Simerg is an independent initiative dedicated to Ismaili Muslims, the Aga Khan — their Hereditary Imam — and the Ismaili Imamat, and Islam in general through literary readings, photo essays and artistic expressions
Much of the inspiration for my paintings comes from Mawlana Hazar Imam His Highness the Aga Khan’s guidance to the Ismaili community on the importance of brotherhood, pluralism, and living a life where we “do not forsake the soul for the material world.” Indeed, I draw continued encouragement from the Imam’s guidance as an artist and in my daily life.
Take Me Away by Shafina Jaffer. Medium: Oil on canvas. Size: 200 x 80 cm (78.7 x 31.5 in). This painting was projected on the facade of Windsor Castle during the Coronation Concert honouring the Coronation of Their Majesties King Charles III and Queen Camilla, on May 7, 2023. Shafina presented the original painting to Mawlana Hazar Imam, His Highness the Aga Khan, for the auspicious occasion of Navroz, March 21, 2024. Photograph: Shafina Jaffer collection.
Last year, I curated a painting for King Charles’s coronation, and on the occasion of Navroz — the Persian New Year — on March 21, 2024, the same painting, “Take Me Away,” was gifted to Mawlana Hazar Imam, who graciously accepted it and encouraged me to pursue my talents. His message moved me, and as a show of gratitude to celebrate his 67th Imamat Day on July 11, 2024, I have embarked on a series of Mawlana Hazar Imam portrait paintings that will be presented in the coming months on this website.
Simerg and its sister website, Barakah, share the first painting in this series that captures a very youthful Hazar Imam. When asked about my choice to depict Mawlana Hazar Imam at this age, I explain that it’s the image that has been etched in my mind growing up: a sympathetic, youthful figure radiating with light. This personal connection with the Imam drives my artistic expression and deepens my sense of gratitude.
Delving into mixed-media mediums, I use my heritage and strong affiliation with spirituality to sow the seeds of my creativity. Since completing my Graduate Diploma (Art & Design) and Master’s Degree (Painting) from the Royal College of Art, I have explored the intricacies of nature, human relationships, and spirituality within the field of art and their interrelationship.
Religion and spirituality are not just important themes in my art; they are the essence of my work, reflecting my deep exploration of faith and the human connection to the divine. My canvases are vibrant and alive, filled with a playful mix of colour, form, and texture, with natural mediums playing a pivotal role. Faith pushes me to transcend the physical and visible, uncovering what resides at the core and infusing the outer edges with life. Indeed, with such portraiture of the Imam, the lines between literal and divine interpretation are moving and profound.
Please click on image for enlargement
Mawlana Hazar Imam, His Highness the Aga Khan, by Shafina Jaffer. Medium: Oil, Gold and Charcoal; Size: 42 x 32 cm. Original photograph for painting: Gary Otte (cover page and page 121 of Depth of Field: The Aga Khan Beyond the Lens).
This portrait of the Aga Khan, painted with meticulous care and deep gratitude, captures his serene and compassionate essence. I have highlighted his gentle smile and thoughtfully intelligent eyes, conveying wisdom and kindness. The subtle use of colours and shading brings out the depth of his character and position in humanity, reflecting his profound impact as a spiritual leader and guide. One can easily see an overarching glow settled upon the canvas — reflecting his holy and elevated demeanour.
The border, crafted in real gold and liquid charcoal, symbolizes his love for nature and adds a unique, elegant touch to the piece. This artwork is a heartfelt tribute, expressing deep appreciation for the Aga Khan’s guidance and positive influence on my life and practice. It stands as a testament to the enduring respect and admiration he commands.
Upon gazing at this painting, one can forget that it is not a photograph. My brush has sought to create a three-dimensional profound effect which makes it appear that the face is emerging from the confines of the page to look into the viewer’s eyes, saying:
“Everybody makes mistakes. Never regret them; correct them. There’s no such thing as a perfect world or perfect life” — His Highness the Aga Khan.
Date posted: July 9, 2024.
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Work in progress, as Ismaili artist Shafina Jaffer paints a portrait of His Highness the Aga Khan in her studio in Dar es Salaam, Tanzania. The iconic artist was invited to the residence of the US Ambassador to Tanzania on US Independence Day, July 4, 2024, to exhibit her paintings featuring African women.
Simerg’s introduction of “Books by Ismaili Authors” continues with Boustan Hirji’s translation of Sijistani’s “Al-Risalah al Bahirah.” We follow the same Q/A format as our earlier presentations of books, which are listed chronologically below. We encourage Ismaili authors worldwide to participate in this series, regardless of when their books were published. See details of the series HERE and submit your responses to Simerg’s editor, Malik, at mmerchant@simerg.com.
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Simerg’s Interview with Ismaili Scholar Dr. Boustan Hirji
Dr. Boustan Hirji
“Al-Risalah al Bahirah is such a profound, fathomless space of intellectual ideas and crucial for understanding the depth of the Ismaili tradition, that I would hope that it makes for interesting reading for both Ismailis and anyone curious about syncretic traditions that have an impact on our current lives and societies” — Boustan Hirji
Simerg: What is behind the name and title of the book?
Boustan Hirji: The book’s title is a translation of the title given to the treatise by al-Sijistani himself.
Simerg: Why would you want me or my family to read the book, and what will we learn from it?
Boustan: This treatise in particular makes for a very interesting reading because Sijistani writes on the subject of Resurrection from a wider perspective on the history of ideas yet stays focused on the Isma’ili point of view. He is an original thinker who draws from the Buddhist, Hindu, and Hellenistic traditions and yet is uniquely representative of the Badakshani Ismaili tradition.
Simerg: What inspired you to write the book?
Boustan: My Professor and thesis supervisor at McGill University, Dr Hermann Landolt, shared this manuscript with me when I spent some days with him and his family in Pany, Switzerland. It is a manuscript that is very dear to his heart, and I am indebted to him for introducing me to the world of Sijistani. Ever since then, Sijistani has been my constant companion, a treasure waiting to be revealed.
Interview continues below
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Print Edition
Front cover of the print edition of Boustan Hirji’s translation of Fatimid philosopher al-Sijistani’s epistle al-Risalah al-Bahirah, published by Olduvai Publications, Burnaby, British Columbia, Canada, 2024, pp. 167. Foreword by Mohamed Abualy Alibhai.
Thanks to the pioneering and lifelong studies by Paul Walker, we are becoming increasingly knowledgeable about the Fatimid daՙi and philosopher Abu Yaՙqub al-Sijistani. Based on two manuscripts, Dr. Boustan Hirji has prepared an English translation and critical edition of the Arabic text of Yaqub al-Sijistani’s al-Risalah al-Bahirah (‘The Epistle on the Radiance‘). The book is free of charge in print and PDF through an email request to olduvai.publications@gmail.com. The free distribution has been made possible by a generous donor. Kindly note that only limited copies of the print edition are available.
Electronic Edition (PDF)
Front and back covers of the PDF edition of Boustan Hirji’s translation of Fatimid philosopher al-Sijistani’s epistle al-Risalah al-Bahirah, published by Olduvai Publications, Burnaby, British Columbia, Canada, 2024. Foreword by Mohamed Abualy Alibhai.
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Simerg: How can I purchase the book, and what are its available formats?
Boustan: The book is available in paperback and ebook (pdf) formats.
(We are pleased to inform our readers that both versions of Dr. Boustan Hirji’s book are free due to a generous donation. Please write to Dr. Mohamed Alibhai at olduvai.publications@gmail.com for more details about obtaining the book. Note that the availability of the print edition is limited — Ed.)
Simerg: How did you find a publisher for the book?
Boustan: My friend and fellow Sijistani scholar, Dr. Mohamed Alibhai, is a publisher, and he was keen to publish it. He was my editor, my Socrates, my friend and my taskmaster!
Simerg:Which was your first book, and how many have you written?
Boustan: This is my first book in the academic field of Ismaili philosophy. The first edition of the manuscript al-Risalah al Bahirah, its translation and Introduction to it was originally published by the Tehran branch of McGill University. Earlier, I had published a book on Gender stories in Syria, Egypt and Bangladesh. It is available from Amazon under the title Sands Under a Relentless Sun.
Simerg: How long did it take you to write the book — from start to finish?
Boustan: The current work has accompanied me on a long journey as I lived my tumultuous life! I kept re-reading, rethinking passages and ideas, until I agreed to have it published. Al-Risalah al Bahirah is such a profound, fathomless space of intellectual ideas and crucial for understanding the depth of the Ismaili tradition that I would hope that it makes for interesting reading for both Ismailis and anyone curious about syncretic traditions that have an impact on our current lives and societies.
Date posted: April 3, 2024.
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About the Author
Dr. Boustan Hirji
Boustan Hirji was born and grew up in Bangladesh and attended the convent-run Holy Cross School and Holy Cross College until she was 18. She completed a Bachelor of Arts at St. Mary’s at Notre Dame, cum laude, majoring in Political Sociology.
Boustan obtained a Master of Theological Studies at The School of Theology (a Methodist Seminary) Boston University. Her thesis compared the Exodus and the Hijrah.
She then proceeded to join an MA-PhD programme at the Institute of Islamic Studies, McGill University. The MA was in Islamic Theology (Kalam). The PhD was in Ismaili philosophy, focusing on al-Sijistani. Her doctoral dissertation (upon which her book is based) was recommended by the external examiner, Dr. Abbas Hamdani, for the university’s Dean’s List.
Boustan Hirji was appointed to teach in the joint programme of McGill University and The Institute of Ismaili Studies in London, England in the 1980s. After this, Dr. Hirji taught in the Religious Studies department of McGill University.
She was given The Alumni Award of the Year in 2016, for Excellence in Teaching and Leadership Skills by the School of Theology, Boston University, USA.
Until she retired in 2020, she taught in the Liberal Arts Honours Programme at Dawson College, Montreal, Canada.
Calling all Ismaili Authors
We encourage Ismaili writers to introduce their books in a similar format as has been done in the post above. Please also see the series launch article and submit your responses to Malik at mmerchant@simerg.com. All submissions will be acknowledged. If a writer has published multiple books, each book will be highlighted in a separate article, and not combined with other books into one post. All writers should include a brief profile with a portrait photo.
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Links to the Ismaili Authors’ Series (in chronological sequence, oldest article first)
Before departing this website please take a moment to review Simerg’s Table of Contents for links to hundreds of thought provoking pieces on a vast array of subjects including faith and culture, history and philosophy, and arts and letters to name a few. Also visit Simerg’s sister websites Barakah, dedicated to His Highness the Aga Khan, and Simergphotos.
Aunt, Nurumasi, at 100! Acrylic, 16″ x 20″, March 2020. Painting by Mobina Marani, Crystal Beach, Ontario, Canada.
By MOBINA MARANI
Two years ago, I introduced a selection of my paintings on this website as part of its Artistic Expressions category, which encourages Ismaili Muslim artists to showcase their works of art. Among the paintings on the website was a portrait that I had painted of my aunt when she turned 100. The work was completed for her 100th birthday, celebrated on March 4, 2020.
Recently, I exhibited at the Illume Festival — an event showcasing talented Ismaili artists from across Canada — at both the regional and national levels. Out of the four paintings shown at the regional event, one was picked for display at the National Illume Festival held in November 2023 at the Ismaili Centre Toronto. It was that of my beloved aunt! This couldn’t have made me happier. My aunt, carrying a tasbih (rosary), honoured me by attending the event.
Nurbanu Esmail — popularly known as Nurumasi — was born in Uganda and married Haiderali Esmail, who passed away in Kampala on December 28, 1971, when she was only 51. All their children — daughters Khatoon, Parin, Firoza and Laila, and son Sultan — are still alive. She has 9 grandchildren and 13 great-grandchildren. Nurumasi, at 104, may be among the oldest living Ismailis in Canada.
My aunt dedicated her life to serving the Ismaili community, its institutions, and the Imam-of-the-Time, Mawlana Hazar Imam, His Highness the Aga Khan. She has served as a congregational leader in an Ismaili Jamatkhana and held many voluntary positions in Ismaili institutions. She was also a member of the ghusal committee that oversees all the funeral arrangements and preparations for deceased Ismaili community members. This is one of the noblest services one can perform.
Nurumasi has also keenly followed all the worldwide Imamat projects and travelled widely to see them.
Ismaili artist Mobina Marani pictured with her aunt, turning the beads on her tasbih (rosary), at the National Illume Ismaili Art Festival held at the Ismaili Centre Toronto in November 2023. On the wall is Mobina’s painting of her aunt, completed in March 2020, when she turned one hundred on March 4. Photograph: Mobina Marani Collection.
Nurumasi’s immense strength has come from regularly attending the Jamatkhana for prayers and services and her devotion and love for Mawlana Haza Imam. She has come to be adored by the community members who seek her out for prayers for strength in all aspects of their and their family’s lives.
It is a privilege for me and all the family members to have been blessed with an outstanding lady who has been with us for so long. Her presence and inspiration have been a source of strength and courage to all of us. Nurumasi is indeed one of the elders who has lived by Mawlana Hazar Imam’s guidance to both the young and older community members, in which he asked us to fulfill our material and spiritual responsibilities to the best of our abilities. He told the old that they were never too old and that as long as they were alive, every day must be lived, and we must seek to fulfill our responsibilities. That message has guided her throughout her life, leading to the age of 104.
May Allah, in His Infinite Mercy, continue to shower our beloved Nurumasi with strength, courage and faith and bestow her with the Light (Noor) of the Imam-of-the-Time in the days and weeks to come. Ameen.
Date posted: April 2, 2024.
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Is anyone in your family a centenarian? We would like to hear from you, with a story and a photograph or two! Please write to the editor Malik at mmerchant@simerg.com.
We welcome feedback/letters from our readers. Please click Leave a comment. Your feedback may be edited for length and brevity and is subject to moderation. We are unable to acknowledge unpublished letters.
Simerg’s introduction of “Books by Ismaili Authors” continues with Reeshma Haji’s “All the Russ Without the Fuss”. We follow the same Q/A format as our earlier presentations of books that are listed chronologically below. We encourage Ismaili authors from around the world to participate in this series, regardless of when their books were published. See details of the series HERE and submit your responses accordingly to Simerg’s editor, Malik, at mmerchant@simerg.com.
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Simerg’s Interview with Ismaili Author Reeshma Haji
Reeshma Haji
“This is a great book of Indian fusion recipes! You can make dishes with lovely Indian flavors in much less time than the traditional preparation would take. I love that Oatmeal, Shepherd’s Pie and Pizza can take on an Indian flair. There’s something for everyone because breakfast, lunch and dinner are covered. I really enjoy the recipes in this book” — Audrey, Toronto
Simerg: What is behind the naming of the title of the book?
Reeshma Haji: For me, the “russ” or sauce is where the vibrant flavours are. The book aims to help people save time cooking without compromising on flavour. Instead of traditional recipes, my fusion recipes are Khoja (East Indian from Gujarat) dishes with a Western twist or European dishes with a Khoja twist.
Simerg: Why would you want me or my family members to read the book, and what will we all learn from it?
I would like people to learn easy, flavourful recipes, ones that they can make on a weekday or special occasion. Home cooking should be fun and uncomplicated. Some of the recipes also include tips on how other family members or friends can help with cooking. Let’s enjoy our food!
Simerg: What inspired you to write the book?
Reeshma: Everyone is busy and people are reluctant to cook at home because of the time and labour involved. Our traditional recipes are delicious but can be time-consuming. For example, fried masala fish and potatoes takes time to prepare. My easier alternative is masala fish pie.
Interview continues below
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Readers’ Feedback
I really enjoy the recipes in this book. I like the easy instructions, the variety of recipes from breakfast ideas to appetizers, entrees, desserts and drinks. I really enjoy the variations and creative takes on some classic recipes. I like how the author uses fresh herbs and nuts to give a dish an extra layer of flavor and texture. I liked every recipe that I tried so far. Love the book! — Alain, Toronto
A page from Reeshma Haji’s well-designed and laid out recipe book “All the Russ Without the Fuss.” Please click on image for enlargement.
This is a great book of Indian fusion recipes! You can make dishes with lovely Indian flavors in much less time than the traditional preparation would take. I love that Oatmeal, Shepherd’s Pie and Pizza can take on an Indian flair. There’s something for everyone because breakfast, lunch and dinner are covered. I can’t forget dessert, my favourite part of any meal. The Cake and Sherbet Ice Cream, Kiwi Upside-Down Khushiali Cake and the Mango Ice Cream are a must try. The recipes are simple enough that my 13 year-old daughter has made the Mango Ice Cream and the Kiwi Upside-Down Khushiali Cake on her own several times now — Audrey, Pickering.
Front cover of Reeshma Haji’s recipe book “All the Russ Without the Fuss — Khoja Fusion Recipes for Busy Lives”, published independently, December 2023, paperback and eBook, 40 pp.
Simerg: How can I purchase the book and what are its available formats?
Reeshma: The book is available on Amazon in Canada and also Amazon Worldwide and can be purchased as a paperback or eBook. The eBook version, which is available instantly, is a print replica and can be read in a free app (so a Kindle is not necessary).
Simerg: Which was your first book and how many have you written?
Reeshma: This is my first non-academic published work, but I have a co-edited book, scholarly articles, and book chapters in my field, social psychology. The book is entitled, Understanding Peace and Conflict through Social Identity Theory, and it was co-edited with Shelley McKeown Jones and Neil Ferguson.
Simerg: How long did it take you to write the book — from start to finish and to begin marketing it?
Reeshma: The idea had been simmering in my mind for years. Writing took me about nine months, and recipe development was the most time-consuming. Each recipe was repeatedly tested and modified until I was happy with it. Then it was tested by friends and family members, and further refined.
Simerg: Would you like to offer further information about your book?
Reeshma: This fusion cookbook acknowledges the culture of Khojas who are living in the West. The anecdotes are meant to make the content relatable and fun. The recipes in this compact cookbook can generally be prepared in 30 minutes or less. They involve easy-to-find ingredients available at your local supermarket because not everyone lives near an Indian grocery store. Some of the recipes are Khoja fusion recipes and some involve an Indian twist on a European classic. With 22 easy recipes and many helpful tips and variations, All the Russ cuts out the fuss so that you can savour your food and time.
Date posted: March 1, 2024.
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About the Author
Reeshma Haji
Reeshma Haji, PhD, is a social psychologist who has a passion for food. She has taken cooking classes all over the world, and studied at culinary school in her spare time, earning her Culinary Arts Certificate at George Brown College in Toronto. Reeshma’s research specialty within psychology is intergroup relations of different cultural and religious groups. Having worked for many years as a university professor, she has extensive teaching experience and also runs a time-management and academic coaching business, Thesis Doctor Inc. Her cookbook brings together her varied interests, as she hopes to guide readers through cooking flavourful fusion meals in time-efficient ways. Reeshma has recently started a Facebook group, Ismaili Authors’ Alliance, for published and aspiring authors to support and mentor each other.
We welcome feedback from our readers. Please click LEAVE A COMMENT. Your letter may be edited for length and brevity and is subject to moderation.
Calling all Ismaili Authors
We encourage Ismaili writers to introduce their books in a similar format as has been done in the post above. Please also see the series launch article and submit your responses to Malik at mmerchant@simerg.com. All submissions will be acknowledged. If a writer has published multiple books, each book will be highlighted in a separate article, and not combined with other books into one post. All writers should include a brief profile with a portrait photo.
_______________
Links to the Ismaili Authors’ Series (in chronological sequence, oldest article first)
Before departing this website please take a moment to review Simerg’s Table of Contents for links to hundreds of thought provoking pieces on a vast array of subjects including faith and culture, history and philosophy, and arts and letters to name a few. Also visit Simerg’s sister websites Barakah, dedicated to His Highness the Aga Khan, and Simergphotos.
Simerg is pleased to present a selection of artwork by Shafina Jaffer, whose painting entitled Take Me Away was projected onto the facade of Windsor Castle at the Coronation Concert held outside Windsor Castle on May 7, 2023, in celebration of the coronation of King Charles III and Queen Camilla. We sincerely thank Aniza Meghani of London, England, for introducing us to Shafina and her magnificent artwork. The following profile of Shafina is based on the material that was submitted by her for this post. We have learned that the artist is hosting a special art session on Friday, February 23, 2024, at the Upanga Jamatkhana Social Hall in Dar es Salaam, Tanzania, to set the tone for the Aga Khan Youth and Sports Board’s special Navroz Art Fiesta.
Ismaili artist Shafina Jaffer in her hand-painted bark cloth sari. Photograph: Shafina Jaffer collection.
Shafina Jaffer is an Ismaili spiritual contemporary artist born in Dar es Salaam, Tanzania, and raised in Karachi and Dubai. She received her education in the UK, graduating from the prestigious Royal College of Art in Fine Art.
In 2023, her painting was selected for the Coronation Concert of Their Majesties King Charles and Queen Camilla as a backdrop for the Romeo & Juliet play performance. She was invited to attend the event as a VIP guest, witnessing her work titled Take Me Away projected onto the facade of Windsor Castle and witnessed live by millions of people across the world.
Shafina has exhibited in many art shows internationally and the world-renowned galleries of Saatchi Gallery in London, Zeitz Mocca in Cape Town, the Venice Biennale and London Art Fair. Most recently, she was invited to exhibit at the National Gallery in Dar es Salaam, Tanzania, representing the Ismaili community on the 75th Anniversary of the Indian Republic Day to celebrate the Indian-Tanzanian shared history of culture. Her painting, The Temptation (see below), painted on tree bark, with natural mineral pigments received praise from the Minister of Tourism and the Indian High Commission.
Please click on images for enlargements
Flames of Creation in the Garden of Eden by Shafina Jaffer. Medium: Bark cloth, natural pigments: 22K Gold, cow bone pigment, malachite crystal, Majorelle blue, charcoal, rose madder, Masaai hair pigment, Tanzanian clay. Size: 80 x 80cm (31.4 x 31.4in). Photograph: Shafina Jaffer collection.
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Take Me Away by Shafina Jaffer. Medium: Oil on canvas. Size: 200 x 80 cm (78.7 x 31.5 in). This painting was projected on the facade of Windsor Castle during the Coronation Concert honouring the Coronation of Their Majesties King Charles III and Queen Camilla, on May 7, 2023. Photograph: Shafina Jaffer collection.
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Voices of Creation, by Shafina Jaffer. Medium: Bark cloth, natural pigments: 22K Gold, cow bone pigment, malachite crystal, Majorelle blue, charcoal, Masaai hair pigment, rose madder, spinnel black, zinc white, Tanzanian clay. Size 40 x 40 cm ( 31.5 x 31.5in). Photograph: Shafina Jaffer collection.
Shafina’s art is unique, for she is the first one to create a genre of art where Indian and African art synthesize to deliver a unique visual dance that combines Indian traditions of miniature painting with African natural mediums and design. She also creates large installations using recycled plastic bottles to draw attention to plastic waste, recycling, and environmental mindfulness. These have been featured extensively in the media and news in Tanzania.
Shafina navigates the realm of abstract art, seamlessly weaving together elements of religion, spirituality, natural mediums, ontology, and a profound exploration of the divine to convey a powerful message of heightened morality, spiritual awareness, and the meaning of life. Her artistic journey is a tapestry of inspiration drawn from her multicultural background, where the interplay of diverse influences shapes her unique artistic identity.
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Creating Eden by Shafina Jaffer. Medium: Bark cloth, natural pigments: 22K Gold, cow bone pigment, malachite crystal, Majorelle blue, charcoal, Masaai hair pigment, Tanzanian clay. Size: 80 x 80 cm (31.5 x 31.5 in).
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Creation of Eden by Shafina Jaffer. Medium: Bark cloth natural pigments: 22K Gold, cow bone pigment, malachite crystal, Majorelle blue, charcoal, Masaai hair pigment, Tanzanian clay. Size: 200 x 200 cm (78.7 x 78.7 in). Photograph: Shafina Jaffer collection.
Born into a family that celebrated both Eastern and Western traditions, Shafina was exposed to a rich tapestry of beliefs and practices, laying the foundation for her transcendent art. At the core of her work is exploring abstract art as a vehicle for expressing the ineffable and transcendent aspects of human existence. Her canvases are vibrant playgrounds of colour, form, and texture, inviting viewers into a world where the boundaries of conventional representation dissolve, leaving room for interpretation and personal introspection.
Religion and spirituality are recurring themes in her art, reflecting her deep exploration of faith and the human connection to the divine. Through her abstract interpretations, she delves into the universal quest for meaning and purpose, exploring the intersection of different religious traditions and spiritual philosophies. Her works serve as visual meditations, encouraging viewers to contemplate the shared threads that bind humanity’s spiritual journey.
Shafina Jaffer poses beside her framed painting, The Temptation, that was on display at the National Art Gallery in Dar es Salaam for the 75th Anniversary of the Indian Republic Day. Medium: Dark cloth, natural pigments: 22K Gold, cow bone pigment, malachite crystal, Majorelle blue, charcoal, rose madder, Masaai hair pigment, Tanzanian clay. Size: 250 x 100cm (98.4 x 39.3 in). Photograph: Shafina Jaffer collection.
Natural mediums play a pivotal role in her artistic process. She embraces the inherent beauty and symbolism found in organic materials, utilising them to create textures that evoke a connection to the natural world. Bark, leaves, and earthy pigments become integral elements in her compositions, fostering a harmonious relationship between the earthly and the divine. This intentional use of natural mediums adds depth to her works, serving as a metaphor for the interconnectedness of all life.
Ontology, the study of being and existence, becomes a philosophical undercurrent in her art. Her abstract expressions delve into questions of existence, identity, and the nature of reality. Through the interplay of forms and colours, she invites viewers to search within themselves for the profundity of life. Each brushstroke becomes a philosophical inquiry, prompting introspection on the profound questions that define the human experience.
Manifestation of Eden, by Shafina Jaffer. Medium: Bark cloth, natural pigments: 22K Gold, cow bone pigment, malachite crystal, Majorelle blue, Masaai hair pigment, Tanzanian clay. Size: 80 x 80 cm (31.5 x 31.5 in). Photograph: Shafina Jaffer collection.
God, in its various manifestations and interpretations across cultures, becomes a central motif in her art. Her abstract compositions serve as visual prayers, transcending the boundaries of religious dogma and inviting viewers to connect with a higher consciousness. Her art becomes a vessel for the divine, a bridge between the earthly and the spiritual, fostering a sense of reverence and awe.
In essence, Shafina Jaffer’s art is a testament to the transformative power of creativity and spirituality. Her abstract expressions serve as a catalyst for introspection, inviting viewers to embark on a journey of self-discovery and heightened moral awareness. Through the marriage of abstract art, religion, spirituality, natural mediums, ontology, and a profound exploration of the divine, she offers a visual sanctuary where the meaning of life unfolds in every brushstroke and colour palette.
Date posted: February 19, 2024.
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Simerg’s introduction of “Books by Ismaili Authors” continues with Zain Bandali’s recently published book “Mehndi Boy”. We follow the same Q/A format as our earlier presentations of books that are listed chronologically below. We encourage Ismaili authors from around the world to participate in this series, regardless of when their books were published. See details of the series HERE and submit your responses accordingly to Simerg’s editor, Malik, at mmerchant@simerg.com.
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“My debut book was nominated for the Silver Birch Express Award, which is a part of The Forest of Reading®, which is Canada’s largest recreational reading program and offers ten reading programs to encourage a love of reading in people of all ages. This means that grade 3 and 4 students across Canada will get to read MEHNDI BOY” — Author Zain Bandali
Simerg’s Interview with Ismaili Author Zain Bandali
Zain Bandali and emcee Maya Homevoh speak to attendees at the Mehndi Boy launch at A Different Booklist in Toronto; Zain Bandali proudly poses with his newly published early reader chapter book Mehndi Boy; and book launch attendees enjoy Mehndi Boy inspired cake and mehndi cone party favors. Photograph: Zain Bandali.
Simerg: What is behind the naming of the title of the book?
Zain Bandali: I wanted to juxtapose “mehndi” [also known as henna], with something that we often don’t associate with the artform: boys. Mehndi Boy refers not only to the main character Tehzeeb, who becomes fascinated with applying henna on his friends and family, but also serves as an invitation for boys to dare to dream and express themselves on their own terms.
Simerg: Why would you want me or my family members to read the book, and what will we all learn from it?
Bandali: Mehndi Boy is an illustrated chapter book meant for early readers aged 6-11. However, adults would certainly enjoy reading it as it is filled with Ismaili, East African, and South Asian “easter eggs” — hidden features, from illustrations to phrases in the text that are in Kutchi, Gujarati, and Swahili.
Mehndi Boy boasts a full glossary of these various terms and concepts, and would make an excellent opportunity for children to sit with their elders and go through these references — some they may be familiar with and some might be brand new!
Simerg: What inspired you to write the book?
Bandali: Growing up, I was often discouraged to put mehndi on during Khushialis [major Ismaili festivals], weddings, and other festivities. The only reason? I was a boy. This rationale never quite sat right with me, so I chose not to pay much heed to it or let it stop me.
Despite the raised eyebrows of uncles at Jamatkhana, I’d grab mehndi cones when they were distributed and practice on myself. Was I any good? That’s debatable. But, I was able to reclaim a part of my history, heritage, and femininity that was buried deep inside of me.
Over the past few years, I’ve been asked to apply mehndi during Navroz, Imamat Day, and Salgirah celebrations at my local Jamatkhana. Doing mehndi for children, aunties, and elders in the Jamat became an act that deepened the connection to my community and has been an honour for me to do.
Interview continues below
“Mehndi Boy” written by Zain Bandali, illustrations by Jani Balakumar, published by Annick Press, October 2023; 100 pages, available in hardback, softback, and Kindle.
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Bandali: It was this binding energy of mehndi, of expression, resilience, and community that inspired me to write Mehndi Boy and invite the next generation to dream — dreams where boys are encouraged to express themselves as they see fit — and like painting or drawing, mehndi is perceived just like any other artform.
Simerg: How can I purchase the book and what are its available formats?
Bandali: Mehndi Boy was published on October 24th, 2023. Please visit the Annick Press website where you can either buy it online or place an order for Mehndi Boy from your preferred local bookstore. The book can also be purchased at Amazon, Indigo, and Barnes and Noble. It is currently available in the following formats: hardcover, softcover, and Kindle.
Interview continues below
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Mehndi Boy Selected Reviews
Zain Bandali’s “Mehndi Boy” published October 2023, to high acclaim.
“[A] fast-paced chapter book, replete with vibrant illustrations . . . This would be a lovely read-aloud, taking readers on an emotional journey along with Tehzeeb.” — Booklist
“Bandali gently and compassionately offers readers a chance to see how to be true to yourself as they follow Tez on his journey.” — The Globe and Mail
“Delightful . . . the world needs more ‘mehndi boys!’” — Vivek Shraya, author of The Boy and the Bindi and God Loves Hair
“I was totally charmed by it.” — Ali Sethi, musician and author
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Simerg: How did you find a publisher for the book?
Bandali: As a debut author, this is my first time being published beyond the occasional poem. In March of 2021, I submitted a brief outline of Mehndi Boy to the Annick Press Mentorship Program, a mentorship program designed to support writers from groups historically excluded from children’s book publishing in North America. Here, I developed the outline into a manuscript and was later offered a contract with Annick Press. All in all, the process took about 2 years.
Simerg: Did you hire an editor, an illustrator or did you do all the work by yourself?
Bandali: Annick Press was able to secure Jani Balakumar, an incredibly talented artist who brought my vision expertly to life. Jani is a Tamil-Canadian illustrator and 2D animator residing in Toronto, Canada. She has a bachelor’s in animation from Sheridan College where she honed her craft.
Simerg: Would you like to offer further information about your book?
Bandali: I am pleased to share that my debut book was also nominated for the Silver Birch Express Award, which is a part of the The Forest of Reading®, which is Canada’s largest recreational reading program and offers ten reading programs to encourage a love of reading in people of all ages. This means that grade 3 and 4 students across Canada will get to read Mehndi Boy, a major milestone in my life. I might also note that Booklist, a publication of the American Library Association, called Mehndi Boy a “fast-paced chapter book, replete with vibrant illustrations” and said, “This would be a lovely read-aloud, taking readers on an emotional journey along with Tehzeeb.”
In Mehndi Boy, I wanted to tell a story that questions stubborn gender norms in a kid-friendly way by drawing from my Indo-Tanzanian and Ismaili Muslim identity. It touches on themes of self esteem, anxiety and perfectionism, and the trials of navigating a relationship with an uncle who doesn’t understand his nephew’s artform. It is a story for my inner child — a story that I wish existed when I was younger.
Date posted: November 18, 2023.
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A Request to all Our Readers: Please Support Zain Bandali
Be sure to support new author Zain Bandali on the debut of his book Mehndi Boy. Please visit the Annick Press website where you can either buy Mehndi Boy online or place an order for the book from your preferred local bookstore. The book can also be purchased at Amazon, Indigo, and Barnes and Noble. It is currently available in the following formats: hardcover, softcover, and Kindle.
About the Author
Zain Bandali
Zain Bandali is an unapologetic author, poet, and diversity advocate. His poetry can be found in multiple publications, and his spoken word has graced stages across his home province of Ontario, Canada. In 2020, he was awarded the Upkar Arora Social Impact Leadership Scholarship for his work creating a grassroots community initiative while an undergrad at the University of Waterloo. Even in his day job as an HR professional at a leading financial corporation, Zain strives to bring the values of diversity, equity, and inclusion to everything he does. He is an avid vegetable gardener but cannot always stomach the chili peppers he grows.
We welcome feedback from our readers. Please click Leave a comment. Your letter may be edited for length and brevity and is subject to moderation.
Calling all Ismaili Authors
We encourage Ismaili writers to introduce their books in a similar format as has been done in the post above. Please also see the series launch article and submit your responses to Malik at mmerchant@simerg.com. All submissions will be acknowledged. If a writer has published multiple books, each book will be highlighted in a separate article, and not combined with other books into one post. All writers should include a brief profile with a portrait photo.
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Links to the Ismaili Authors’ Series (in chronological sequence, oldest article first)
Before departing this website please take a moment to review Simerg’s Table of Contents for links to hundreds of thought provoking pieces on a vast array of subjects including faith and culture, history and philosophy, and arts and letters to name a few. Also visit Simerg’s sister websites Barakah, dedicated to His Highness the Aga Khan, and Simergphotos.
Eid al-Adha is celebrated around the Muslim world on the 10th day of the twelfth month of ‘DhuI-Hijjah, after the culmination of the annual pilgrimage to Mecca. The Muslim Association of Canada announced that in 2023 the Eid will be observed on Wednesday, June 18. The Canadian Ismaili Muslim community will also celebrate the Eid on the same day. It is customary, especially in Muslim countries, to celebrate the Eid for 3 to 4 days, after its first observance when special Eid Namaz (prayers) are offered.
In an earlier post we informed our readers of the new Eid stamp that Canada Post issued on April 3, 2023, in advance of the celebration of both Eid al-Fitr as well as Eid al-Adha (see featured image at top of this post). The stamp is only available as part of a beautiful booklet of six stamps and can be ordered on-line. The following is a brief presentation about the significance of the two Eid festivals and the image of the historic artistic bowl that is featured on the stamp.
We convey our heartiest felicitations to all our readers and friends on the auspicious occasion of Eid al-Adha and wish everyone Eid Mubarak. We offer our prayers for the fulfilment of all your wishes, for good health as well as for barakah (happiness) and success in your endeavours. We also pray for the eternal rest of all the deceased souls.
To mark the auspicious day, we present a thoughtful poem by Farah Tejani as well as a lighthearted story that she has written for children.
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POEM
The Great Sacrifice
By FARAH TEJANI, B.A. and M.F.A.
Omnipotent and Merciful is He, Allah knows what is best, At certain times He chooses To put us through certain tests
He observes our response To His Rightful Command, And on this He Judges, Just exactly where we stand.
It is not meant to be easy, What would be the purpose, So we are challenged in truth, Our response to Him defines us.
Reflect and recall a time when, We chose not to obey His Laws, He being of course, All-Forgiving, No doubt, forgave us our flaws.
But what is to be said, Of Hazrat Ibrahim, The One, On the day he was commanded, To take the life of his own son!
Put yourself in his place, Could you do the same, Take the life of who you hold most dear, The ultimate sacrifice in Allah’s name.
Eid al-Adha celebrates Ibrahim’s loyalty, To The Great and Loving Wise One, Though surely riddled with fear and pain, He placed Ismail, his most precious son,
In front of him, and said a prayer, In the Name of Allah, Lord of All Things, He swang the knife and opened his eyes, And “Oh, But what Mercy God Brings.”
In the place of his very own son’s head A miraculous goat’s head had fallen, Allah rewarded Ibrahim’s obedience, Without even a moment of stalling.
Try to imagine the emotions he went through, Ibrahim was elated and held Ismail near, Most Merciful is Our Most Gracious Creator, Humbled by Allah’s Grace he held back a tear.
Abraham would we if we could, Be as loyal as you are to Allah’s Laws, You stand as a testimony of Great Faith, Without even a moment to pause.
Let it be our endeavour, to faithfully honor, The Words from Above they are in our best interest, Take a moment to reflect this Eid al-Adha, And we, too, will surely be at our best.
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A STORY FOR CHILDREN
Oh, I Would Love To…But I Am Just So Totally ZOSTED!
By FARAH TEJANI, B.A. and M.F.A.
The sun was setting in Gifford Park and the air was still crisp; it was the birth of Spring. Tulips, Daisies, African violets, Daffodils and other beautiful flowers would wake from a Winter’s slumber, just like bears coming out of hibernation. The day was done, but for Siegfred squirrel, the day was just beginning. Siegfred excitedly waited every evening around this time for his Dad to come back from work at the Big Al’s Nut Factory.
Now, you have to understand, Siegfred was not your average run of the mill SQUIRREL. Yes, he loved to hunt and gather nuts and seeds like all the other squirrels, and then have competitions on who gathered the most in number, as well as the most in variety.
But Siegfred’s other true passion was fashion. And every single day meant a new chance to wear one of his own individual styles and creations.
On any given day, Seigfred would wear anything from cut off faded blue jean overalls with different colour and pattern bandanas tied in a knot to the side, with high cut sneakers with red laces loosely tied so he could just slip them on; to hawaiian short sleeve silk shirts with flowers, palm trees, and “Hang Loose” written on the back with dark black denim boot cut Levi’s, and shiny leather beatles boots and his hair either toselled in soft curls or held up in a no nonsense hair sprayed “mohawk.”
Today, Mom was preparing her famous specialty: Acorn and walnut salad with assorted green vegetation, topped with dressing made from conifer cones and finally sprinkled with pumpkin and sesame seeds.
Even though this was one of his favourite meals; Sig wanted to wait for his dad. Filled with excitement Siegfred went outside and climbed up the tree so he could see. And then, there he was; Dad’s big smiling face came around the corner, with his work bag slung over his shoulder.
“Here we go!” Sig squealed with joy, “Daddy!” Sig could not help but run to his Dad, while his Dad would also be running towards him. Same thing every day except Saturday and Sunday when he would have the day off; just like all the other Squirrels that were employed at Big Al’s Nut Factory.
Today was Friday, and this was what the whole family would wait for and enjoy. When Sig reached his Dad, his Dad would pick him up and spin him around and give him a big hug saying, “I sure missed you, Siggy.” That’s what he called Siegfred with so much love in his heart; And Sig would say, “Not as much as I missed YOU, Dad!!!” And then he would put Sig down and they would hold hands and walk towards their tree house.
And it was the same every evening. It was their father and son ritual. Siggy always knew he would NEVER EVER get tired of it.
“Come on , son”, he ruffled Sig’s stylish Mohawk. “Let’s go and see what Mom’s up to. Whatever it is, it sure smells good!” “Well, it always does now, doesn’t it ?” Siggy said.
After dinner, both Siggy and his dad rubbed their tummies…
“That was delicious, Mom!” Siggy said.” Absolutely!,” said his father. “Thank you, Mom.”
After the food was put away, Siggy’s dad made his way to the big hammock they all shared and closed his eyes.
“No, Dad!,” Siggy said, “Wake up! Wake up!” Sigfreid climbed on top of his dad. “We always play cloud spotters!”
Cloud spotters was a game where you lie back on the grass and look up into the sky and see if you can find shapes of things in the clouds.
Siggy’s Dad opened his eyes very slowly, “Aw, Sig, I’d love to, but I am just so totally exhausted, let me just rest for a while.”
His eyes began to close again. “I promise I’ll read you your favorite bedtime story, okay?”
“I guess so…” Siggy was disheartened.
He went right up to his mom who was knitting him a scarf for the winter and asked, “Hey, Mom, what is “Zosted?”
“ZOSTED?!?” she furrowed her brows and scratched her head and repeated, “ZOSTED?”
“I really don’t have any idea, Sig,” she asked him bluntly, “Where on earth did you hear that?”
“Dad.” Siggy stated matter of factly. “When I asked Dad to come outside and play with me, he said, ‘he’d love to but he was so totally ZOSTED!'”
Mom let out a little giggle, ” Oh, EXHAUSTED!”
Siggy said abruptly, “Yeah, whatever! What does it mean?”
He was just letting you know that he was exhausted, meaning too tired, or worn out.
“Oh.” Siggy repeated to himself, “ZOSTED”
“Hey, Mom, can I go out and play?”
“Sure, but be careful and make sure you are home by seven.”
“Okay.” He said and he was out the door. Sig smiled to himself, he just got a great idea. Siggy was going to try out his new word with his buddies.
He was headed to Beatrice Bunny’s Mound. But before even getting close, he messed up his hair some more, rolled down one of his socks and let his eyes get droopy and heavy.
He walked slowly making sure to look tired and all tuckered out. Beatrice’s ears perked up and formed two coils facing straight up beside one another. This is what Beatrice Bunny did when she was curious or worried. And as Sig got closer, this is exactly what they did.
Sig made his eyes even heavier and slouched his back and walked even slower, almost falling over.
Beatrice Bunny squealed, “What is going on, Sig? Are you okay?”
Sig acted like he never even heard her, his eyes just barely open now.
Beatrice Bunnie’s ears dropped down at either side of her head now.
“Sig!” Nothing. “SIG!” she walked up to her dear friend and shook him gently, at which point Sig opened his just a tiny bit more.
“Yeah.” he mumbled, while still shuffling ever so slowly in no apparent direction.
“Hey, Seigfred, What on earth is going on? Are you okay?” Beatrice Bunny was genuinely concerned. “Talk to me!”
Sigfried took this as the perfect opportunity to use his new word and impress her with his ever-growing vocabulary.
He circled around and with heavy eyes, said, “Oh, I’d really love to, Beatrice Bunny but I am just so totally ZOSTED.” And with that he continued with his back hunched over and still shuffling.
Beatrice Bunny had never seen him like this before. “ZOSTED?!?” She repeated the word and called out to him, “ZOSTED?!?” I wonder what he means by that?
But Siegfred was already shuffling up the grass towards Ozzy Owl’s tree. And this time he was going to really lay it on thick.
Ozzy’s keen eyes spotted him right away, shuffling in small steps with his eyes barely open.
“What on Earth could you be up to now, Sig?!?”
Siegfried came almost to a full stop and then just flopped on the ground, and bent over. Now he was going to really try out his new word on Ozzy.
“Sigfried,” he called out loudly, “Snap out of it! Are you okay, was it something you ate? Tell me?”
At which point, Sig rolled over onto his back and began to snore softly.
“You have got to be kidding!” Ozzy flew down beside his friend and helped Sig get up. “Shake it off, little buddy! Just tell me how you got like this?”
And here was Sigfried’s chance to use the new word he learned from his father.
He opened his eyes a very tiny bit, and answered Ozzy, “Oh, I’d really love to, but I am so totally ZOSTED!”
“Zosted?” Ozzy repeated. And by then Beatrice made her way to them.
“Yeah,” she said to Ozzy, “That’s exactly what he told me!” Beatrice Bunnie’s ears formed a t.v. antenna on her head. This is what she did when she was looking for answers. She knew Ozzy Owl would solve this problem.
“Exhausted,” Ozzy smiled and with his wings fanned air onto Sig’s face. “The word is EXHAUSTED, Sig! Not ZOSTED! And how did you get so exhausted anyway?”
Sigfried was so excited to show off his new word and he blushed with embarrassment that it did not turn out as he had planned.
Ozzy Owl winked at Beatrice Bunny, “Well now, Beatrice, it looks like we will have to go to movie night without him…there’s just no way he will be able to make it, just look at him.”
Siegfred Squirrel had forgotten: “Wild Kingdom,” he had been waiting for a month for it to come out.
“Movie night?” he whispered, As his eyes began to open, one first and then the other.
“Wow! Look at that, guys! I am not ZOSTED after all!,”
Ozzy cleared his throat and fluttered his black, white, and golden wings and looked right into Siggy’s eyes with that piercing stare all owls have.
“Oh yeah,” Siggy kicked at the ground beneath his feet. And with a sheepish grin said, “I mean exhausted, anymore!…let’s go!”
Beatrice Bunny started hopping on the trail to the theatres, “I’ll pay for the tickets!” Her ears flopping up and down with excitement.
Ozzy confirmed, “Well there is no way I am paying for the popcorn! We all know it’s Sig’s turn. “Ain’t that right, Sigfried?”
“You got it! I can’t wait! It was so hard for me to keep that whole ZOSTED thing going!!!” He said, “I was so excited that I would be using a new word that no one knew.”
“Well, Siggy,” Ozzy Owl chimed in, “You’ve got to get up pretty early in the morning to pull a fast one on this owl! I eat dictionaries for BREAKFAST!”
And with that final note, the three friends made their way to the movies…neither one of them ZOSTED in the least bit, now!!!!
Date posted: June 27, 2023.
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Farah Tejani
Farah Tejani is a creative writer based in Vancouver. She graduated with her Bachelor of Arts (B.A.) in English Literature and her Master of Fine Arts (M.F.A.) in Creative Writing from the University of British Columbia in May of 1997 and earned top Honors for her Thesis on Short Fiction. Farah then went on to publish a collection of short stories published by Trafford, called, “Make Your Own Chai, Mama’s Boy!” — ten short stories dealing with different dilemmas South Asians face. Farah also wrote and co-directed her stage play, “Safeway Samosas,” which won “The Best of Brave New Playwrights Award” in July 1995. Her short story, “Too Hot” won third place in the “Canada-Wide Best Short Fiction Award” and was read at The Vancouver Writers Festival. She has been contributing poems and stories for Simerg and its sister website Barakah since 2020. We invite our readers to read some of Farah’s poems by clicking on Elastic Embrace;The Fragrance of Spring, “In Mawlana Hazar Imam’s Eyes” and her story Mr. Sneaky Peeky and the Two Red-Tailed Monkeys.
We welcome feedback from our readers. Please complete the LEAVE A REPLY form or click Leave a comment. Your letter may be edited for length and brevity, and is subject to moderation.
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Before departing this website please take a moment to review Simerg’s Table of Contents for links to hundreds of thought provoking pieces on a vast array of subjects including faith and culture, history and philosophy, and arts and letters to name a few. Also visit Simerg’s sister websites Barakah, dedicated to His Highness the Aga Khan, and Simergphotos.
In a spontaneous moment, Mawlana Hazar Imam, His Highness the Aga Khan, 49th Hereditary Imam of the Shia Ismaili Muslims and the direct descendant of the Prophet Muhammad — may peace be upon him and his family — walks towards his Ismaili followers and gives them blessings for everything they wish for. Please click MORE or on photo below to read stories and photographs from 1979 (London, England) and 2016 (Naryn, Kyrgyzstan.)
Mawlana Hazar Imam, His Highness the Aga Khan, blesses a crowd during his visit to Naryn, Kyrgyzstan, in October 2016. Please click on photo for inspiring stories from 1979 and 2016
Featured image at top of post: A snapshot from a digital portrait rendition of His Highness the Aga Khan by Toronto’s Ismaili artist Akbar Kanji that, through hundreds of thumbnails, features the Ismaili Imam’s contribution to his community and the world at large. The work is dated 2011. For the artist, the concept is to “portray our Imam’s entire life and his dedications at a glance which we cannot imagine until we come closer to him.”
Date posted: January 27, 2023.
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REVIEW SIMERG’S TABLE OF CONTENTS AND VISIT ITS SISTER WEBSITES
Before departing this website, please take a moment to review Simerg’s Table of Contents for links to hundreds of thought-provoking pieces on a vast array of subjects including faith and culture, history and philosophy, and arts and letters to name a few. Also visit Simerg’s sister websites Barakah, dedicated to His Highness the Aga Khan, and Simergphotos. The editor may be reached via email at mmerchant@simerg.com.
This year marks the 50th anniversary of Uganda’s former dictator, Idi Amin, expelling the 80,000-member Asian community. Vancouver’s Salim Rahemtulla, who never set out to be a playwright, is releasing a special play “90 Days” that tells the story of an Ismaili Muslim family’s forced exodus from Uganda in 1972. Salim Rahemtulla’s father waited until two days left before the deadline before getting the remaining family members out of the country. He made this decision after Amin signalled his intention to disperse all Asians left in Kampala to other parts of the country. It was a harrowing experience for his father and mother. “They didn’t even know where they were going,” Rahemtulla says. “They were told on the plane…and they ended up in Malta — my parents and my two younger brothers. One brother ended up in Austria” — PLEASE READ MORE IN THE GEORGIA STRAIGHT
Poster announcing the world premiere in Vancouver of a new play 90 Days.
A Brief Statement on “90 Days”
By SALIM RAHEMTULLA
“I started writing the play three years ago and my goal was to have it completed and performed for the 50th anniversary of the Uganda Expulsion. The play is set in 1972 in Kampala, and Idi Amin, then President of Uganda, has had a dream he should expel all Asians from the country and give them 90 Days to leave. Yusuf Rahim, a Kampala shopkeeper, is disbelieving of the order and refuses to uproot his wife and two children. He decides to stay. As the family navigates the uncertainties of the ninety days that follow and come into conflict with each other about what to do, the dangers of staying in Kampala become too clear to ignore. As the family makes hard choices about whether to seek asylum in countries that do not want them, the traumatic expulsion is brought to life through the lens of a modest Ismaili family grappling with the pains of separation and tearing themselves away from a country they thought was home.”
Writing to his friends around the world, Salim says:
“I hope you can come to Vancouver and celebrate the play with me and my family and all the wonderful people at Western Gold Theatre and the very talented and experienced cast, the director and all others involved in the staging of this play.”
For more details and to purchase tickets please visit the website: www.westerngoldtheatre.org. The Western Gold Theatre focuses on sharing and celebrating the talents of senior professional theatre artists. In conjunction with the performances, the theatre is also presenting a series of supplementary educational and social activities under the umbrella term, Recounting 90 Days.
Date posted: September 8, 2022.
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As a note to our readers, Salim Rahemtulla and his daughter Zahida worked together to prepare The Aga Khan’s View of the World for our sister website Barakah during the Diamond Jubilee of Mawlana Hazar Imam.
We welcome feedback/letters from our readers. Please click on Leave a comment. Your feedback may be edited for length and brevity, and is subject to moderation. We are unable to acknowledge unpublished letters. Simerg’s editor Malik Merchant may be reached via email at mmerchant@simerg.com
“I know welcoming me into your homes every night is not a right; its a privilege. I will work hard with our team to earn and build your trust for that continued privilege. That’s my commitment to you.” — Excerpt from Omar Sachedina’s message to CTV viewers, September 5, 2022 ( see link to full message, below.)
SEPTEMBER 6, 2022: This is an updated version of our recent piece on Omar Sachedina’s appointment to top position at CTV News, Canada’s Most-Watched National Newscast (please see text of original post published on August 27, following this September 6 update.)
On Monday September 5, 2022, Sachedina delivered a welcome message to all viewers of CTV News as he assumed his role as its chief anchor. To view his message, please click A MESSAGE FROM OMAR SACHEDINA.
Upon the announcement of his appointment to the position in late August, Sachedina had given an interview to one of his colleagues, Angie Seth, at CTV News providing his perspectives on his new role at CTV as well as his personal memory of a specific tragic refugee situation of the war in Ukraine that he said would always remain etched in his mind. In the interview, he recounted a similar situation from his own parents experiences who were expelled from Uganda in 1972 along with thousands of other South Asians, and were compassionately welcome into Canada. Please watch his interview with Angie on the YouTube link below or by clicking HERE.
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Ismaili Journalist Omar Sachedina Moves into a Top Position at CTV News, Canada’s Most-Watched National Newscast
AUGUST 27, 2022: Omar Sachedina is one of a growing number of Ismailis who’ve become high-profile journalists, writes Georgia Straight’s editor Charlie Smith in a story related to Sachedina’s recent appointment as anchor of CTV news. Other Ismailis include CTV Vancouver anchor Nafeesa Karim, CBC foreign correspondent Salimah Shivji, CBC reporter Zahra Premji, former Breakfast Television host Riaz Meghji, Overstory Media CEO Farhan Mohamed, and MSNBC host Ali Velshi. Sachedina is expected to replace veteran journalist Lisa LaFlamme on September 5….Read More at GEORGIA STRAIGHT.
The official CTV news release of Omar Sachedina’s appointment states:
“As a veteran journalist who brings years of experience to his new role as anchor, Omar Sachedina is the ideal choice to lead the coverage being delivered by CTV NATIONAL NEWS each and every day across a variety of platforms,” said Karine Moses, Senior Vice President, Content Development & News, Bell Media and Vice Chair, Québec, Bell. “For more than a decade, he has played a key role in keeping Canadians informed of breaking news unfolding across Canada and around the world. Omar is a skilled anchor who connects with our viewers, and with him at the helm, we’re excited to maintain the status of CTV NATIONAL NEWS as Canada’s most-watched national newscast.” — READ MORE ON CTV NEWS and also see his CTV PROFILE.
There has been a backlash to Bell Media’s decision to end Lisa LaFlamme’s contract. Daily Hive notes that there is a petition growing to reinstate LaFlamme as CTV’s news anchor. And in a column for the Toronto Star, Amira Elghawaby writes, “Angry reactions to the sudden ousting of decorated broadcaster Lisa LaFlamme from her job as CTV’s chief news anchor and senior editor haven’t abated” — READ MORE (subscription may be required).
Date posted: August 27, 2022. Last updated: September 7, 2022 (Omar Sachedina starts his new role as CTV News anchor, and typos)
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We welcome feedback/letters from our readers. Please click on Leave a comment. Your feedback may be edited for length and brevity, and is subject to moderation. We are unable to acknowledge unpublished letters.
