Section of Dar es Salaam Darkhana Jamatkhana’s roof collapses; timing of incident averts major tragedy – 3 are treated for minor injuries

Report compiled by MALIK MERCHANT
(Publisher-Editor, Simerg, Barakah and Simergphotos)
Note: Photos were received from numerous sources in Dar es Salaam

Ismaili Darkhana Jamatkhana roof collapse September 3 2019
Aerial photograph of Dar es Salaam’s Darkhana Jamatkhana following collapse of a large section of the roof on Tuesday, September 3, 2019. Major tragedy was averted as the incident occured late in the morning, and not between 4-6 AM when several would have been present inside the Jamatkhana for morning prayers.

A major tragedy was averted on Tuesday, September 3, 2019, at the historic Darkhana Jamatkhana in Dar es Salaam, Tanzania, when a large segment of the roof collapsed late in the morning. An aerial view of the Jamatkhana along with several other photos we have received shows the extent of the damage on the roof as well as the interior of the Jamatkhana. Luckily, the incident occured at around 10:45 AM and not between 4:00-6:00 AM when several Jamati members would have been in attendance in Jamatkhana for the early morning prayers.

Our sources inform us that three workers who were present on site at the time of incident were immediately treated for minor injuries at the Aga Khan Health Centre located near the Jamatkhana entrance. Two workers escaped with minor bruises on the leg, and the third, after receiving a few stiches for cuts on her head, was kept in the hospital for overnight observation. She was said to be doing well.

Interior damage following roof collapse of Dar es Salaam's Ismaili Darkhana Jamatkhana
A scary view of the damage caused to the interior of Dar es Salaam’s historic Ismaili Darkhana Jamatkhana following the collapse of the roof (see photo above) on Tuesday, September 3, 2019.

We have learnt from reliable sources that the ceiling was renovated during the Golden Jubilee Year of Mawlana Hazar Imam. However, we do not know whether that involved the structural inspection of the roof.

The Jamatkhana will remain closed until repairs are completed. In the interim, the Jamatkhana ceremonies will take place at the adjacent social hall.

Dar es Salaam Ismaili Darkhana Jamatkhana rooftop collapse
A view of the damage caused to the interior of Dar es Salaam’s historic Ismaili Darkhana Jamatkhana following the collapse of the roof (see photo above) on Tuesday, September 3, 2019.
Dar es Salaam Ismaili Darkhana Jamatkhana rooftop collapse
A view of the damage caused to the interior of Dar es Salaam’s historic Ismaili Darkhana Jamatkhana following the collapse of the roof (see photo above) on Tuesday, September 3, 2019.

The Dar es Salaam Darkhana was built in 1930 and is considered one of several heritage buildings of architectural interest.

The last known tragedy in an Ismaili Jamatkhana was in Yeotmal, India, in 1963, when 112 Ismailis died when the Jamatkhana building collapsed. In 1967, during his visit to the new Yeotmal Jamatkhana Mawlana Hazar Imam declared the dead as “shahids” (martyrs in the cause of faith) and gave blessings for the peace and rest of their souls.

The damage shown in the photos is staggering and we humbly submit our shukrana that the incident took place without loss of lives. The timing was critical.

As of the last update to this story, we have not been made aware of any special announcement by the Aga Khan Council for Tanzania on this incident. A text message that was circulated on the day the incident occurred simply stated, “Due to unavoidable circumstances today’s congregational prayers at Darkhana Jamatkhana will be held in the Darkhana Hall.”

Date posted: September 3, 2019.
Date updated: September 4, 2019, (6:55 PM, Toronto).

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Are you in Dar es Salaam? How is the Jamat coping with this tragic incident? There must be a sigh of great relief that the incident occurred later in the morning and not during the early morning Jamatkhana ceremonies. Our readers’ thoughts from around the world are welcome. Please click Leave a comment

[Before leaving this page, please take a moment to visit Simerg’s Table of Contents  for links to a vast and rich collection of articles published on this blog as well as its two sister blogs Barakah and Simergphotos.]

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Photos: Doors Open Attracts Thousands to Toronto’s Aga Khan Museum and Ismaili Centre

PLEASE CLICK: Aga Khan Museum and Ismaili Centre Draw Thousands during Doors Open Event Held in Toronto on May 25-26, 2019

Please click on photo for report and photos.

Date posted: May 27, 2019.

Passings: Izzat Muneyb remembered through her poetic reflections on Prophet Muhammad, the Prophet’s Mosque in Madinah and the London Ismaili Centre

Izzat Muneyb (d. May 20, 2017)

By Abdulmalik Merchant

(NOTE: You may submit a condolence by clicking the COMMENTS box shown above left, beside the title — thank you, ed.).

It is with great sadness that we announce the passing of Izzat Muneyb on May 20th, 2017 in London, England, at the age of 75. Izzat was buried at the Ismaili cemetery at Brookwood in Surrey immediately following a funeral ceremony held at the West London Jamatkhana on Saturday, May 27th at 10:45 a.m.

We convey our heartfelt condolences to Izzat’s surviving sisters Zarin and Gulzar and their families, as well as all who knew her in the U.K. and many other parts of the world. We pray for the eternal peace and rest of Izzat’s soul.

Izzat Muneyb was raised in Mombasa, Kenya, and then pursued her further studies in the UK where she obtained an Honours degree in English from Birmingham University, a Post-Graduate Certificate in Education from Kings College, London and a Masters in Curriculum Studies from London University, England. She had a varied career, working in the fields of education, health, commerce and public order. She served on various Ismaili community institutions, including the Shia Imami Ismaili Tariqah Board, Mombasa, His Highness the Aga Khan Provincial Tribunal and His Highness Aga Khan Education Board in Nairobi. As an Education Board member, she originated the concept of, and edited, the Commemorative Issue 1977-78, to celebrate sixty years of Ismaili education in Kenya. From 1983–1994, she worked at the Institute of Ismaili Studies in London as a Member of the Education Unit and contributed to the Ta’lim Curriculum which is used throughout the Ismaili world to impart religious education  Over the last few years, she focused on her own creative writing in London.

Izzat contributed numerous pieces for this website, and we are pleased to re-publish her thoughtful reflections on the Prophet Muhammad (s.a.s.), the Prophet’s mosque in Madinah and the first purpose built Ismaili Centre and Jamatkhana in the Western World that is located in London.

WE  WELCOME READERS’ TRIBUTES IN MEMORY OF IZZAT MUNEYB

We invite your tributes and messages of condolences in memory of Izzat Muneyb. You may do that by clicking on LEAVE A COMMENT (that is also shown at left of the title of this post, at top). Should you run into issues while submitting your comment, then please send it via email to simerg@aol.com, Subject: Izzat Muneyb.

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1. In Praise of Prophet Muhammad
(May Peace Be Upon Him)

BY IZZAT MUNEYB

Author’s note: This song introduces us to some of the titles by which Prophet Muhammad came to be known. They are: ‘Ahmad’, ‘Mustafa’, ‘Rahmatan li’l-‘aalameen and ‘King of law laak’. The words ‘law laak’ in Arabic mean, “Were it not for…” There is a Hadith of Prophet Muhammad, where Allah speaking to His prophet, says, “Were it not for you, I would not have created the universe – law laaka lamaa khalaqtu’l-aflaaka.” [1]

N.B: The lines marked * are sung twice.

Muhammad, Muhammad,
How shall we praise you, Muhammad?*

Shall we call you Ahmad?*
He who is praised in heaven
Shall be praised here on earth.

Muhammad, Muhammad,
How shall we praise you, Muhammad?*

Shall we call you Mustafa?*
The Chosen of God on earth,
You have brought us the Qur’an.

Muhammad, Muhammad,
How shall we praise you, Muhammad?*

Shall we call you Rahmatan li’l-‘aalameen?*
God sent you as a Mercy
To the whole of creation.

Muhammad, Muhammad,
How shall we praise you, Muhammad?*

Shall we call you the ‘King of law laak’?*
Even God says He created
The universe for you.

Muhammad, Muhammad,
How shall we praise you, Muhammad?*

© Copyright: Izzat Muneyb.

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Notes:

[1] Source: Sukheel Sharif, The Jawziyyah Institute, 2006

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2. Building the Prophet’s Mosque — Masjeedun Nabee — in Madinah

An Islamic miniature from Siyer-i Nebi (16th century, Turkey), depicting Bilal giving the call to prayer. Photo: Wikipedia.

BY IZZAT MUNEYB

Author’s Note: This ballad tells the story of how the first mosque in Islam, the Prophet’s Mosque in Madinah, Masjeedun-Nabee, was built and how the first Muslims were called to prayer, with Bilal, a black Muslim, reciting the first adhaan. [1] The Prophet (Peace be upon Him) let his she-camel, Qaswaa’, who was “under the command of God”, choose the site. This allowed him to not have to accept land from, and thus show partiality to, any of the influential clans in Madinah.

N.B: The first line of each verse is sung twice. The ballad should ideally be sung to the accompaniment of a guitar.

Qaswaa’ the camel has chosen the ground,
Dig here, O Muslims and level the ground.        Qaswaa’.…….1

Muhammad has said, “O, here will I stay,
Here build my mosque and here shall I die”.         ..…….………2

Cut down the trees and make the pillars,
Lay down the bricks and cement with mortar.      ……………….3

The Muhaajiroon [2] and the Ansaar [3]
Work with a will in the spirit of Islam.                   ……………….4

Aly then asks how to ‘complete’ the mosque,
“How shall we call the believers to prayer?”          ..…………….5

The Muslims think hard, “O shall we use bells [4]
If not a Jewish horn, then a trumpet perhaps.”     ………………6

Then, humble and meek, Abdallah did speak,
“I dreamt, Ya Rasool, a human voice, I pray.”       ..…………….7

Muhammad then said: “O my faithful Bilal,
It is you who must say the very first Adhaan.”      ..………….…8

And so did Bilal God’s praises sing
And his powerful voice in Madinah did ring.          ..……………9

Here endeth my tale of Masjeedun-Nabee,
It still stands today in Madinah city.                       …………….10

© Copyright: Izzat Muneyb
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[1] Adhaan is the Muslim call to prayer. Bilal climbed up a palm tree, to recite the first adhaan, because he wanted his voice to carry far and wide. Minarets appeared around eighty years after the Prophet’s death, to call the faithful to prayer.
[2] Muhaajiroon– The Emigrants, Muslims who made the hijrah or migrated from Makkah to Madinah, because of the persecution of the Makkan Quraysh. The Prophet finally made the hijrah during September 622 A.C., after all the Muslims, except Imam Ali, had left Makkah.
[3] Ansaar – The Helpers, Madinan Muslims, who helped the Makkan Muslims settle in Madinah.
[4] Ringing church bells is a Christian practice – the Muslim call to prayer had to be unique to Islam.

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3. At the Ismaili Centre

Ismaili centre bismillah Entrance

The Entrance Hall of the London Ismaili Centre.

BY IZZAT MUNEYB

As soon as I enter the Ismaili Centre,
What do I see in Arabic calligraphy?

Bismi’llaahir-Rahmaanir-Raheem
Is what I see. ”In the name of Allah
Most Kind, Most Merciful.”

In the name of Allah I begin all things,
In the name of Allah I conceive all thoughts;
In the name of Allah I complete all deeds.

As soon as I enter the Ismaili Centre,
What do I see in shining marble
And white plaster?

I see a star-shaped fountain, pouring out water.

The fountain is so clear,
And the water so pure…

We too must be pure in body and soul
And polish the mirror of our hearts!

Why is the fountain seven-sided?
What does it mean?

Seven is the number of perfection
And seven times seven gives us
Our forty-ninth Imam.

The guidance of the Imam of the time –
And his portrait in mosaic, crafted from lapis,
Glowing with gentle radiance reminds us –
Helps us to grow closer to Allah.

But, have you seen the grey interlace design
Around the fountain?

Yes, it is a flower of beauty.

Al-kathratu fi’l wahdati,
Wa’l wahdatu fi’l kathrati
Is what it means.

The One has originated
The multiplicity of creation;
Now, from that multiplicity we move
Towards the Unity of the One.

And as I climb the stairs of the Ismaili Centre,
What do I see hanging from the ceiling?

I see lamps luminous and gleaming,
Full of light and full of meaning.

By the light of the lamp
We read the Qur’an.
With the light of the Lamp
We begin to know.
The light of the Lamp
Leads us to the Light of God

As I climb to the next level,
What do I see?

I see a painting, vibrant,
Swirling in colour.

It tells of the Verse of Light,
The Aayat’un Noor,
It hints at the mystery of
Noorun ‘alaa Noor.

As I enter the prayer hall
What do I see on the qiblah wall
In dark columns tall?

Carved in wood and written in space,
The panels say, Allah, Muhammad and Ali,
Allah, Muhammad and Ali.

These Beautiful Names invite me
To take my place with the Jamat,
They become my rosary.

As I sit down, as I close my eyes,
What do I do? What do I say?

I remember Allah.
I say,“Ya Muhammad”, “Ya Ali”,
I say, Salawaatu’llaahi alayhumaa
Salawaatu’llaahi alayhumaa.

The Grace of God fills the hall,
The Light of God bathes us all.

Cleansed in thought and spirit,
I feel the presence of God
And am filled with His peace.

© Copyright: Izzat Muneyb.

Date posted: May 27, 2017.
Last updated: May 30, 2017 (formatting and new comments).

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Editorial Note: The poem was first published in July 1987 in Ilm, Volume 11, No. 2, p. 39-41. It was originally written for the younger members of the Jamat, to be recited either by an individual, or as a choric or part poem. Readers might find the movement of the poem interesting. As the individual climbs higher through the various levels of the London Ismaili Centre to the Jamatkhana hall, so also the poem marks an inner journey from a physical to a devotional and then to a spiritual plane of being.

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Your tribute to Izzat Muneyb

We invite your tributes and messages of condolences in memory of Izzat Muneyb whose funeral took place on Saturday, May 27, 2017 in London, England. Readers may do so by clicking on LEAVE A COMMENT. If you encounter problems in submitting your comment, then please send it to simerg@aol.com, Subject Izzat Muneyb.

A Marvellous Collection of Photos of His Highness the Aga Khan’s Visits to Canada, India and Greece

Editor’s note: In Part II of a special series on the 49th Ismaili Imam’s visits to numerous countries that he undertook during 2015, we cover India (April), Canada (May) and Greece (September). Please click A Marvellous Collection of Photos of His Highness the Aga Khan’s Visits to Canada, India and Greece.

Please click on photo for complete story and more pictures. Photo: Ontario Liberal Part. Copyright. Published with permission.

Please click on photo for complete story and more pictures. Photo: Ontario Liberal Part. Copyright. Published with permission.

2015 Toronto Doors Open: Over 15,000 Visitors Explore Aga Khan Museum and the Ismaili Centre

BY ABDULMALIK MERCHANT

It is indeed a pleasure for Simerg to present a collection of photos with interviews that were done at the site of the Aga Khan Museum and the Ismaili Centre on the occasion of  Toronto’s 16th Annual Doors Open held during the weekend of May 23-24, 2015. These two new Islamic gems were added to this year’s Doors Open exploration roster of more than 155 architecturally and culturally rich buildings across Toronto.

May 24th 2015 - Toronto's 16th Annual Doors Open. TheIsmaili Centre. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Ismaili Centre. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015, Toronto's 16th Annual Doors Open. The Aga Khan Museum.  Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Aga Khan Museum. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Aga Khan Museum. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Aga Khan Museum. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Aga Khan Park with Museum in background. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Aga Khan Park with Museum in background. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 - Toronto's 16th Annual Doors Open. The Aga Khan Museum. Photo: Malik Merchant/Simerg. Copyright.

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Aga Khan Museum. Photo: Malik Merchant/Simerg. Copyright.

May 24th 2015 - Toronto's 16th Annual Doors Open. The Aga Khan Museum Bellerive Room (Prince Sadruddin Aga Khan Collection). Photo: Malik Merchant/Simerg. Copyright.

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Aga Khan Museum Bellerive Room (Prince Sadruddin Aga Khan Collection). Photo: Malik Merchant/Simerg. Copyright.

The two iconic buildings were added to the Toronto landscape when they were officially opened last September by Prime Minister Stephen Harper, in the presence of the patron, His Highness Prince Karim Aga Khan, the direct descendant of the Prophet Muhammad (s.a.s.) and 49th hereditary Imam of the Shia Ismaili Muslims. Prince Karim became the Imam of the Ismailis on July 11, 1957, when he was only 21. His Diamond Jubilee will be celebrated in 2017, the same year (and month) Canada celebrates its 150th anniversary.

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Aga Khan Museum. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Aga Khan Museum. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Aga Khan Museum, Diwan Restaurant. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Aga Khan Museum, Diwan Restaurant. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 - Toronto's 16th Annual Doors Open. The Aga Khan Museum, gift shop. Photo: Malik Merchant/Simerg. Copyright.

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Aga Khan Museum, gift shop. Photo: Malik Merchant/Simerg. Copyright.

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Aga Khan Museum, gift shop. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Aga Khan Museum, gift shop. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 - Toronto's 16th Annual Doors Open. The Ismaili Centre, a briefing for visitors. Photo: Malik Merchant/Simerg. Copyright.

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Ismaili Centre, a briefing for visitors. Photo: Malik Merchant/Simerg. Copyright.

May 24th 2015 - Toronto's 16th Annual Doors Open. The Ismaili Centre. Visitors on the move to see other sections of the centre. Photo: Malik Merchant/Simerg. Copyright.

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Ismaili Centre. Visitors on the move to see other sections of the centre. Photo: Malik Merchant/Simerg. Copyright.

May 24th 2015 - Toronto's 16th Annual Doors Open. The Ismaili Centre. Photo: Malik Merchant/Simerg. Copyright.

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Ismaili Centre. Photo: Malik Merchant/Simerg. Copyright.

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Aga Khan Museum. Volunteer Mehdi Ansar. Photo: Malik Merchant /Simerg. Copyright

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Aga Khan Museum. Volunteer Mehdi Ansar. Photo: Malik Merchant /Simerg. Copyright

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Ismaili Centre. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Ismaili Centre. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Aga Khan Museum. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Aga Khan Museum. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Aga Khan Museum. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 – Toronto’s 16th Annual Doors Open. Visitors at the Aga Khan Park, outside the Aga Khan Museum. Background – the Ismaili Centre. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 – Toronto’s 16th Annual Doors Open. Visitors tour the Aga Khan Park. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 – Toronto’s 16th Annual Doors Open. Visitors tour the Aga Khan Park. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Aga Khan Museum. Photo: Malik Merchant / Simerg. Copyright

May 24th 2015 – Toronto’s 16th Annual Doors Open. The Aga Khan Museum. Photo: Malik Merchant / Simerg. Copyright

It is estimated that more than 17,000 people visited the Aga Khan Museum and the Ismaili Centre during Doors Open. Visitors described their experience as rich, and complimented the hosts for their excellent organization and the explanations that were provided. Several Toronto residents said they would return to visit the museum’s collection of Islamic art in greater detail.

Date posted: Monday, May 25, 2015.
Last updated: Friday, May 29, 2015.

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2014 Twelve Piece Collection from Simergphotos: Selected Photos Spanning the Reign of Two Ismaili Imams – Glimpses of 130 Years of Ismaili History

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Photo Essay: The Ismaili Centre – “Peace Through Prayer” and “A Splendid Reality”

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Photos and Videos: Simerg Captures the Spirit of the Jamat on the Opening Day of the Ismaili Centre in Toronto, Canada

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The message appeared in the Diamond Jubilee Yearbook published in Dar-es-Salaam on 10th August 1946. See cover of special issue following message transcript below.

Simerg’s Photo Features: Prince Amyn Aga Khan, Fatimid Glass, Alamut and Bagamoyo Jamatkhana

This website’s photo blog, Simergphotos, was launched just over three years ago. Together, Simerg with Simergphotos, has achieved a combined viewership of over two million – 1.8 million and 306,000 since 2009 and 2011 respectively. During the course of this time we have published memorable photo essays covering a vast array of subjects. Beginning this week, we bring you links to highly informative and educational pieces. Our journey commences with Prince Amyn Aga Khan’s Investiture as Head of Ismaili Scouts, the Discovery of Fatimid Glass in a Byzantine Shipwreck, Alamut Where Every Stone Tells a Story, and A Journey to Bagamoyo Jamatkhana. Please click on the images below for these fascinating historical stories.

000 Prince Amyn Investiture~~~~~

002 Fatimid Glass~~~~~

001 Alamut~~~~~

003 Bagamoyo

Photo Essay: The Ismaili Centre – “Peace Through Prayer” and “A Splendid Reality”

PLEASE CLICK: Photo Essay: The Ismaili Centre – “Peace Through Prayer” and “A Splendid Reality”

Ismaili CentrePlease click on image for photo essay. Image: Simerg

The Jamatkhana in Toronto — “A Seed of Faith Planted…” by Shariffa Keshavjee

The Jamatkhana Toronto

The “Muqarnas” is a finely crafted corbelled ceiling whose skylight provides a subtle transition from the outside to the serene Jamatkhana inside.

BY SHARIFFA KESHAVJEE

A thousand years and  more
A seed of faith planted
In Khadak in Mumbai
Transplanted to many soils
India, Pakistan, Afghanistan
Bagamoyo, Zanzibar, Mombasa
Now the park on Wynford Drive

The murid murshid seed
Planted and transplanted

Now sacred space of meeting
People, stories, histories
Identities, languages
Fused, bonded, shared
Nascent unity love and care
For the highest potential
Nurturing and flourishing

The murid murshid seed
Nurtured flourishes

When  open arms welcome
Pluralism of mind and heart
Where ideas take root
A Mission is in bloom
The intellect soars
The vision expands
In the park in Canada

The murid murshid  spark
A strong foundation

A screen made from ribbons of steel separates the anteroom from the prayer hall.  It repeats an 8 sided pattern exhibiting a geometric tool used by Muslim artists to create order and rhythm for contemplation.

When vision, mission, ideas
Empathetic understanding
In harmonious symphony rise
The universe conspires
The crucible swells
Then there is alchemy
In Toronto in the park

The murid murshid love
Consecrated to Thee

A park, ineffable light, a sacred space,
Where nature, man, knowledge
Come together in unison
Of mind, body and spirit
Of dialogue and collaboration
A mosaic of cultures, languages
Inspiring hope and harmony

The murid murshid bond
Reaches out to man and nature

Circle of infinity encompasses
A Jamatkhana for supplication
The jamat comes together
To submit in humility before the Divine
The hymnal voice rising into the dome
Reaching heavenward ascending
To arrive into the silence  of the heart

The murid murshid bond
Reverberating beyond time

Inside the Jamatkhana, the central skylight panel descends to a white translucent onyx block.

The sound of prayer ascends
Reaches a crescendo
From the dome to beyond
Through the crystal clear
To the Divine Light matrix
Into the heart of  Divinity
Enlightened luminescence

The bond of murid murshid
Sets free the heart of man

Those who come together in dialogue
Those who contemplate and reflect
Welcome to the open arms of wonder
Sacred space, the crucible
That transmutes base to pure
That nurtures and gives flight
To the wings of the souls

The soul of murid to murshid
Transcends human understanding

Had we but wings
We would fly in the sky
To search  for the light
Neither of North, South
East and West
To flutter and land
In the windowsill
Of the Divine Master

Where murid murshid
Blend and Unite

Date posted: Monday, September 22, 2014.

Copyright: Shariffa Keshavjee/Simerg. 2014.

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The images shown in the poem may be clicked for enlargement. Image captions are as follows:

Top image – The “Muqarnas” is a finely crafted corbelled ceiling whose skylight provides a subtle transition from the outside to the serene Jamatkhana inside. Photo: Copyright Gary Otte.
Centre image – A screen made from ribbons of steel separates the anteroom from the prayer hall.  It repeats an 8 sided pattern exhibiting a geometric tool used by Muslim artists to create order and rhythm for contemplation. Photo: Copyright Gary Otte
Bottom image – Inside the Jamatkhana, the central skylight panel descends to a white translucent onyx block. Photo: Copyright Shai Gil.

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About the writer: Shariffa Keshavjee is  a philanthropist and an entrepreneur with an objective to help women empower themselves. Raised in Kisumu, she considers herself a “pakaa” Kenyan. She is now based in the nation’s capital, Nairobi. Her other interest is in visual arts where she delights in painting on wood, silk  and porcelain using water colours, oils and acrylics. She also likes writing, especially for children, and bird watching.

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