Simerg is an independent initiative dedicated to Ismaili Muslims, the Aga Khan — their Hereditary Imam — and the Ismaili Imamat, and Islam in general through literary readings, photo essays and artistic expressions
Note to readers: The program commences in the YouTube video below shortly after the 22-minute mark with Omar Sachedina, the Chief News Anchor and Senior Editor for CTV’s national evening newscast CTV National News, acting as the emcee. Princess Zahra Aga Khan, who is a Board Member of the Global Centre for Pluralism, presented the prizes on behalf of her father, His Highness the Aga Khan, the Chairman of the Board. This was the 4th edition of the Award which is held every 2 years. A report and photographs of the event will be shared later with our readers on our sister blog Barakah, which is dedicated to the Aga Khan.
Editor’s note: On November 12, 2023, a day after the publication of the article “A Legacy of Lost Heritage” below, Simerg received a communique from ITREB in Karachi, via an Ismaili institutional leader, providing further details on the extent of the damage to the Ismaili institution’s Central library located in Karachi. According to the communique, the damage was more limited than initially thought and reported in our piece. In particular, the more than 200 manuscripts are completely safe because of protective measures taken to ensure their safekeeping. The Gujarati and Khojki-language magazines were previously moved to a different location within the library and were also saved. While a significant number of other materials in the library were damaged due to heat, smoke and water, rather than completely destroyed, they may be recoverable to some degree.
Simerg sincerely hopes that the majority of important objects and documents in the ITREB library remain in their original state and that those that were damaged are recoverable. We also hope that proper fire safety rules are in place to avoid such incidents from taking place in the library as well as Ismaili institutional buildings, especially the older ones, around the world. As noted in a UNESCO Study, the cost of restoring documents and books damaged in a library fire is substantially greater than what would be spent to store the materials under the best fire protection conditions.
On the morning of November 2nd, 2023, at 9:15am local time, the National ITREB (Ismaili Tariqah and Religious Education Board) building for Pakistan located in the Garden East district of Karachi caught on fire. Fortunately, no one was hurt in the blaze. However, it quickly became apparent there would be another casualty.
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Smoke billows from a fire on November 2, 2023, at the ITREB building in Karachi, Pakistan, housing an important library collection of tens of thousands of printed materials, photographs, memorabilia, audiovisual materials, and manuscripts.
Located within the building was an important library housing tens of thousands of printed materials, photographs, memorabilia, audiovisual materials and manuscripts. The fire destroyed much of the collection. What wasn’t burnt or singed by the fire was then subject to water damage as firetrucks attempted to extinguish the blaze which was fed by the thousands of pages of flammable material in the building.
In the context of the Central ITREB Library located in Karachi, the local history, writing and output of the Khoja Jamats in particular, and more broadly of the Jamats of the Indian Subcontinent and to a lesser extent Eastern Africa and Northern Pakistan were preserved in the portion of the collection that focused on the contemporary period. In this post, I have included some gems of materials that I was able to capture on some of my journeys as an homage to the library and its role in my own archival research and being able to cobble together a social and religious history of the Ismailis.
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One section of the foldout outlining the family tree of the 46th Imam, Shah Hasan Ali Shah (d. 1881), that formed part of book of the judgement made by Justice Russell who proceeded over what became known colloquially as the Haji Bibi Case. In this section of the family tree, some of Imam Hasan Ali Shah’s siblings, wives, children, and their relations are listed. The case lasted from February 3, 1908 to August 7, 1908 and until that point was the longest ever trial in Bombay’s High Court.
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Photograph of Imam Sultan Mahomed Shah, His Highness the Aga Khan, playing golf in his youth.
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Souvenir produced to mark the occasion of the milestone reached by Imam Sultan Mahomed of the longest-ever Imamat in 1948 after surpassing 63 years as Imam of the Ismailis at the age of 71 years. The 48th Imam died nine years later on July 11, 1957, at the age of 79 having been the Imam for 71 years. He became the Imam in August 1885 at the age of 7.
While assessing the full extent of the damage is still an ongoing process, a number of items were able to be saved including a unique collection of Khojki manuscripts which were housed in fire retardant boxes. When I first heard about the tragedy the next day, I was devastated to learn of the loss of such a treasure trove of materials so important to better understanding the history of the Ismaili community. I had had the opportunity to consult the library on several occasions during my visit to Karachi over the years, including on my last visit in 2013. I was amazed from my first visit in 2006 at the breadth and richness of the collection and easily lost myself for hours and days within the library perusing its shelves, flipping through the pages of its meticulously organized items and often feeling a sense of delight at a personal discovery of a publication or image I was unaware of or that shed important light on a question I’d been pondering.
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A picture of the first Muslim Baronet in British India, Sir Karimbhoy Ibrahim published in one of the earlier Ismaili periodical publications, Ismaili Sitaro in July 1910.
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Photograph of women and children of the Ismaili Jamat in Aden, Yemen.
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Photograph of members of the Ismaili Supreme Council, Burma 1958.
My own research interests were in the printed collection of the library in English and Gujarati including the photographic documentation of the community in the Indian Subcontinent and around the world. I had taken the opportunity to photograph umpteen works so that I could consult them in more detail and at my leisure once I returned to my home and now I realize the singular importance of those acts of documenting the legacy of the production of individual Ismailis and of Ismaili communities and institutions around the world. Much of ITREB’s Central Library collection owes a debt to Ismailis in Karachi, Pakistan, and around the world who donated materials including photographs as well as the library’s role in actively obtaining and safeguarding those materials.
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Cover page of the Kathiawadana Ismaili Ilkabadhara’o, Ismaili Census of Kathiawar published by Ismail Tarmahmad Madhani, Honorary Secretary of the Imami Ismaili Kathiawar Supreme Council Rajkot, 1952.
The Importance of Local Libraries
Since the establishment of The Institute of Ismaili Studies in London in 1977, a central repository of the community has been under development and many familial, local, institutional and national collections have been kindly donated to the IIS for safekeeping, preservation, digitization with the larger mandate of providing resources for research. However, before that, the guardians of these materials were often personal collectors, families and smaller institutions such as The Ismaili Society and Ismailia Associations, the predecessors of the now-ITREBs as well as local Jamatkhana libraries. In fact, it was because of these collections, not necessarily large-scale libraries, that scholars such as Wladimir Ivanow, Husayn Hamdani, Asaf Fyzee, Jawad Muscati and many now celebrated Nizari Ismaili authors, scholars, khalifas and waezeen of current and previous generations were able to make breakthroughs in their understanding of the Ismaili past and had source materials for their research.
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The cover page of the Constitution of the Ismailia Association of West Pakistan from 1950.
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The opening page of the Constitution of the Ismaili Association of West Pakistan from 1950 outlining the system, structure, and rules that were to be abided by for members of the Ismailia Association of West Pakistan (in contrast to the jurisdiction of East Pakistan, which eventually became Bangladesh).
The importance of these regional libraries, especially for local researchers, cannot be underestimated. Throughout my travels over the past 25 years to areas where Ismailis live or once lived, its has often been the works preserved in individual homes, in smaller institutional collections and in local and regional Jamatkhana libraries that have provided some of the most unique documents and witnesses to history; and it is through them that have come the greatest insights and breakthroughs. Large institutional collections such as those of national libraries or of learned societies have become more accessible as they digitize their collections, but it is our debt to local institutions that cannot be underestimated.
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Cover of the Souvenir of Mawlana Hazar Imam’s Takht Nashini (accession ceremony to the office of Imamat) in Bombay in 1958.
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Mawlana Hazar Imam at a meeting with the leadership of Mindanao University and Kalimul Islam Colleges, Philippines during his visit in 1963. The information on the back of the photo reads: “Kamilul Islam Colleges Convocation Function in Honour of H.R.H. Prince Karim Aga Khan. The Aga Khan is seen sitting in the Philippine Native style flanked by Dr. Antonio Isidro, President of Mindanao State University on his right and Honourable Ahmed Domocao Alanto President of Colleges on his left. In the picture also are seen Mr. Amirali Fancy on his extreme left (back to camera) and Captain Amirali Currim second from the right, both wearing Philippine caps, who accompanied H.R.H on Philippine tour as his ministers”.
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Local institutions, including Jamatkhanas, throughout the world have often preserved innumerable documents, manuscripts, published works, photographs and even newspaper cuttings which shed light on one of the least understood and most complex periods of Ismaili history — the last few hundred years. As Jamats in local environments fell under the dominion of various empires and rulers, and later national governments, local histories become increasingly important for understanding how Ismaili communities have come to be where they are today.
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A page from The Ismaili magazine, March 3rd, 1932 edition showing a photograph of the newly raised “My Flag” at Porbander Jamatkhana.
Furthermore, since the early 1980s as part of the global processes of standardization and institutionalization, the focus of important publications such as local Ismaili magazines have shifted the majority of their spotlights to the Imam, his family and the work of Imamat institutions where previously the magazines also included much more detail, output on the production and development of Ismaili communities through the lens of the local and told from the ground-up. While there has been many things gained in the centralization of the Ismaili magazines, one of the most notable losses has been the capturing of stories of the ground realities, literary output, reflections of individual Ismailis and the vibrancy and details of the local development of Ismaili communities.
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The cover of a text on religious ceremonies by Mukhi Laljibhai Devraj published by a Sindhi press in Mumbai in 1921.
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Address of Welcome offered to Mawlana Shah Karim Hazar Imam, His Highness the Aga Khan, on the occasion of his first visit to the Gilgit Agency in October 1960.
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Mawlana Hazar Imam, His Highness the Aga Khan, addressing leaders of the global Jamat in the presence of his family on July 11, 1982, the occasion of his Silver Jubilee as the 49th Imam of the Ismaili Muslims.
I wrote this short piece with the hopes that it would be an homage or memorial of sorts to the Central ITREB Library Pakistan and to encourage families and small institutions to safeguard their collections for the benefit of the community in the service of documenting its past. We must also remember that just as important, however, is to preserve the present for future generations.
Date posted: November 11, 2023. Last updated: November 13, 2023 (see editor’s note at top of page).
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About the author: Rizwan Mawani has a background in Anthropology and Religious Studies and is the author of Beyond the Mosque: Diverse Places of Muslim Worship (I. B. Tauris in association with The Institute of Ismaili Studies, 2019). Rizwan has written for a wide variety of audiences and his work has appeared in academic publications, encyclopedias as well as the Wall Street Journal and The Huffington Post. Rizwan was previously Website Content Editor and Research Coordinator in the Department of Constituency Studies at The Institute of Ismaili Studies. His current research focuses on the past two centuries of global Ismaili history with a focus on the Jamatkhana and its development during that period.
Guided by Dylann Golbeck, Coordinator of the Invasive Plants Program at the Weaselhead/Glenmore Park Preservation Society, Ismaili Civic Day volunteers participated in pulling out more than 100 invasive plants from a section of the Weaselhead Flats Natural Environment Park in SW Calgary on Sunday, September 24, 2023. Thousands of Ismailis around the world participated in unique ways in the annual Ismaili Civic Day weekend to contribute to local communities where they live. This year’s theme was Environmental Stewardship. For full story and photographs, please click ISMAILI CIVIC DAY CALGARY
Ismaili Civic Day volunteers pull out invasive plants from a Calgary Park. Please click on photograph for full story.
Note: With the exception of the featured photograph shown at the top of this post which also appears in full within the body of the post, the remaining photographs in this piece are not part of the official news release issued by the Aga Khan Museum — Ed.
SEPTEMBER 21, 2023: AGA KHAN MUSEUM PRESS RELEASE
“In recognition of their longstanding generosity and support, the Aga Khan Museum’s Auditorium will be renamed the Nanji Family Foundation Auditorium” — Press Release, Aga Khan Museum
A view of the ceiling of the Aga Khan Museum’s Auditorium which is being renamed the Nanji Family Foundation Auditorium following the family’s magnificent multi-million dollar gift to the Aga Khan Museum. Photograph: Cramenwalker/Wikipedia/Attribution 4.0 International (CC BY 4.0).
TORONTO, CANADA – September 21, 2023 – The Gulshan and Pyarali Gulamali Nanji Family Foundation has recently gifted a transformative multi-million-dollar donation to the Aga Khan Museum that will expand the Museum’s reach and impact millions of people around the globe, deepening their understanding of Muslim arts and cultures and their connection with the world. The generous donation will enable the Museum to enhance onsite and digital learning around the Museum’s renowned Permanent Collection and engender significant, unique Performing Arts programs which provide opportunities for communities to connect through collaboration and performance.
The Nanji Family Foundation is a philanthropic organization dedicated to supporting a wide range of charitable initiatives, impacting the lives of thousands through its contributions to a wide range of Canadian and international initiatives and healthcare facilities, including the Sunnybrook Foundation, North York General Hospital, and the United Nations High Commissioner for Refugees (UNHCR).
“Our support for the Aga Khan Museum stems from our passion and appreciation for the arts and the ways in which they unify us,” says Azim Nanji, Gulshan and Pyarali Nanji’s son. “The Museum has established its place within the shared fabric of Canadian society, encouraging mutual understanding and appreciation of one another. We hope this contribution will encourage others to support their community, country, and the world.”
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Nanji Family members with Prince Amyn Aga Khan and leaders of the Ismaili community and the Aga Khan Museum. From left to right: Mr. Azim Nanji, Mr. Pyarali G. Nanji, Prince Amyn Aga Khan (Board Chairman, Aga Khan Museum), Dr. Ulrike Al-Khamis (CEO, Aga Khan Museum), Mrs. Gulshan Nanji, Ms. Tazmin Nanji-Amlani, Mr. Ameerally Kassim-Lakha (President, Aga Khan Ismaili Council for Canada), Mr. Moyez Jadavji (COO, Aga Khan Museum). Photograph: Akber Dewji/Aga Khan Museum.
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A view of the Aga Khan Museum’s Auditorium which has been renamed as the Nanji Family Foundation Auditorium in recognition of the Foundation’s longstanding generosity and support. Photograph: The Aga Khan Museum.
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Plaque on wall at the Aga Khan Museum acknowledging the generous support of the Nanji Family Foundation. Photograph: Aga Khan Museum.
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A spectacular light show projected on the front wall of the Aga Khan Museum in the middle of a Toronto winter, December 27-30, 2018. Photograph: Malik Merchant/Simerg.
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A view of the beautiful stairwell leading to the upper section of Aga Khan Museum’s Auditorium, now known as the Nanji Family Foundation Auditorium. Photograph: Malik Merchant/Simerg.
“We are truly humbled and awed by the transformational donation from the Gulshan & Pyarali G. Nanji Family Foundation,” says Dr. Ulrike Al-Khamis, Director and CEO of the Aga Khan Museum. “This phenomenal gift will enable us to drive our mandate of building intercultural bridges through the arts while growing our Museum and its impact with the aim of contributing to more inclusive and peaceful communities.” The generous donation will be the largest granted by the Nanji Family Foundation to an arts organization. In recognition of their longstanding generosity and support, the Museum’s Auditorium will be renamed the Nanji Family Foundation Auditorium.
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FLASHBACK: THE AGA KHAN MUSEUM’S OPENING DAY, SEPTEMEBER 12, 2014
I believe strongly that art and culture can have a profound impact in healing misunderstanding and in fostering trust even across great divides. This is the extraordinary purpose, the special mandate, to which this Museum is dedicated. In its role to reveal and to stimulate dialogue between different cultures, the Aga Khan Museum will continue a long history of cultural sharing between Islam and the West — Prince Amyn Aga Khan, speaking at the opening ceremony of the Aga Khan Museum, September 12, 2014.
The then Canadian Prime Minister Stephen Harper and Mawlana Hazar Imam, His Highness the Aga Khan, unveil the plaque inside the Aga Khan Museum’s Auditorium to officially open the Museum on September 12, 2014. Looking on from right to left are Prince Amyn Aga Khan, younger brother of the Aga Khan, Shelly Glover, then Minister of Canadian Heritage and Official Languages, and Henry Kim, the former CEO of the Museum. The Museum opened to the public on Thursday, September 18, 2014. Photograph: Malik Merchant/Simerg.
Date posted: September 21, 2023. Last updated: September 21, 2023 (inserted photograph of plaque honouring the Nanji Family Foundation).
For almost three decades, Princess Zahra Aga Khan has immersed herself in the work of the Ismaili Imamat, a Hereditary Divine Institution which is led by her father, His Highness the Aga Khan, the 49th Imam in direct descent of the Prophet Muhammad (may peace be upon him and his family). The scope of the work of the Imamat extends to all areas of human endeavour and the entire family of the Aga Khan contributes to Ismaili institutions around the world as well as to the Imamat’s primary development organization, the Aga Khan Development Network (AKDN).
Princess Zahra is one of four children of the Aga Khan. As she celebrates her 53rd birthday on September 18, we bring to our readers her beautiful story through a selection of photographs that we have been able to gather from printed Ismaili community magazines as well as the official websites of the Ismaili Imamat. Please click PRINCESS ZAHRA AGA KHAN.
Albertans and Canadians may note that she was here 12 months ago for the opening of the Diwan Pavilion at the Aga Khan Garden in Edmonton, part of the University of Alberta’s Botanic Garden. The garden was a gift from the Aga Khan to the university.
Please click on photo for story of Princess Zahra Aga Khan.
Editor’s note: This photo and video post that would normally appear in our photoblog Simergphotos is being published on our primary website Simerg, while we carry out essential upgrades to Simergphotos.
The author arrives at a Stormwater Wet Pond on Country Hills Blvd in Calgary NE to the beautiful sight of two newborn grebettes to Red-necked Grebes, July 24, 2023. Photograph: Malik Merchant/Simerg.
Readers should note that both the male and female Red-necked Grebes share in the incubation. During the many many hours I spent at the pond over the past week, I observed that the dominant partner in the incubation was the male, and I say that because I saw the male, which is slightly larger than the female, spend more time in the nest than his female partner.
The mom’s time was mainly spent in the water, always looking out for danger through her perceptive senses of hearing and eyesight. A constant threat was a nearby resident muskrat. When she became aware of its presence, she would immediately go underwater and swim toward the muskrat to make sure it changed its direction away from the nest. The mom, as per my observation, also gathered and fed the newborns as well as participated in the upkeep of the nest. However, her food offerings to her babies were not always accepted and she would wisely retreat.
Further to my sighting on July 22 of the first baby (henceforth also referred to as a grebette) this new post now reflects my two additional visits to the pond that took place on July 24, when I sighted two grebettes, and on July 26 when I saw three grebettes swimming with their parents in the middle of the pond, at least 125 metres from the nest. It appears to me that the nest with 1 more egg still remaining to be hatched has been abandoned.
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Nest abandoned (?) by the Red-necked Grebes with one unhatched egg following the birth of 3 grebettes between July 22-26, 2023 in a Stormwater Wet Pond on Country Hills Blvd in Calgary NE; July 26, 2023. Photograph: Malik Merchant/Simerg Photos.
I say this because the Red-necked Grebes never returned to the nest during my 2 hour stay at the pond. I tried to capture a video and photographs of the far-away Grebes and their babies as best as I could with the 40-150 mm lens on my Olympus camera.
Enjoy the photos from my visits to this great pond on Country Hills Blvd in NE Calgary. Of course, I shall be returning to the pond to see the grebettes in the coming days, as I have been told that they continue to ride on their parents backs for the first two weeks of their lives. From time to time, they are given the opportunity to swim by their parents side. The male parent literally flips them into the water as you will see in some of the videos. The male, I noted, exerted his authority over the family quite firmly, while at the same time being warm to his babies and showing deep attachment and love to his female partner. He was also a great educator, as you will see in one of the videos, where he appears to be instructing his baby on how to take care of the nest! I think that was amazing. There are a couple of yawns from the little baby as he was watching his father’s demonstration. Didn’t we all when we were children and even more so later in life as we began taking serious classes?
July 24th, 2023: Photographs and Videos of Red-necked Grebes and their Babies at a Stormwater Wet Pond on Country Hills Blvd in Calgary NE
Two unhatched eggs in the Red-necked Grebes’ nest in a Stormwater Wet Pond on Country Hills Blvd in Calgary NE, July 24, 2023. Photograph: Malik Merchant/Simerg.
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The male Red-necked Grebe incubating the two remaining eggs in his nest in a Stormwater Wet Pond on Country Hills Blvd in Calgary NE, July 24, 2023. Photograph: Malik Merchant/Simerg.
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Non-threatening ducks pass by and the female Red-necked Grebe at right ensures they are away from her nest where her male partner is incubating 2 eggs in a Stormwater Wet Pond on Country Hills Blvd in Calgary NE, July 24, 2023. Photograph: Malik Merchant/Simerg.
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The female Red-necked Grebe is beautifully reflected in the calm waters of a Stormwater Wet Pond on Country Hills Blvd in Calgary NE, July 24, 2023. Photograph: Malik Merchant/Simerg.
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The male Red-necked Grebe incubates the two remaining eggs in his nest in a Stormwater Wet Pond on Country Hills Blvd in Calgary NE, July 24, 2023. Photograph: Malik Merchant/Simerg.
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The new Red-necked Grebe family of four, with 2 eggs still to hatch, next to their drenched nest in a Stormwater Wet Pond on Country Hills Blvd in Calgary NE, July 24, 2023. Photograph: Malik Merchant/Simerg.
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The mom Red-necked Grebe offers food to her newborn grebettes as they have their heads out from the their dad’s wings in a Stormwater Wet Pond on Country Hills Blvd in Calgary NE, July 24, 2023. Photograph: Malik Merchant/Simerg.
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A series of 4 related photographs and a video
As mentioned earlier, the incubation of eggs in the Grebe family is shared between the male and female. This series of 4 photographs and the video after encapsulate the transition of incubation from the male Red-necked Grebe to his female partner.
The male stands up in the nest and decides to return to the water. The female prepares to take over the incubation process. She has one of her new-born grebettes swimming in front of her, while carrying the second newborn baby on her back — it is partially visible in this photo but fully visible in the next photo. Stormwater Wet Pond on Country Hills Blvd in Calgary NE, July 24, 2023. Photograph: Malik Merchant/Simerg.
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The male Red-necked Grebe wades into the pond as his family watches, Stormwater Wet Pond on Country Hills Blvd in Calgary NE, July 24, 2023. Photograph: Malik Merchant/Simerg.
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The female Red-necked Grebe arrives with her babies at the nest to assume her incubation role in a Stormwater Wet Pond on Country Hills Blvd in Calgary NE, July 24, 2023. Photograph: Malik Merchant/Simerg.
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The female Red-necked Grebe with her baby on her back leaps onto the nest and does some house keeping on the nest, while the second grebette is still in the Stormwater Wet Pond on Country Hills Blvd in Calgary NE, July 24, 2023. Photograph: Malik Merchant/Simerg.
VIDEO 1 (This is a sequel to the 4 preceding photos)
DESCRIPTION: The following video below is a fantastic conclusion to the sequence of 4 photos shown above of the incubation transition from the male Red-necked Grebe to his female partner
Video: Red-necked Grebes in a Calgary Pond, July 2023, by Malik Merchant/Simerg
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VIDEO 2/13
DESCRIPTION: In this extremely short video, the mom arrives at the nest to feed her new-born grebette and returns to the pond to get some more nourishment
Video: Red-necked Grebes in a Calgary Pond, July 2023, by Malik Merchant/Simerg
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VIDEO 3/13
DESCRIPTION: In this interesting video, we see the female Red-necked Grebe returning to the nest, carefully jumping onto its edge, taking great care to organize it before gracefully sitting on her unhatched eggs.
Video: Red-necked Grebes in a Calgary Pond, July 2023, by Malik Merchant/Simerg
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VIDEO 4/13
DESCRIPTION: In this video, the mother fails in her attempt to feed her babies, and retreats. The 2 new born grebettes are being playful by their father’s tail. Once the tail wind opens, they slide into it and one of the babies is then seen emerging on centre of his back.
Video: Red-necked Grebes in a Calgary Pond, July 2023, by Malik Merchant/Simerg
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VIDEO 5/13
DESCRIPTION: In this cute video, the new born gribette decides to have some fun with its mother by pushing against her such in such a way that she moves in a clockwise direction. Seemingly, the baby having been well nourished, appears to have gained enough strength to become playful since its birth in the last 48 hours.
Video: Red-necked Grebes in a Calgary Pond, July 2023, by Malik Merchant/Simerg
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VIDEO 6/13
DESCRIPTION: In this extraordinary video, we see one bregette on the back of its mom, while the second one swims beside her. The male Red-necked Grebe decides to leave the nest where he was incubating the remaining 2 eggs. The mom then takes over the incubation duty after carrying out some nest maintenance. The bregettes who were with the mom join their dad for some play time. One easily slides into his wing while the second one has a hard time and continues with its struggle
Video: Red-necked Grebes in a Calgary Pond, July 2023, by Malik Merchant/Simerg
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VIDEO 8/13
DESCRIPTION: In this incredible short video, I capture the first and only instance I hear the cries of the Red-necked Grebes during my entire period at the pond. Unfortunately my camera shook and the remaining video had to be edited out.
Video: Red-necked Grebes in a Calgary Pond, July 2023, by Malik Merchant/Simerg
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VIDEO 9/13
DESCRIPTION: In this very short video, we see the female Red-necked Grebe bathing while her male partner has the two grebettes, one on the back and the second at the end of his tail.
Video: Red-necked Grebes in a Calgary Pond, July 2023, by Malik Merchant/Simerg
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VIDEO 10/13
DESCRIPTION: In this amazing video, we see the mom Red-necked Grebe suddenly appear by the nest. First, she looks around for any signs of danger and then she performs some maintenance on the nest before elegantly sitting down on the eggs for more incubation.
Video: Red-necked Grebes in a Calgary Pond, July 2023, by Malik Merchant/Simerg
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VIDEO 11/13
DESCRIPTION: In this stunning video, we see the male Red-necked Grebe swimming with his two new born grebettes towards the nest. The female, who is left a little bit behind, catches up with him as he reaches the nest and she begins to feed her babies while they are still with the male. The male then suddenly flips his two babies into the water as he climbs onto the nest. He then commences his incubation duty, but not before performing some maintenance on the nest. The female assists in the nest maintenance. The grebettes are then playful with their mom before she finally accepts them under her wing, which she folds down for their protection.
Video: Red-necked Grebes in a Calgary Pond, July 2023, by Malik Merchant/Simerg
VIDEO 12/13
DESCRIPTION: In this last video taken late in the afternoon on July 24, we appear to see the beautiful and caring parents provide a 45 second lesson on nest upkeeping to one of their new-born grebettes. After the demonstration is over, the father lets the grebette slide underneath his wing for a a well-deserved rest! Gribettes spend their first two weeks or so on the backs of their parents and I would guess they are taught about life’s duties just as any other living thing
Red-necked Grebes Bring Their Baby Gribettes into the World, July 24, 2023, Video by Malik Merchant.
July 24, 2023, Photograph of the Day: Thanking the Maker of the Heavens and the Earth
Red-necked Grebe after the birth of 2 grebettes in a Stormwater Wet Pond on Country Hills Blvd in Calgary NE, July 24, 2023. Photograph: Malik Merchant/Simerg.
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July 26, 2023: The Red-necked Grebe Family of 5 and Other Wildlife at a Stormwater Wet Pond on Country Hills Blvd in Calgary NE,
Wildlife, ducks, in a Stormwater Wet Pond on Country Hills Blvd in Calgary NE, July 26, 2023. Photograph: Malik Merchant/Simerg.
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Wildlife, large water birds, in a Stormwater Wet Pond on Country Hills Blvd in Calgary NE, July 26, 2023. Photograph: Malik Merchant/Simerg.
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VIDEO 13/13
DESCRIPTION: In this video, we see the new Red-necked Grebe family of 5 in the middle of the pond, about 125 metres from the location of their nest where one egg remains unhatched. There is a grebette already swimming in the water and in a few moments we see the male flip his 2 babies that were in his wings into the water.
Video: Red-necked Grebes in a Calgary Pond, July 2023, by Malik Merchant/Simerg
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The Beautiful New Red-necked Grebe Family
A beautiful new Red-necked Grebe family of 5, with 3 newborn grebettes riding on the back of their dad in a Stormwater Wet Pond on Country Hills Blvd in Calgary NE, July 26, 2023. Photograph: Malik Merchant/Simerg.
Date posted: July 27, 2023.
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Originally from Mumbai, India, I have long been an artist and am currently pursuing a graduate program in Printmaking at the University of Iowa through an Iowa Arts Fellowship. My recent visit to Toronto happily coincided with the presentation by Prince Hussain Aga Khan of his exhibition The Living Sea: Fragile Beauty at the Aga Khan Museum. I then spent a considerable amount of time viewing the exhibition in the Ismaili Centre Toronto’s social hall and patio. I left the two events feeling inspired and motivated to do whatever I can to assist Prince Hussain in his goals of educating us and raising our awareness about the disturbing state of the oceans and its sea creatures.
Al-Qawi Nanavati, a graduate student pursuing Printmaking at the University of Iowa pictured at Prince Hussain Aga Khan’s exhibition The Living Sea — Fragile Beauty, at the Ismaili Centre Toronto; May 22, 2023. Photograph: Malik Merchant/Simerg.
The two images shown below captured my attention the most after hearing Prince Hussain speak about his passions and purpose behind the show. The images are mounted on a large panel in the patio of the Ismaili Centre. Titled Plastic Bag and Plastic Waste, they were taken in two different parts of the world, the Philippines and Sardinia, 3 years apart. I thought a lot about these two photographs long after I left the show. They were extremely poignant and show us a mirror into what we are doing to our planet.
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Two photographs captured by Prince Hussain Aga Khan of plastic bags in the ocean (top the Philippines, bottom Sardinia) that alarmed Al-Qawi Nanavati when she visited his exhibition The Living Sea — Fragile Beauty at the Ismaili Centre Toronto; May 22, 2023. Photograph: Al-Qawi Nanavati/Simerg.
Prince Hussain has caption notes accompanying the two photographs. For the first photo, taken in May 2017 in the Philippines, the Prince writes: “This was the most depressing thing I’ve ever witnessed.”
For the bottom photo, taken in August 2020 in Sardinia, Prince Hussain laments: “Unfortunately few, if any, effective solutions exist to rid our oceans of this ongoing problem. Most would be difficult to bring to scale. As long as mankind isn’t ready to give up plastic or capable of producing reliable alternatives, our marine environment (and others!) will suffer.”
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The image of a snared dolphin that sunk my heart
By DR. NURIN MERCHANT
The photograph by Prince Hussain Aga Khan of two dolphins swimming side by side had the greatest impact on me when I visited his exhibition The Living Sea — Fragile Beauty at the Ismaili Centre Toronto.
My eyes were immediately drawn to one of the dolphin’s tails, which had a black rope (presumably from fishing equipment) tightly ensnared around it. The rope had been cinched so tight over time that it was now embedded in the dolphin’s skin. My heart sank — such an intelligent yet helpless creature experiencing so much pain and suffering due to mankind’s irresponsibility with its creation.
I would like for the readers to think about something we can all relate to for a moment — pretend that one day you are walking barefoot on a beach, somewhat far from home. Suddenly, OUCH! You feel a sharp pain, and notice that you have accidentally stepped on a piece of glass that has become deeply embedded in the sole of your foot. Somehow, no matter how hard you try, you cannot remove the glass. No one is around to help you, so you are forced to walk all the way home; each step is a painful burden as the glass digs in, deeper and deeper. A few hours later you reach home, fetch a pair of tweezers, and thankfully succeed in removing the shard.
Habituated bottlenose dolphins taken by Prince Hussain Aga Khan at a site known as Dolphin Reef near Hurghada, Egypt, November 2020. Note the rope attached and digging deep into the second dolphin’s tail — impossible for a simple diver to remove. Photograph: Nurin Merchant/Simerg
This dolphin has no one to help it. In the scenario you just imagined, just like we use our feet to propel us forward, the dolphin uses its tail. Unlike the scenario though, this dolphin has likely been living with this injury for months, not hours. And one day, it is very probable that he or she will die from this injury.
This photograph highlights the damage that we continue to inflict upon nature and juxtaposes it with nature’s strong will and resiliency. I see it every day in my career as a veterinarian — animals are far more resilient and perseverant than humans, but this is because they have no choice but to survive, but to persevere.
We must be their voice. And we must always remember: nature’s resiliency cannot compete with our destruction. One day, just as this dolphin — an animal recognized by many scientists as a non-human person due to their high level of intelligence and ability to be self-aware — will succumb to its injuries, so will our ecosystems and the species who call it home (ourselves included).
Each and every one of us has a duty to protect, preserve, and conserve Nature and our home, Planet Earth. Without it, there is no us.
Date posted: May 28, 2023. Last updated: June 01, 2023 (reformatting.)
Both the Glenbow at the Edison in Calgary and the Ismaili Centre Toronto venues of Prince Hussain Aga Khan’s exhibition The Living Sea — Fragile Beauty have provided me with ample opportunities to meet people of all ages to hear what they think about the exhibition in general and which specific photographs, if they had to pick only one, impressed them the most. I am delighted to present a selection of video and audio recordings of the beautiful voices I have heard in the last few days.
Sophia Suleman — listen to her audio below — picked “Pilot whales swimming through the light” as her favourite image in Prince Hussain Aga Khan’s exhibition The Living Sea – Fragile Beauty that is on display at the Ismaili Centre Toronto until June 4, 2023. Photograph: Malik Merchant/Simerg.
(2) SOPHIA SULEMAN, Ismaili Centre Toronto
(3) ADRIENNE, Ismaili Centre Toronto
More audios below
Visitors at Prince Hussain Aga Khan’s exhibition The Living Sea — Fragile Beauty at the Ismaili Centre Toronto; May 26, 2023. Photograph: Malik Merchant/Simerg
(4) ADEN WALJI SAYED, Ismaili Centre Toronto
(5) ADYAN MOMAN, Ismaili Centre Toronto
More audios below
Visitors at Prince Hussain Aga Khan’s exhibition The Living Sea — Fragile Beauty at the Ismaili Centre Toronto; May 26, 2023. Photograph: Malik Merchant/Simerg
(6) SALMA and TAJ JADAVJI, Glenbow at The Edison (Calgary)
Adam Walji Sayed — listen to his audio below — picked “Marine Iguanas” as his favourite image in Prince Hussain Aga Khan’s exhibition The Living Sea – Fragile Beauty that is on display at the Ismaili Centre Toronto until June 4, 2023. Photograph: Malik Merchant/Simerg.
(7) ADAM WALJI SAYED, Ismaili Centre Toronto
(8) IRIAN, Ismaili Centre Toronto
(9) KHALIL NAZARALI
Young Ismaili volunteers and friends at Prince Hussain Aga Khan’s exhibition The Living Sea — Fragile Beauty at the Ismaili Centre Toronto; May 26, 2023. Photograph: Malik Merchant/Simerg
Date posted: May 27, 2023. Last updated: May 29, 2023 (typos and restore missing audios.)
Please visit our sister website Barakah for our exclusive reports and photographs of Prince Hussain Aga Khan’s presentations in Calgary and Toronto.
“The Wrong Bashir found the right audience on opening night if gales of laughter are any indication. From the curtain opener to the surprise at curtain fall, the sold-out crowd at the Firehall had a grand time. The Wrong Bashir is going to be a big hit; for some, it will be a laugh-yourself-silly evening” — Jo Ledingham, Vancouver Theatre Review
Following a fully sold-out run and critical acclaim for the Vancouver world premiere, Crow’s Theatre has announced the Toronto premiere of the new Ismaili comedy, The Wrong Bashir. The play will open in Toronto next year on May 21st 2024 and run until June 9th, 2024.
The play was met with enthusiastic full-houses and positive reviews in Vancouver — leading the prestigious Toronto theatre to pick up the new play as part of its bold, ambitious and imaginative 2023-2024 season.
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The full cast of The Wrong Bashir take the stage in Vancouver. Photograph: Matt Reznek
Last week, Crow’s Theatre issued a special call for Ismaili actors to audition. They are seeking Ismaili actors for roles of many different ages and types. The full casting call link is available HERE.
For some of the roles (Nani, Nana, Gulzar) varying levels (and less experience in acting) is welcome. For the roles of Al-Nashir, Mansour, Bashir, and Nafisa, acting experience is required.
As exemplified by initiatives such as Jubilee Arts, there is hidden artistic talent in the community, and the theatre welcomes Ismailis interested to audition. Auditions began in April and the directors hope to wrap up in the next few weeks, so interested applicants are encouraged to submit as soon as possible. To submit, send a resume and headshot in one attachment to Director Paolo Santalucia (paolo@crowstheatre.com). Questions can be directed to thewrongbashirplay@gmail.com, and full information on how to submit is available at thisLINK.
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Shera Haji, Leena Manro, and Aman Mann in the Vancouver production of The Wrong Bashir. Photograph: Matt Reznek.
Hussein Janmohamed, Parm Soor, and Aman Mann were among the stars in Vancouver’s rendition of The Wrong Bashir, which received a world premiere in BC in March 2023. Photograph: Matt Reznek.
The Play
The Wrong Bashir is Burnaby-born Ismaili playwright Zahida Rahemtulla’s debut play. It follows Bashir Ladha, a young philosophy major who has drifted from his Ismaili roots. Bashir’s parents receive a call that their wayward son has been selected as Student’s Mukhisaheb (congregational leader in Ismaili Jamatkhana), and they dutifully accept on his behalf. Before Bashir has a chance to argue, two official committee representatives arrive at the Ladha household.
As the two representatives slowly begin to realise a possible mistake in selection, the doorbell rings and Bashir’s excited grandparents and family friend make a surprise visit, having caught wind of the news in their Jamatkhana. The fun begins and much hilarity ensues as everyone struggles to keep up a farce. Reflections about tradition, the second-generation, and community are all brought to life in this heartfelt comedy, which also affectionately brings to life much of the humour that exists within Ismaili communities.
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Playwright Zahida Rahemtulla and Director Paolo Santalucia
Zahida Rahemtulla, playwright of The Wrong Bashir.
Zahida Rahemtulla is a playwright and short story writer. Her debut play, The Wrong Bashir, premiered with Touchstone Theatre in Vancouver and was recently picked up for Toronto premiere with Crow’s Theatre, which has been a leading force in new play creation in the Canadian theatre landscape. Zahida currently facilitates Parragon Theatre’s East of Tarragon Project in Scarborough and is passionate about education and working on new plays and with new playwrights.
Paolo Santalucia, director of The Wrong Bashir.
Paolo Santalucia is an award-winning actor, director and writer. He is a graduate of the Soulpepper Academy, and has been a member of Soulpepper’s ensemble for the past ten seasons. Paolo is a co-founder and Artistic Leader of the award-winning Howland Company. Paolo also teaches classical performance with the University of Toronto’s Theatre and Drama Studies Program, and is the recipient of two Dora Mavor Moore Awards in acting, one nomination for direction, and has been shortlisted for the John Hirsch Award for Directing.
There are books around me, galore! And some of the oversized books in my collection are quite beautiful. In 2022, I added one more beautiful volume to my collection, “Depth of Field: The Aga Khan Beyond the Lens” (read reflections by Nizar Motani.) I proudly have it on my tiny square living room table for me as well as everyone visiting me to enjoy. As Motani observed: “This epic volume and once in a life time publication should be an occasion of immense pride and happiness for every Ismaili murid and should belong in our homes.”
The photograph of my beloved Imam — Mawlana Hazar Imam, His Highness the Aga Khan — on the front cover is a joy to see. It also serves as a source of strength in my daily life, and reminds me of his ancestry to the Prophet Muhammad (may peace be upon him) from whom he is directly descended and holder of the Hereditary Divine Seat of the Imamat. As the volume’s editor, Gary Otte could not have chosen a more vivid and warmer photo for the cover.
On Thursday, May 11, 2023, at the opening of Prince Hussain Aga Khan’s exhibition in Calgary, I acquired “The Living Sea,” a fully illustrated 320 page hardback edition of the Prince’s collection of sea animal photographs captured over the last few years. The exhibition hosts, The Glenbow at the Edison, were allocated 100 copies and, as of the 2nd day of the exhibition, they had already sold 25 copies (each @ CAN $80.00 + taxes, as applicable). According to the information that I have, there will be a total of 350 copies for sale in Canada — including Glenbow’s stock of 100. It appears that the volume, with its small print run, will have to go into second printing. The book is beautifully bound and printed in Spain.
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The Living Sea by Hussain Aga Khan, Hardcover, 320 pages, 24.13 x 3.18 x 33.02 cms, published by La Fábrica, Oct. 18 2022.
The Living Sea Exhibition – Fragile Beautyexhibition (May 11-21, 2023, Calgary) is going to be etched in everyone’s memories forever, judging by the comments and the time that most visitors are taking to view the photographs, reading their captions as well as gathering facts and statistics on the fragility of the sea and its beautiful creatures that are posted on a number of panels. I therefore differ with the Ismaili community’s Al-Akhbar newsletter that says that “the exhibit can be viewed in approximately 30 minutes.” Indeed, Prince Hussain’s excellent timeline from 2004-2023 and profile alone require at least 5-7 minutes of reading time. I don’t recommend that visitors rush through an insightful exhibition such as The Living Sea in 30 minutes. I would recommend at least another 20-30 minutes!
And what when the exhibition winds down in Calgary on May 21? Its return to Calgary may be some years away. How are we going to preserve and cherish the memories of the Prince’s incredible insight into the sea and its creatures that we are being presented through the exhibition? How do we cherish the work he is doing and share them with our young children and youth?
This is where owning your own copy of “The Living Sea” becomes important. The book is insightful, and outlines Prince Hussein’s firsthand experiences he underwent to capture these emotive photographs. The electronic media is around, but nothing is as satisfying and pleasurable as holding a book in your hands, taking the time to flip through its pages as you read it. As parents, we will bring excitement and happiness to our children as we show them the book. Their astonishment will be reflected as they point or place their finger on the photographs. Most importantly, this will be an opportunity to educate our children at a young age about the fragility of the marine ecosystem, how vital it is to our existence on Earth, and how imperative it is that we work to protect it as well as all the creatures who call it home. I therefore recommend you to acquire your own copy of this marvellous volume. And many who will not visit the exhibition, will get a lot of satisfaction by owning the volume.
With regard to its prominent placement, “The Living Sea” and “The Aga Khan Beyond the Lens” will sit next to each other at an angle, so that they fit well on my tiny square living room table.