Mawlana Hazar Imam, His Highness the Aga Khan, waves goodbye at Montreal airport at the end of his recent visit to Canada. Photo: The Ismaili/Moez Visram.

By SHIRAZ PRADHAN

It is natural that as we reflect and interiorize the joys of sights and sensations of mulaqats with Mawlana Hazar Imam including the most recent ones in Toronto and Montreal, the post-mulaqat vacuum may create a sense of post-padhramni sadness or what we call blues. The chores and demands of daily life which are put in abeyance during the anticipatory period of the mulaqat, once again begins to claim our attention and the bliss of mulaqat may begin to fade from the minds of some. The “presence” that had given joy to the heart begins to fade. These are the precursors to the onset of a sense of sadness. Lose not hope. There is a remedy. Glittering gems are scattered around to light our path, away from the blues. Let me explain.

In his commentary on the Visionary Recitals of Avicenna [1, 2], the renowned Orientalist Henry Corbin has recognized an essential bridge that gives rise to religious or mystical/spiritual consciousness. Corbin call this the faculty of Active Imagination. What does this term “Active Imagination” mean? In ordinary language, Active Imagination is the sum total of our mental faculties with imagination as its chief driver that allows us to configure the existence of a spiritual universe as a concrete reality. Without it the existence of such universes becomes doubtful. Visionary Recitals of Avicenna are renowned for promoting the realm of this Active Imagination which allow the flowering of spiritual symbolism in the heart that prepares it for an adventure into the unknown.

Sufism recognizes two different conditions of consciousness on the mystical path: the first of these known as al-Hal is a state of consciousness which is transient or passing. It could be a state of sadness, ecstasy, happiness or any other state dictated by the mind. Pir Sadardin’s epic granth Buj Niranjan (Chapter 20, Verse 4) describes such a state when a soul, intoxicated in divine love, vacillates between state of happiness and sadness:

Kabuek hanse aur kabuek rove
Kabuek lag piya gal sove……(4)

Translation:

Sometimes she cries, at others she laughs
Sometimes she is as if in embrace of the beloved……(4)

The other condition known as al-Maqam is a permanent station achieved by the desire and effort of the seeker and grace from above. These stations (pl. maqaamat) are necessary stages of progress along the path to spiritual enlightenment. At a deeper level, Active Imagination is at work in the attainment of the various states and stations of the path. The aim of those who are on the esoteric path is not to get bogged down in the transient, passing states but to steadfastly continue on the path to the encounter with the Higher Reality.

With this background we turn our attention to the post padhramni sadness we referred to earlier and to its cure(s). One Ginan that help us in this regard is Aji Hete Sun Milore Mara Munivero. [3] The beauty of this Ginan is that it does not require a complex philosophical project or spiritual mumbo-jumbo to deliver a simple elixir for the heart. The messages it conveys are profound truths of spiritual search and the practical engagement of the Active Imagination. The verses of our interest are 4, 5 and 8.

The key points of verse 4 are that Lord’s name is pure and divine; that one needs to invoke Him by this “Name” with regularity; that His “presence” is mingled intimately with the heart just as fragrance is an intimate essence of the flower.

Aji Paak saajeb ji nun naam chee
Tene jampi-e saas ussas
Dur ma dekho dil maahe vase
Jem chaampa phool mahe vaas……(4)

Translation:

Divine is the “Name” of the Lord
Invoke this “Name” with regularity,
Do not see Him far, He is intimately mingled in your heart
Just as fragrance is intimate with the Flower……(4)

Verse 5 reinforces what has been stated in Verse 4 and exemplifies and demands the engagement of the Active Imagination in the practice of the invocation of the “Name.” It states that every atom of the body is imbued with the divine presence.

So, in essence the “presence” never left! It is always there. The last line of the verse capitulates one of the remedies to counter the sadness: Perform devotion with the understanding that He, the Lord is always seated in the heart.

Aji rome rome maaro Shaah vase,
Ane antar nahi ek til
Evun jaanni bhgaataai kij-e
Shaah partake bethaa dil……(5)

Translation:

The Lord is mingled with every atom of your body.
Do not harbor delusion that you are separate from him
Perform your devotion with the knowledge that
He is forever seated in your heart……(5)

Faith is the ultimate essence of Active Imagination. In verse 8 of Hetesun Milore Mara Munivero we see this at play:

Aji raini ajvari chaand sun,
ane divas ajvaro sur
Tem Ghat ajvaro Iman sun……(8)

This verse provides an added,  joyful ingredient to the uplifting elixir provided by verses 4 and 5. It states that just as night is lighted by the moon and sun lights the day, so faith lights the heart. And such a heart is in continual bliss of rain of Nur (light).

What these verses of the Ginan indicate is that the “presence” of the Imam never left the heart. It is always there. A combination of faith and Active Imagination provides a continual reinforcement of the “presence.” But this requires the necessary action of continual remembrance with the understanding that He is ever present in the heart.

Date posted: November 29, 2017.

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Notes:  

[1]. Avicenna and the Visionary Recital, translated from the French by Willard R. Trask, Bollingen Series, LXVI, 1960.
[2]. All the World an Icon: Henry Corbin and the Angelic Function of Beings by Tom Cheetham, North Atlantic Books,  Berkeley, California, 2012. Available also as a Kindle book.
[3]. http://ginans.usask.ca/.

Shiraz Pradhan

Shiraz Pradhan, in parallel with his work as an international engineering consultant, has contributed for several years to furthering religious education among the Ismaili community in the UK, Canada, USA and Japan. He is the author of several articles published on this website and was a regular contributor to UK’s flagship Ismaili magazine, Ilm. Currently he is concluding the script of a full-length play of the 10th Century trial of the Sufi Saint Mansur al-Hallaj in Baghdad based on historical facts.

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