests of the Jamat’s long-term health and security.  

The Jamati Institutions will continue to provide regular information and updates to the Jamat via the electronic Al-Akhbar and iiCanada app.  We pray for the safety and security of all Canadians and for all those affected globally.  

EARLIER NEWS: Earlier during the day, Ismaili institutions had announced a cap of 250 people in Jamatkhanas in British Columbia, Ontario and Quebec following bans by the three provincial governments of gatherings of more than 250.

The Al-Akhbar newsletter distributed by the Aga Khan Ismaili Council for Canada via subscriptions contains COVID-19 updates with the intention of keeping the community informed of developments as they unfold, with specific reference to the situation in Canada, which is different from that in other parts of the world. Please click here for the latest COVID-19 update.

Ismaili institution response to COVID-19 in other parts of the world

Link(s) to measures taken by Ismaili institutions in other parts of the world for their respective Jamats will be provided below and will be updated regularly:

1. PORTUGAL – The Ismaili Portugal Atualizações: COVID-19

For non-Portuguese speakers, please use google translate to obtain a fairly accurate translation of the changes that are being implemented in Portugal. Interestingly, the article is pretty open about the specific steps that are being implemented within the ritual and ceremonial aspects of religious practices to contain COVID-19. The Portuguese article also states there have been no confirmed cases of COVID-19 in the country among Jamati members. – Ed.

2. USA Jamatkhana closures – The Ismaili USA COVID-19 Updates

3. Aga Khan University’s Response to COVID-19: President Rasul’s message

4. Far East Jamat: Navroz Message and COVID-19 guidelines

Muslim countries take steps as Coronavirus plagues the world

Note: The content in this section is not being updated.

. Saudi Arabia has suspended Umrah pilgrimage to Mecca and Medina. Umrah is a pilgrimage that many Muslims elect to perform at any time of the year, and is a shortened version of the annual Hajj pilgrimage that is scheduled to take place in late July. Last year’s Hajj was attended by more than 2 million people, and this year’s Hajj hangs in the balance as fears about the coronavirus plague the world:

. Iran has cancelled Friday prayers across provincial capitals

. Singapore Muslims have been urged to bring own prayer mats to mosques;

. The government of Tajikistan has asked Muslims to avoid going to mosques for the Juma (Friday) prayers;

. Iran, Azerbaijan and Tajikistan are among countries that have halted the annual celebration of Navroz that takes place around March 21;

. In Malaysia, the health ministry has called on mass gatherings to be postponed after 12 cases were linked to a 3 day Islamic conference held in Kuala Lampur recently;

. Singapore has temporarily closed all the country’s mosques for deep cleaning from Friday March 13 after two men contracted the coronavirus while attending the Islamic conference in neighbouring Malaysia;

. The Muslim Council for Britain has just released a four page document containing guidance on the impact on mosques, madrasas and Islamic centres in the UK after the announcement that an emergency legislation is to be introduced to contain the spread of COVID-19;

. Across various faiths and religious denominations, rituals and practices are being tweaked to adapt to the outbreak of a disease that thrives on nothing more than close human contact.

Stouffville Metro supermarket; Vovid 19 rush.
At around noon on Friday, March 13, 2020 in Stouffville, north of Toronto, a Metro grocery store parking lot was full. Concerned shoppers had filled their shopping carts with all the essentials, and the line-ups at the cashiers at the supermarket were long as is shown in the photo above: Photo: Malik Merchant/Simerg.

Date posted: March 13, 2020.
Last updated: March 19, 2020.

Before departing this website please take a moment to review Simerg’s Table of Contents for links to hundreds of thought provoking pieces on a vast array of subjects including faith and culture, history and philosophy, and arts and letters to name a few.

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Brushing off the “Weeping Walls” of the Historic Bagamoyo Ismaili Jamatkhana

…Now no one cares, no paint on the walls. Who can save this lovely heritage? So sad to see the weeping walls — Shariffa Keshavjee in a piece for Simerg

Bagamoyo Jamatkhana
A view of the Indian Ocean from the balcony of the Jamatkhana, overlooking the building’s rooftop. Photo: Shariffa Keshavjee, Nairobi, Kenya.

Taking Example of Pakistan’s Baltit Fort, the Bagamoyo Jamatkhana Can be Converted to a Museum Chronicling Ismaili Settlement in Tanzania

By MALIK MERCHANT
(Publisher-Editor, Simerg, Barakah and Simergphotos)

In the wake of the partial collapse of the roof the historic Darkhana Jamatkhana in Dar es Salaam, Tanzania on Tuesday September 3, 2019, we felt it important to highlight an incredible photo story that Shariffa Keshavjee of Nairobi contributed to Simerg some seven years ago. She had then lamented the sorry state of the historic Bagamoyo Jamatkhana through prose, pictures and thoughtful poetry in a highly acclaimed must read piece. Another very interesting piece on Bagamoyo was by Zahir Dhalla with photos of the Bagamoyo beach area where Mawlana Sultan Mahomed Shah set foot on East African soil for the first time in 1899 when he arrived in a yacht from Zanzibar. Zahir’s exterior photos of the Jamatkhana highlighted the building’s poor state.

A passage from the Bagamoyo Jamatkhana leading upto the sea front. Photo: © Shariffa Keshavjee, Nairobi, Kenya.
Bagamoyo Jamatkhana interior
The tejori (left) and the flag of the Ismaili Imamat resting against one of Bagamoyo Jamatkhana’s “weeping walls.” Photo: © Shariffa Keshavjee, Nairobi, Kenya.

The questions we would now ask of Ismaili residents of Dar es Salaam, Bagamoyo or anyone who has visited Bagamoyo recently as well as our Tanzanian Jamati institutions are: How are the “weeping walls” of the Jamatkhana doing today? What about the passageway leading to the ocean? How about the tejori (chest) in the Jamatkhana, and what is the state of the Ismaili Flag and sadri (floor mats)? And, finally, how is the Jamatkhana being utilized today, and can the Ismaili community feel proud about its current state and usage?

We look forward to an update on the state of the Jamatkhana with the sincere hope that what was once an eyesore, both outside and inside, has been restored to its former glory. If that has not been done yet, which is what we suspect, and the building is simply languishing and not used as a Jamatkhana anymore, we humbly bring forward the idea to convert the historic building to a museum that will hold important relics as well as portray the history of early Ismaili settlement in Bagamoyo and other parts of Tanzania (then Tanganyika). Many little towns that I have visited during my drives across North America have small museums housed in heritage buildings that wonderfully tell stories about their origins and the people who first occupied them. Of course, the Bagamoyo Jamatkhana building has to be be properly restored for any such project to develop, and this should quickly become a work in progress.

As a Jamat, we have to be mindful of historical buildings and places of worship like the Bagamoyo Jamatkhana, and do everything possible to revive and revitalize our cultural and spiritual heritage before they are forgotten or lost forever due to neglect, lack of interest or apathy.

Ismaili Jamat Khana and Cemetery, as seen from the Bagamoyo beach. Photo: © Copyright Zahir K. Dhalla 2017.

Time and Knowledge Nazrana: A Major Resource for Creative Projects

Institutions must lead and inspire the Jamat, and the Jamat must in turn respond with zeal and interest. It is a 2-way effort. Perhaps, there is an opportunity for hundreds of Ismaili architects, artists, planners and engineers who pledged their Time and Knowledge Nazrana (TKN) to Mawlana Hazar Imam to take a lead to improve the condition of our historic buildings that are in disarray for good and purposeful use.

Bagamoyo Jamatkhana
Ismaili Cemetery, at the Beach and the Indian Ocean, seen from the balacony of the Bagamoyo Jamatkhana.  Photo: © Copyright Zahir K. Dhalla 2017.

That can be properly and effectively facilitated by the TKN leadership team that is based in Toronto, in consultation with Ismaili institutions and local TKN bodies around the world. The transformation of the Baltit Fort in Pakistan that was undertaken by the Aga Khan Trust for Culture is an example of what can be accomplished with the Bagamoyo Jamatkhana and other heritage buildings of historical importance. There is immense talent and creativity in the Jamat as well as material resources that can be utilized for well planned little museum projects that would not only enrich local history, but also help boost the tourism industry. After all Bagamoyo, with its world class historical sites, has been proposed as a World Heritage Site.

Date posted: September 5, 2019.

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Photos and Video: The Aga Khan Museum Lights up its Facade with a Beautiful Show in the Dark

For 4 evenings, the Aga Khan Museum ran a repeating 15 minute video segment highlighting some of its programs and events on its main entrance wall. Approximately 4,000 people visited the museum during the light show held from December 27-30, 2018 between dusk and 9 PM…. MORE

Please click on image for video and photos

Date posted: January 1, 2019.
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Passings: Izzat Muneyb remembered through her poetic reflections on Prophet Muhammad, the Prophet’s Mosque in Madinah and the London Ismaili Centre

Izzat Muneyb (d. May 20, 2017)

By Abdulmalik Merchant

(NOTE: You may submit a condolence by clicking the COMMENTS box shown above left, beside the title — thank you, ed.).

It is with great sadness that we announce the passing of Izzat Muneyb on May 20th, 2017 in London, England, at the age of 75. Izzat was buried at the Ismaili cemetery at Brookwood in Surrey immediately following a funeral ceremony held at the West London Jamatkhana on Saturday, May 27th at 10:45 a.m.

We convey our heartfelt condolences to Izzat’s surviving sisters Zarin and Gulzar and their families, as well as all who knew her in the U.K. and many other parts of the world. We pray for the eternal peace and rest of Izzat’s soul.

Izzat Muneyb was raised in Mombasa, Kenya, and then pursued her further studies in the UK where she obtained an Honours degree in English from Birmingham University, a Post-Graduate Certificate in Education from Kings College, London and a Masters in Curriculum Studies from London University, England. She had a varied career, working in the fields of education, health, commerce and public order. She served on various Ismaili community institutions, including the Shia Imami Ismaili Tariqah Board, Mombasa, His Highness the Aga Khan Provincial Tribunal and His Highness Aga Khan Education Board in Nairobi. As an Education Board member, she originated the concept of, and edited, the Commemorative Issue 1977-78, to celebrate sixty years of Ismaili education in Kenya. From 1983–1994, she worked at the Institute of Ismaili Studies in London as a Member of the Education Unit and contributed to the Ta’lim Curriculum which is used throughout the Ismaili world to impart religious education  Over the last few years, she focused on her own creative writing in London.

Izzat contributed numerous pieces for this website, and we are pleased to re-publish her thoughtful reflections on the Prophet Muhammad (s.a.s.), the Prophet’s mosque in Madinah and the first purpose built Ismaili Centre and Jamatkhana in the Western World that is located in London.

WE  WELCOME READERS’ TRIBUTES IN MEMORY OF IZZAT MUNEYB

We invite your tributes and messages of condolences in memory of Izzat Muneyb. You may do that by clicking on LEAVE A COMMENT (that is also shown at left of the title of this post, at top). Should you run into issues while submitting your comment, then please send it via email to simerg@aol.com, Subject: Izzat Muneyb.

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1. In Praise of Prophet Muhammad
(May Peace Be Upon Him)

BY IZZAT MUNEYB

Author’s note: This song introduces us to some of the titles by which Prophet Muhammad came to be known. They are: ‘Ahmad’, ‘Mustafa’, ‘Rahmatan li’l-‘aalameen and ‘King of law laak’. The words ‘law laak’ in Arabic mean, “Were it not for…” There is a Hadith of Prophet Muhammad, where Allah speaking to His prophet, says, “Were it not for you, I would not have created the universe – law laaka lamaa khalaqtu’l-aflaaka.” [1]

N.B: The lines marked * are sung twice.

Muhammad, Muhammad,
How shall we praise you, Muhammad?*

Shall we call you Ahmad?*
He who is praised in heaven
Shall be praised here on earth.

Muhammad, Muhammad,
How shall we praise you, Muhammad?*

Shall we call you Mustafa?*
The Chosen of God on earth,
You have brought us the Qur’an.

Muhammad, Muhammad,
How shall we praise you, Muhammad?*

Shall we call you Rahmatan li’l-‘aalameen?*
God sent you as a Mercy
To the whole of creation.

Muhammad, Muhammad,
How shall we praise you, Muhammad?*

Shall we call you the ‘King of law laak’?*
Even God says He created
The universe for you.

Muhammad, Muhammad,
How shall we praise you, Muhammad?*

© Copyright: Izzat Muneyb.

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Notes:

[1] Source: Sukheel Sharif, The Jawziyyah Institute, 2006

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2. Building the Prophet’s Mosque — Masjeedun Nabee — in Madinah

An Islamic miniature from Siyer-i Nebi (16th century, Turkey), depicting Bilal giving the call to prayer. Photo: Wikipedia.

BY IZZAT MUNEYB

Author’s Note: This ballad tells the story of how the first mosque in Islam, the Prophet’s Mosque in Madinah, Masjeedun-Nabee, was built and how the first Muslims were called to prayer, with Bilal, a black Muslim, reciting the first adhaan. [1] The Prophet (Peace be upon Him) let his she-camel, Qaswaa’, who was “under the command of God”, choose the site. This allowed him to not have to accept land from, and thus show partiality to, any of the influential clans in Madinah.

N.B: The first line of each verse is sung twice. The ballad should ideally be sung to the accompaniment of a guitar.

Qaswaa’ the camel has chosen the ground,
Dig here, O Muslims and level the ground.        Qaswaa’.…….1

Muhammad has said, “O, here will I stay,
Here build my mosque and here shall I die”.         ..…….………2

Cut down the trees and make the pillars,
Lay down the bricks and cement with mortar.      ……………….3

The Muhaajiroon [2] and the Ansaar [3]
Work with a will in the spirit of Islam.                   ……………….4

Aly then asks how to ‘complete’ the mosque,
“How shall we call the believers to prayer?”          ..…………….5

The Muslims think hard, “O shall we use bells [4]
If not a Jewish horn, then a trumpet perhaps.”     ………………6

Then, humble and meek, Abdallah did speak,
“I dreamt, Ya Rasool, a human voice, I pray.”       ..…………….7

Muhammad then said: “O my faithful Bilal,
It is you who must say the very first Adhaan.”      ..………….…8

And so did Bilal God’s praises sing
And his powerful voice in Madinah did ring.          ..……………9

Here endeth my tale of Masjeedun-Nabee,
It still stands today in Madinah city.                       …………….10

© Copyright: Izzat Muneyb
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[1] Adhaan is the Muslim call to prayer. Bilal climbed up a palm tree, to recite the first adhaan, because he wanted his voice to carry far and wide. Minarets appeared around eighty years after the Prophet’s death, to call the faithful to prayer.
[2] Muhaajiroon– The Emigrants, Muslims who made the hijrah or migrated from Makkah to Madinah, because of the persecution of the Makkan Quraysh. The Prophet finally made the hijrah during September 622 A.C., after all the Muslims, except Imam Ali, had left Makkah.
[3] Ansaar – The Helpers, Madinan Muslims, who helped the Makkan Muslims settle in Madinah.
[4] Ringing church bells is a Christian practice – the Muslim call to prayer had to be unique to Islam.

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3. At the Ismaili Centre

Ismaili centre bismillah Entrance

The Entrance Hall of the London Ismaili Centre.

BY IZZAT MUNEYB

As soon as I enter the Ismaili Centre,
What do I see in Arabic calligraphy?

Bismi’llaahir-Rahmaanir-Raheem
Is what I see. ”In the name of Allah
Most Kind, Most Merciful.”

In the name of Allah I begin all things,
In the name of Allah I conceive all thoughts;
In the name of Allah I complete all deeds.

As soon as I enter the Ismaili Centre,
What do I see in shining marble
And white plaster?

I see a star-shaped fountain, pouring out water.

The fountain is so clear,
And the water so pure…

We too must be pure in body and soul
And polish the mirror of our hearts!

Why is the fountain seven-sided?
What does it mean?

Seven is the number of perfection
And seven times seven gives us
Our forty-ninth Imam.

The guidance of the Imam of the time –
And his portrait in mosaic, crafted from lapis,
Glowing with gentle radiance reminds us –
Helps us to grow closer to Allah.

But, have you seen the grey interlace design
Around the fountain?

Yes, it is a flower of beauty.

Al-kathratu fi’l wahdati,
Wa’l wahdatu fi’l kathrati
Is what it means.

The One has originated
The multiplicity of creation;
Now, from that multiplicity we move
Towards the Unity of the One.

And as I climb the stairs of the Ismaili Centre,
What do I see hanging from the ceiling?

I see lamps luminous and gleaming,
Full of light and full of meaning.

By the light of the lamp
We read the Qur’an.
With the light of the Lamp
We begin to know.
The light of the Lamp
Leads us to the Light of God

As I climb to the next level,
What do I see?

I see a painting, vibrant,
Swirling in colour.

It tells of the Verse of Light,
The Aayat’un Noor,
It hints at the mystery of
Noorun ‘alaa Noor.

As I enter the prayer hall
What do I see on the qiblah wall
In dark columns tall?

Carved in wood and written in space,
The panels say, Allah, Muhammad and Ali,
Allah, Muhammad and Ali.

These Beautiful Names invite me
To take my place with the Jamat,
They become my rosary.

As I sit down, as I close my eyes,
What do I do? What do I say?

I remember Allah.
I say,“Ya Muhammad”, “Ya Ali”,
I say, Salawaatu’llaahi alayhumaa
Salawaatu’llaahi alayhumaa.

The Grace of God fills the hall,
The Light of God bathes us all.

Cleansed in thought and spirit,
I feel the presence of God
And am filled with His peace.

© Copyright: Izzat Muneyb.

Date posted: May 27, 2017.
Last updated: May 30, 2017 (formatting and new comments).

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Editorial Note: The poem was first published in July 1987 in Ilm, Volume 11, No. 2, p. 39-41. It was originally written for the younger members of the Jamat, to be recited either by an individual, or as a choric or part poem. Readers might find the movement of the poem interesting. As the individual climbs higher through the various levels of the London Ismaili Centre to the Jamatkhana hall, so also the poem marks an inner journey from a physical to a devotional and then to a spiritual plane of being.

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Your tribute to Izzat Muneyb

We invite your tributes and messages of condolences in memory of Izzat Muneyb whose funeral took place on Saturday, May 27, 2017 in London, England. Readers may do so by clicking on LEAVE A COMMENT. If you encounter problems in submitting your comment, then please send it to simerg@aol.com, Subject Izzat Muneyb.

A Marvellous Collection of Photos of His Highness the Aga Khan’s Visits to Canada, India and Greece

Editor’s note: In Part II of a special series on the 49th Ismaili Imam’s visits to numerous countries that he undertook during 2015, we cover India (April), Canada (May) and Greece (September). Please click A Marvellous Collection of Photos of His Highness the Aga Khan’s Visits to Canada, India and Greece.

Please click on photo for complete story and more pictures. Photo: Ontario Liberal Part. Copyright. Published with permission.

Please click on photo for complete story and more pictures. Photo: Ontario Liberal Part. Copyright. Published with permission.

@Simergphotos: The Ismaili Centre in Dushanbe, Tajikistan, Through the Lens of Canadian Photographer Muslim Harji

PLEASE CLICK: Dushanbe’s Ismaili Centre Through the Lens of Muslim Harji

Happy Children Faces at the Dushnabe Ismaili Centre. Please click on image for Muslim Harji's Photo Essay.

Happy young faces at the Dushanbe Ismaili Centre. Please click on image for Muslim Harji’s Photo Essay.

Please click on image for Muslim Harji's Photo Essay.

Please click on image for Muslim Harji’s Photo Essay.

Date posted: September 27, 2015.