“Allah chose him, was pleased with him, and selected him. Allah gave him keys of knowledge and sent him as mercy for people and as spring for the country…..Allah, the Exalted, crowned him with solemnity, covered him with the Light of His might. He made a rope to stretch up to heaven. Nothing can be obtained from what is with Allah but through the Imam.”
PLEASE CLICK: Orations of Imam Ja’far al-Sadiq (a.s.)
AN INSTALLMENT FROM SIMERG’S MUST READ SERIES ABOUT NASER-E KHOSRAW’S MEMORABLE JOURNEY TO FATIMID EGYPT
“….The tallest mountain near Mecca is Abu Qubays, which is round like a dome, so that if you shoot an arrow from the foot of the mountain it reaches its top.…Having come into the city, you enter the Haram Mosque, approach the Ka’ba, and circumambulate….. always keeping the Ka‘ba to your left [shoulder]. Then you go to the corner containing the Black Stone, kiss it, and pass on….”
Please click: Naser-e Khosraw’s Pilgrimages to Mecca
(Links to all series articles provided below)
Complete series by Michael Wolfe:
Part I – Introduction and Naser-e Khosraw Commences the Journey
Part II – Naser-e Khosraw in Fatimid Cairo
Part III – Naser-e Khosraw’s Pilgrimages to Mecca
Part IV – Naser-e Khosraw’s Dangerous Homeward Journey
Aga Khan Museum, the Ismaili Centre and their Park Perfect Breeding Ground for superb photo taking and winning great prizes including free membership
By Malik Merchant, Editor
Thursday, September 18, 2014, marked the public opening of the new Aga Khan Museum located on Wynford Drive in Toronto. Simerg marks the opening with a special photo contest in which a maximum of 25 prizes including youth and family memberships will to be given away to the top entries selected by a panel of three independent professional photographers, all from Ontario. The contest is open to all residents of Canada.
The Aga Khan Museum and the Ismaili Centre were officially on Friday, September 12, in the presence of His Highness the Aga Khan and Prime Minister Stephen Harper, members of the 49th Ismaili Imam’s family and invited guests.
A maximum of 10 annual memberships each for the YOUTH and OPEN categories for the top photos selected by a team of three professional photographers will be given to the winning entries. The submission deadline will be December 31, 2014. The winning photos will be announced on this website and simergphotos.com on or around in late January, 2015. In addition to the annual memberships, the judges will pick up 5 photos deserving merit awards. The merit winners will each receive a $50.00 gift voucher, entitling them to make purchases from the Aga Khan Museum Gift Shop.
There will be two categories. The Youth Category will be open to anyone 19 and under. A maximum of 10 annual youth memberships to the Museum will be given to the winning entries.
The Open Category is for those over the age of 19. It will be for all amateur photographers and photography enthusiasts who like to shoot photographs, either using a camera or their smart hand-held devices and phones! For this category, each photo has to be accompanied by a 75 to 100 word narrative to encapsulate the photographer’s experience of the Aga Khan Museum, the Ismaili Centre or their Park. Only spaces where photos are allowed to be taken will be accepted for the contest.
The opening few weeks of the museum will be the perfect breeding ground for passionate picture taking and writing a brief narrative, and if you are selected as a winner in the Open Category you will be one of 10 to receive an annual family membership.
Here are some ideas for taking and submitting photos: artistic and architecture beauty and grandeur of the projects, interior spaces including art work (where permitted) , landscape, nature (as in the park), as well as spontaneous moments involving people!
The prizes are as a result of gracious donations by numerous individuals and families in Canada and abroad. Simerg is deeply grateful to the sponsors of the prizes.
Each individual may submit up to 3 photos for consideration for the contest, all in high resolution. They should be mailed to email@example.com, and accompanied by the photographer’s full name and address as well as telephone number(s) where they may be contacted.
Every photograph received (maximum 3 per individual) will be published on a special gallery page on this website. The judges will select the winners from the photos published in the photo gallery. The judges decision will be final.
We are thrilled to host this contest and look forward to a fantastic response from the public.
Post updated: October 1, 2014.
The Ismaili Centre and the Aga Khan Museum will be officially opened later this week in the presence of His Highness the Aga Khan, the 49th Imam of the Ismaili Muslims. A series of poems celebrating the many aspects of the two majestic buildings as well as their Park, which is to be opened in 2015, will be published throughout the week. We begin with Navyn Naran’s contemplative piece, Morning at the New Park, Jamatkhana and Museum.
Simerg is celebrating the public opening of the Aga Khan Museum on September 18, 2014, by launching a photography contest. A total of 25 photos, all related to the Aga Khan Museum, the Ismaili Centre and their Park taken from the time the grounds become open to the public through to September 25, 2014, will be selected by an independent panel of judges and posted on this website on or around 7th October, 2014. The prizes will consist of a total of 20 free annual youth and family memberships to the museum as well as 5 merit prizes from the museum’s shop.
There will be two categories. The Youth Category will be open to anyone 19 and under. A total of 10 annual youth memberships will be given to the winning entries and, in addition, the judges will select 5 merit entries who will be awarded with the Aga Khan Museum catalogue.
The Open Category is for anyone over the age of 19. It will be for all amateur photographers and photography enthusiasts as well as anyone who likes to shoot photographs, either using a camera or their smart hand-held devices and phones! For this category we will expect each photo to be accompanied with a 75 to 100 word narrative to encapsulate the photographer’s experience of the Aga Khan Museum, the Ismaili Centre or their Park. Only spaces where photos are allowed to be taken will be accepted for the contest.
The opening days of the museum will be the perfect breeding ground for passionate picture taking and writing a brief narrative, and if you are selected as a winner in the Open Category you will be one of 10 to receive an annual family membership.
Here are some ideas for taking and submitting photos: artistic and architecture beauty and grandeur of the projects, interior spaces (where permitted), landscape, nature (as in the park), as well as spontaneous moments involving people!
The prizes that are to be given are from gracious donations by numerous individuals and families in Ontario. Further details of the contest, including the names of judges, will be published in the coming fortnight. Start preparing for this contest as communities in Ontario and Canada as well as around the world eagerly anticipate the opening of three unique cultural initiatives undertaken by His Highness the Aga Khan!
by Pir Shihabu’d-Din Shah
Faith (Iman) is like a tree, the roots of which go into the heart: its trunk is in reason, and its branches are in the instincts, while imagination is its new shoots and leaves – (senses of) the body. The foundation (asl) of faith is love for the Imam-e-Zaman (the Imam of the Time). And if this foundation, that is, this love, and the roots of faith are strong and in good condition, all other parts of the tree, such as its trunk, its branches and leaves, can be expected to continue to flourish even if they are (accidentally) damaged. If, on the contrary, the roots are not well grounded, or even rotten, the whole tree will soon dry, and then will become good for nothing except to be used as fuel.
Thus love for Mawlana Hazar Imam is everything, being the root of faith. If it is not strong, all the acts of outward piety (a’mal-i zahiri) which are like leaves of the tree, will fade. If you have thousands of leaves, fresh and of good colour, they will dry in a short time, and then a very small fire will be sufficient to burn them completely.
2. LOVE FOR HAZAR IMAM
by Imam Ja’far as-Sadiq
It is related from Imam Ja’far as-Sadiq (a.s.) that a group of Shias visited him one day. One in the group addressed the Imam and spoke of a man who was with them.
“O Son of the Messenger of God: this man has love for you.”
On hearing these words, the Imam looked at the person and said:
“The best kind of love is the love for the sake of God and His Messenger. There is no gain in any other kind of love.”
The Imam then continued.
“Once the ansars [helpers] came to Hazrat Muhammad Mustafa (s.a.s.) and said, ‘O Messenger of God! We were on the wrong path and Allah guided us through you. We were destitute and we prospered by your blessings. For this reason, you may ask of anything you desire from our belongings and we shall give it to you.’
“At this, the following verse was revealed by Allah, ‘Say (O Muhammad): No reward do I ask (for my favours) except your love for my kith and kin’.”
Moved to tears, Imam Ja’far as-Sadiq then raised his hands and exclaimed:
“Praise be to God, Who has exalted us above all.”
“Faith” adapted from Risala dar haqiqat-i din by Pir Shihabu’d-Din Shah Al-Husayni, translated as True Meaning of Religion by Wladimir Ivanow. Pir Shihabu’d-Din Shah was the eldest son of the 47th Ismaili Imam, Aga Ali Shah, also known as Aga Khan II. The Pir was only 33 when he died due to a chest related illness, a few months before the demise of his own father, Imam Aga Ali Shah. Mawlana Shah Sultan Mahomed Shah, His Highness the Aga Khan III, then only 8 years old, succeeded to the throne of Imamat as the 48th Imam.
“Love for Imam” excerpted from article by Jehangir Merchant and Alnoor Bhatia published in Ilm, Volume 5, Number 1 (July 1979). The article was based on the Gujarati edition of Qadi al-Numan’s work, Da’aim al-Islam.
On October 10, 2010, Bashir Fazal Ladha of the United Kingdom, during his visit to Toronto, went to Wynford Drive to see how the construction work of the Ismaili Centre, the Aga Khan Museum and their Park was coming along. He writes: “It was a thrilling moment and I was full of excitement when I saw the progress, and in a moment of inspiration I composed a poem which I have decided to share with readers of Simerg.” The opening of the museum to the public on September 18, 2014 was announced recently and we take the privilege to repost this beautiful and inspiring poem for all our readers.
Writing the History of Tomorrow
Please click to enlarge
BY BASHIR LADHA
A look down deep in the bowls of the earth
“A foundation being laid, a foundation of a building?” I ask
Not only, it is a foundation of a history to unfold…..
I bow my head in submission to
The Lord of Time and Age
Yes the Lord of Time and Age
For indeed you are beyond time and space
The planets rotate in their orbits
Glorifying your majestic presence
In those momentous moments,
time and history are created
Not the history as in past,
but the unfolding of tomorrow
Lord you create a new history brick by brick
As the form takes place…
The Majesty of your
awe-inspiring Light is Manifested
Stage by stage, the inner world is recreated
The plaster of your mercy,
the warmth of your love
All adorn the formless and
the formed building you built
You call these “centres”
Indeed these are “centres” of soul
where your name is mentioned
The light shines forth from its windows
Inviting the convenienced and the stray
Inviting both to a new history of tomorrow
and recreating the event of alastu*
Inviting to the life of paradise
Museum where the past will be enlivened
Prayer hall where the soul will be enriched
Park where the future will be contemplated
All this, a gift to humanity
Then why, Ya Mawla why do I neglect
Why do I remain unheeded
remaining a slave to my ego?
Teach me O Lord to submit,
to worship as if I see you
And if I do not see you,
to know that you see all
Wynford Drive, Toronto, Ontario, Canada
I walk with you to a future
A history of tomorrow
Blessed by the Lord of Time and Age
I walk in hope and faith
for a better world ahead.
* The day of the Primordial Covenant or the Day of Alastu is when God addressed the people and said, “Am I not your Lord?” (alastu bi Rabbikum). It was the day when hearts were given spiritual nourishment.
About the writer: Bashir Ladha has served Ismaili Institutions for the past forty years as an Alwaez, teacher and writer. He has been with the Ismaili Tariqah and Religious Education Board for the United Kingdom since 1983.
As work commenced on the large empty plot that had formerly housed the Bata Shoe Company, the trees that lined the perimeter of the site were carefully removed, and gave way to heavy construction equipment and trucks as well as hundreds of skilled professionals for the multi-year construction phase of new Aga Khan Museum, the Ismaili Centre and their Park. Cranes illuminated the night sky. From a highrise building across the Don Valley Parkway, and from the beginning of the project, resident Jim Bowie began taking pictures of the site every single day from his balcony. When we published his highly acclaimed photo essay, In the Making: The Aga Khan Museum, the Ismaili Centre and their Park, we invited our readers to select a photo they liked. Here are reposts of two winning entries, as Canada and the world await the opening of the magnificent Aga Khan Museum to the public on September 18, 2014.
The Symbolism of the Halo
By Dana Lopez
Click to enlarge
I enjoyed viewing Jim Bowie’s photo because of its symbolism. Two features are notable in particular. First, the area ringed by the halo appears calm, whereas the area outside the halo pulsates with heavy traffic. I came away with the impression that the haloed area represents a beacon in a hectic world. Second, the three bright lights inside the halo look like newborn stars, perhaps even a new universe. Viewed through this prism, the photo is asking us to make enlightenment the focal point of our daily lives. This interpretation is consistent with the desired impact of the center: to give strength to those of the Ismaili faith while beckoning others to explore the rich contributions of Islamic culture.
Camera in Balcony
Click to enlarge
By Kathreen Anne Lelis
I like this photo because it depicts the rising beauty ought to be discovered and deserves a future glory. The building site is surrounded by streets and industrialized buildings to mark new development – the Aga Khan Museum, Ismaili Center and their Park built at the center to serve as EMBLEM of a country with unity amidst cultural diversity. The light from the site shows its glowing hope in building a strong foundation to create glory. The camera serves as the people’s excitement to capture the priceless beauty made for them. It is facing the horizon which means that people are ready to face the opportunities the buildings offer and travel from the past to discover the reason of their success towards the future.
About the winners: At the time her winning entry was published, Dana Lopez was a law student studying to become a child advocate at the California Western School of Law. She was honored to participate in Simerg’s essay contest because she believes that replacing fear with hope for a brighter future is the best way to ensure a stable civil society. Kathreen Anne Lelis lives in Philippines where she studied at the San Pedro College of Davao City.
1. THE OTTAWA JAMATKHANA
Hundreds of Ismailis come by the busloads and personal automobiles to visit Ottawa during the summer months – for many the primary destinations are the Delegation of the Ismaili Imamat Building and the beautiful new Ottawa Jamatkhana which opened exactly a year ago, on July 19, 2013. The visitors marvel at the Ottawa Jamatkhana’s spacious facilities for spiritual practices as well as the space it offers for social interaction and cultural programmes, including religious education classes.
As the Ottawa Jamat marks its first anniversary in the new Jamatkhana we repost on this page a link to Farouk Noormohamed’s statement and photos of the lovely building.
Speaking of Ottawa, local architect Kristopher Benes names his favourite building in the city, and we provide a link to a piece about Ottawa’s iconic Sussex Drive which is home to the Delegation Building.
Check out all the readings below and enjoy your summer in Ottawa, Canada’s Capital!
2. MY FAVOURITE OTTAWA BUILDING
By Kristopher Benes
As an architect I often get asked to name my favourite Ottawa building! Being a fan of minimalism I was often hard pressed to find anything non-residential that came immediately to my mind –- until that is, when the Ismaili Imamat Delegation building was completed in 2008.
Modern architecture often draws criticism for being too stark, extreme in its simplicity. However, it is its ability to highlight the world around us that I find to be so beautiful in modernism.
The clarity with which the play of shadows for instance may fall upon a crystal white surface allows architecture to behave as an ever-changing canvas, a reflector if one prefers, of what is going on all around. When the sun moves across the sky, the shadows dance along the building’s surfaces and when the sky takes on a different shade, the building glows in a completely different light.
Light can be a wonderful paint brush for those blank walls; it does not need any more complexity than that. And obviously, Fumihiko Maki, the building’s design architect, understands light better than I ever could hope to (after all he has won a Pritzker Prize for his contributions and has enjoyed a career spanning some 50 years).
I think it is this understanding of light and an ability to shape it so beautifully which speaks to me most about the Ismaili Imamat Delegation Building.
3. ICONIC SUSSEX DRIVE
Date posted: Saturday, July 19, 2014.
A special NEW series about objects that are linked to Ismaili history over the past 1400 years, from the dawn of Islam to the Imamat of the present forty-ninth Imam, Mawlana Shah Karim al Hussaini, His Highness the Aga Khan.
INTRODUCED BY ABDULMALIK J. MERCHANT
Publisher-Editor, Simerg and Simergphotos
In his widely acclaimed and engagingly written “A History of the World in 100 Objects” published in 2010, Neil MacGregor, the Director of The British Museum, tries to tell a history of the world “by deciphering the messages which objects communicate across time – messages about peoples and places, environments and interactions, about different moments in history and about our own time as we reflect upon it.” On the fifth anniversary of Simerg, Studying Ismaili History Through Objects is a new series being launched today that takes its inspiration from MacGregor’s splendid book.
Since 2009, Simerg has launched a special new series to mark each anniversary. Over the past years, the themes that have been published are I Wish I’d Been There, The Jamatkhana – A Place of Spiritual and Social Convergence, Thanking Ismaili Historical Figures and Stories of Ismaili Volunteers. These series have continued to endure over the past years.
Studying Ismaili History Through Objects is, as the title states, a series about objects that are linked to Ismaili history over the past 1400 years, from the dawn of Islam to the Imamat of the present and manifest forty-ninth Imam, Mawlana Shah Karim al Hussaini, His Highness the Aga Khan.
Studying Ismaili History Through Objects will focus on the material culture and heritage of the Ismailis. The object may be a small coin or a monumental building, it may be a single artefact of outstanding beauty and elaborate craftsmanship, or comprise a group of textile fragments or broken pottery shards. The object may be a mundane, ordinary thing created in a particular geographical space and historical setting, but that has taken on meanings that could never have been imagined at the outset. In other words, the object has become a document not just of the world for which it was made, but of the later periods which altered it.
Studying Ismaili History Through Objects will seek to provide a visually articulate approach and a direct link with the past in a tangible way that is both informative and profoundly moving. It is hoped that the contributions presented in this series will stimulate the imagination and provoke discussion. The objects presented may provide a meeting ground for official and formal versions of the past or a reflective personal experience. But they may also go beyond the level of history and personal memory. The objects will become tools towards understanding the importance of culture in the development of self-identity.
Studying Ismaili History Through Objects will also aim to provide an understanding and appreciation of the need to preserve Ismaili heritage and history. This point was emphasised by Mawlana Hazar Imam, His Highness the Aga Khan, at the opening of Baltit Fort in Pakistan in October 1996 when he said: “…what has been inherited over nearly eight hundred years of history in that building should be known and understood and recorded and so it should be in many of the other aspects of our history.”
Studying Ismaili History Through Objects invites contributions from all readers. Your contribution will encourage thoughts about the past but also create a deeper awareness of the present. Objects are ‘signals from the past’ for explorations and discoveries, and are catalysts that should be regarded as just the beginning of an adventure, not the whole story. Through your participation, the objects will promote the exploration of the relationship between histories and memories, between culture and community. Inshallah, the objects presented by readers will serve as a link to the future that recognises its roots in the past, and the series will become a unique reference point on Ismaili history and heritage.
Please send your contribution to: Simerg@aol.com
Date posted: Wednesday, June 25, 2014.