Brief notes on 3 books by Ismaili poet Ayaz Pirani, inspired by the oral tradition of Ginans

Introduced by MALIK MERCHANT
Publisher/editor Simerg (2009), Simergphotos (2012) and Barakah (2017)

When Ayaz Pirani is in your neighbourhood doing a reading from one of his books, please attend the event. You will become utterly relaxed listening to his beautiful poetry reading in a calm, gentle and soothing voice. He was in Toronto last year and I attended his reading at Knife Fork Books on 244 Augusta Avenue in the vibrant Kensington Market Area. I couldn’t locate the place easily, and even the NU Bügel staff did not know there was beautiful poetry being served upstairs on a regular basis. After a few more inquiries, I climbed a few set of stairs, excused myself for arriving a little bit late and sat to listen to Ayaz! The small crowd, mainly a gathering of Ismaili youth and professionals, kept urging Ayaz to continue with his reading, and he graciously complied. Meeting him later, I came away even more convinced of the nobility of his heart and soul. I acquired Kabir’s Jacket Has a Thousand Pockets but had to put it away in storage with my other books, as I was preparing to leave for Vancouver to be with my mum. I never got to reading the book nor interviewing this highly gifted literary personality in the Ismaili community. Recently, I asked him to present a short overview of his titles. I am delighted to present his piece below. Links to some on-line stores selling Ayaz’s books are provided at the end of the piece. I look forward to interviewing this literary jewel in the coming months, once my nomadic life style comes to an end!

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“My love of ginans is various and unending. They have the charms and rhetorical force of written language as well as the emotional and nourishing elements of oral tradition” — Ayaz Pirani

Ayaz Pirani author of Happy you are here and Kabir has a thousand Pockets
Ayaz Pirani reading from “Happy You Are Here” at Old Capitol Books in Monterey, California. Photo: Ayaz Pirani.

By AYAZ PIRANI

With my first book, Happy You Are Here, I began to wrestle with geography and humanness in my poems. Canadian poet Suzanne Buffam called Happy You Are Here “tender and intimate” and Heather Birrell said “Ayaz Pirani positions himself as a kind of plainspoken anti-prophet, bringing human nosiness and gratitude to a number of subjects—displacement and immigration, the oak woods of the Arroyo Seco, a mother’s love, a pub in Toronto…—as well as the more mysterious geographies of the soul.”

Cover of the book 'Happy You Are Here' by Ayaz Pirani featuring a sunburst design and palm trees.

My second book, Kabir’s Jacket Has a Thousand Pockets, was described as “wisdom poetry” that was “surprising and sly” by New England poet David Rivard. All of my work, including my new chapbook, Bachelor of Art, is informed by my affection for Ginans. Perhaps for this reason Rivard felt they were tinged with perennial truths.

My love of Ginans is various and unending. They have the charms and rhetorical force of written language as well as the emotional and nourishing elements of oral tradition. When a Ginan is experienced in situ, that is, in a Jamatkhana, there is further the resonances that come from a living heritage.

Happy You Are Here was reviewed in The Dalhousie Review and Qwerty Magazine and my individual poems have recently appeared in The Malahat Review, ARC Poetry Magazine, and The Antigonish Review.

Bachelor of Art by Ayaz Pirani
Cover of Bachelor of Art features a calligram of Hazrat Ali as the Tiger of God

My new work, Bachelor of Art, is a chapbook of poems. Individual poems include “Ali’s Tiger,” “Nutshells,” and “Sat Panth.” It’s a bit hard to talk about my own work without sounding pretentious, especially when it’s a genre like poetry which has so many romantic associations. In my work I’m trying to describe a particular diaspora experience by finding resources in various treasuries: ginans, divans (of Kabir, Ghalib, et al.), and English literature. I suppose I’m conscious of trying to situate my poems as a Canadian experience as well. I’m drawn to subjects like loneliness, immigration, faith, human awkwardness, love.

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Ayaz Pirani’s books are available in local bookstores and online at Amazon and Chapters-Indigo. His new book, Bachelor of Art, is currently available from Anstruther Press for $10. The cover features a calligram of Hazrat Ali as the tiger of God.

Date posted: June 30, 2020.

Before departing this website please take a moment to review Simerg’s Table of Contents for links to hundreds of thought provoking pieces on a vast array of subjects including faith and culture, history and philosophy, and arts and letters to name a few.

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Photos: Countdown to the reopening of the Aga Khan Museum on June 27, 2020

The Aga Khan Museum in Toronto reopens to the public on Saturday, June 27, 2020. As a passionate supporter of the Museum, Simerg’s Malik Merchant decides to visit the grounds on the penultimate day of the reopening to take some pictures. Please click on image below or Aga Khan Museum Reopening Countdown Photos

Heech Sculpture Aga Khan Museum Simergphotos
Please click on photo for Aga Khan Museum countdown to reopening.

Date posted: June 26, 2020.

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June 28, 1957: A Special Day for Islam in America – President Eisenhower opens Mosque in Washington, D.C.

“I should like to assure you, my Islamic friends, that under the American Constitution, under American tradition, and in American hearts, this center, this place of worship, is just as welcome as could be a similar edifice of any other religion” — President Eisenhower, June 28, 1957, Islamic Center, Washington D.C.

In an on-line story dated February 3, 2016, TIME magazine informed its readers that President Barrack Obama would be visiting the Islamic Society Mosque in Baltimore, Maryland, thus setting a milestone for his presidency. The reporter, Sarah Begley, reminded readers that the President was far from being the first American President to do so.

Story continues after photo

Exterior view of the Islamic Center in Washington D.C., featuring a prominent minaret and decorative arches, surrounded by greenery and a clear blue sky.
Islamic Center, Washington, D.C. Conceived in 1944, the site for the mosque was purchased in 1946, and the cornerstone was laid on January 11, 1949. The mosque was designed by Italian architect Mario Rossi and completed in 1954. Photo: Carol M. Highsmith Archive collection / US Library of Congress.

The honour, she said, belonged to President Dwight D. Eisenhower, who served as the 34th President of the United States from 1953 to 1961. He opened the Islamic Center of Washington in the city’s Embassy Row district on June 28, 1957. First lady Mamie Eisenhower accompanied him to the dedication ceremony.

In his speech, President Eisenhower emphasized the importance of religious freedom in the USA, and highlighted the “Muslim genius” that has cultivated some of history’s most important inventions, discoveries, art, literature and thought now considered indispensable to modern civilization.

President Dwight D. Eisenhower’s Remarks at the Opening of the Islamic Center in Washington D.C. on June 28, 1957

A portrait of President Dwight D. Eisenhower, seated in a brown leather chair, holding a pair of glasses, wearing a dark suit and tie, with a neutral background.
34th US President Dwight D. Eisenhower. White House portrait painted by James Anthony Wills.

By DWIGHT D. EISENHOWER
(see profile, below)

[For a photo of the President delivering the speech, please click Politicio — ed.]

Mr. Ambassador, Dr. Bisar, Governors of the Islamic Center, and distinguished guests:

It is a privilege to take part in this ceremony of dedication. Meeting with you now, in front of one of the newest and most beautiful buildings in Washington, it is fitting that we rededicate ourselves to the peaceful progress of all men under one God.

And I should like to assure you, my Islamic friends, that under the American Constitution, under American tradition, and in American hearts, this center, this place of worship, is just as welcome as could be a similar edifice of any other religion. Indeed, America would fight with her whole strength for your right to have here your own church and worship according to your own conscience. This concept is indeed a part of America, and without that concept we would be something else than what we are.

The countries which have sponsored and built this Islamic Center have for centuries contributed to the building of civilization. With their traditions of learning and rich culture, the countries of Islam have added much to the advancement of mankind. Inspired by a sense of brotherhood, common to our innermost beliefs, we can here together reaffirm our determination to secure the foundation of a just and lasting peace.

Our country has long enjoyed a strong bond of friendship with the Islamic nations and, like all healthy relationships, this relationship must be mutually beneficial.

Civilization owes to the Islamic world some of its most important tools and achievements. From fundamental discoveries in medicine to the highest planes of astronomy, the Muslim genius has added much to the culture of all peoples. That genius has been a wellspring of science, commerce and the arts, and has provided for all of us many lessons in courage and in hospitality.

This fruitful relationship between peoples, going far back into history, becomes more important each year. Today, thousands of Americans, both private individuals and governmental officials, live and work — and grow in understanding — among the peoples of Islam.

At the same time, in our country, many from the Muslim lands — students, businessmen and representatives of states — are enjoying the benefits of experience among the people of this country. From these many personal contacts, here and abroad, I firmly believe that there will be a broader understanding and a deeper respect for the worth of all men; and a stronger resolution to work together for the good of mankind.

As I stand beneath these graceful arches, surrounded on every side by friends from far and near, I am convinced that our common goals are both right and promising. Faithful to the demands of justice and of brotherhood, each working according to the lights of his own conscience, our world must advance along the paths of peace.

Thank you very much.

Date posted: April 28, 2020.

Before departing this website please take a moment to review Simerg’s Table of Contents for links to hundreds of thought provoking pieces on a vast array of subjects including faith and culture, history and philosophy, and arts and letters to name a few.

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Historic black and white photo showing a man exiting a car while a uniformed officer assists him, with another man, presumably Dwight D. Eisenhower, standing nearby.
Pakistan Prime Minister Huseyn Suhrawardy being received at the White House by President Dwight Eisenhower in 1957. Photo: Thomas J. O’Halloran / US Library of Congress.

Dwight D. Eisenhower (1890-1969) served as the thirty-fourth president of the United States, governing from 1953 to 1961, after a military career culminating in his role as Supreme Commander of Allied Forces in Europe during World War II. Eisenhower’s presidency was largely occupied by foreign affairs, most notably the Korean War, the expansion of U.S. involvement in the Middle East after the Suez Crisis, and the general deepening of the Cold War. Even domestically, many of Eisenhower’s achievements were shaped by national security, including the construction of the interstate highway system. Eisenhower joined the Presbyterian Church as an adult and played a role in the addition of “In God We Trust” on American currency. Eisenhower famously stated that “our government has no sense unless it is founded in a deeply felt religious faith, and I don’t care what it is.”

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Noteworthy book: “This Day in Presidential History,” by Paul Brandus. For each of the 365 days of the year, Brandus offers fascinating facts, historical anecdotes, and pithy quotations from and about all the presidents of the United States, from George Washington to Donald Trump.

Nade Ali, Cry Aloud to Ali: Must Listen, Powerful song

Naad E Ali, Original Song at Youtube, Munir Gillani Official

[Note: The lyrics in the song in both Arabic and English are slightly different from the transliteration and translation published below – Ed.]

Nade Ali, Nade Ali, Nade Ali
Nade Aliyyan mazhar al-ajaib
Tajidahu awnan lakafin-nawaib
Kullu hammin wa ghammin
sayanj-i Ali Bi wilayatika,
Ya Ali! Ya Ali! Ya Ali!

Translation

Call Ali call Ali call Ali,
the manifestation of marvels
He will be your helper in difficulty
Every anxiety and sorrow will end
Through your friendship.
O Ali, O Ali, O Ali.

Before departing this website please take a moment to review Simerg’s Table of Contents for links to hundreds of thought provoking pieces on a vast array of subjects including faith and culture, history and philosophy, and arts and letters to name a few.

Date posted: April 6, 2020.

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The Lost Archive by Marina Rustow: Splendid new book on the Fatimids looks at the caliphate’s robust culture of documentation; + 2 videos

The Lost Archive by Marina Rustow
The Lost Archive by Marina Rustow, published on January 14, 2020 by the Princeton University Press; Pages: 624; Size: 7 x 10 in. Illus: 83 color + 17 b/w illus. 4 maps. 4c throughout. To purchase hardcover, Kindle or Kobo versions see links at bottom of this page.

Very recently this website reproduced An interview with authors of Lost Maps of the Caliphs: A meticulous book about an extraordinary Fatimid manuscript illustrating the heavens and the earth as was known in 11th century Cairo.

Grabbing our attention now is a splendid new book on the Fatimids that looks at the caliphate’s robust culture of documentation. In an editorial review of the book, Konrad Hirschler of the Freie Universität Berlin describes Marina Rustow’s work “as a veritable magnum opus that will remain a point of reference for decades to come.” He also notes that “there are few books like this one that take the reader on such a long-distance journey across centuries and writing systems.”

The Lost Archive: Traces of a Caliphate in a Cairo Synagogue is Marina Rustow’s second work on the Fatimids. Her first one was entitled Heresy and the Politics of Community: The Jews of the Fatimid Caliphate. She is the Khedouri A. Zilkha Professor of Jewish Civilization in the Near East and professor of Near Eastern studies and history at Princeton University. She is director of the Princeton Geniza Lab and a MacArthur fellow. Her latest work is also praised by Geoffrey Khan, University of Cambridge, who states that “with great historiographical skill, Rustow brings new insights into the history of the medieval Middle East through a holistic analysis of the surviving state documents of the Fatimid dynasty. This is a splendid book.”

Marina Rustow has made very interesting and informative presentations of her research and work at the American Philosophical Society and the University of New Mexico. Links to both the videos are provided at the end of this piece.

The lost archive of the Fatimid caliphate survived in an unexpected place: the storage room, or geniza, of a synagogue in Cairo, recycled as scrap paper and deposited there by medieval Jews. In the book Marina Rustow tells the story of this extraordinary find, inviting readers to reconsider the longstanding but mistaken consensus that before 1500 the dynasties of the Islamic Middle East produced few documents, and preserved even fewer.

Beginning with government documents before the Fatimids and paper’s westward spread across Asia, Rustow reveals a millennial tradition of state record keeping whose very continuities suggest the strength of Middle Eastern institutions, not their weakness. Tracing the complex routes by which Arabic documents made their way from Fatimid palace officials to Jewish scribes, the book provides a rare window onto a robust culture of documentation and archiving not only comparable to that of medieval Europe, but, in many cases, surpassing it. Above all, Rustow argues that the problem of archives in the medieval Middle East lies not with the region’s administrative culture, but with our failure to understand preindustrial documentary ecology.

Illustrated with stunning examples from the Cairo Geniza, this compelling book advances our understanding of documents as physical artifacts, showing how the records of the Fatimid caliphate, once recovered, deciphered, and studied, can help change our thinking about the medieval Islamicate world and about premodern polities more broadly.

The hard copy or electronic Kindle version of “The Lost Archive” may be purchased at the following websites:
Princeton
Amazon & Amazon Canada
Indigo

Date posted: March 8, 2020.

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American Philosophical Society presentation by Marina Rustow (34 minutes)

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University of New Mexico presentation by Marina Rustow (1 hour 35 minutes)

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Amazing – Must watch Abida Parveen’s rendition of “Man Kunto Maula, Ali Maula Maula, Ali Ali Ali…” from a live concert in Oslo, Norway

Abida Parveen performing on stage with three musicians, passionately singing with her hand raised, surrounded by traditional instruments.
Abida Parveen performing in Oslo, Norway. Photo licensed under the Creative Commons Attribution 2.0 Generic

On Saturday, February 29, 2020, Abida Parveen performed in Melbourne, Australia, in a rare appearance outside Pakistan. On the day of her performance she gave an interview to Andrew Ford, host of ABC Australia’s The Music Show.” In discussing shades of Sufi music (Kafi) towards the end of the interview, the last question Ford asked Abida was what she would be singing in Melbourne that evening, and she replied “Man Kunto Maula.” She demonstrated a few lines from the song in the studio. The famous words are attributed to the Holy Prophet Muhammad (May peace be upon him and his family) at Ghadir Khumm when he said, “He whose Maula I am, Ali is his Maula” thus giving Hazrat Ali parity with himself as his successor to the Divine Institution of Imamat, a hereditary institution that continues to this day under the 49th Imam, Mawlana Hazar Imam, His Highness the Aga Khan. The following rendition of Man Kunto Maula sung by Abida Parveen in Oslo, Norway, is deeply inspiring and worth listening to in full. It has been viewed on YouTube more than 2.7 million times (Update, January 29, 2023: We note the video is no loner available and has been designated as private.).

Date posted: March 1, 2020.
Last updated: January 29, 2023 (video unavailable.)

Before departing this website please take a moment to review Simerg’s Table of Contents for links to hundreds of thought provoking pieces on a vast array of subjects including faith and culture, history and philosophy, and arts and letters to name a few.

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The traditional Ismaili Motto “Work No Words” needs a revision to “Work and Many Words” in light of Mawlana Hazar Imam’s Diamond Jubilee Farman

LETTER FROM PUBLISHER

The volunteer's traditional motto given by the late Imam, Mawlana Sultan Mahomed Shah, "Work No Words" needs a revision to "Work and Many Words" in light of Mawlana Hazar Imam's Diamond Jubilee Farman made in Calgary in 2018. Malik Merchant, publisher and editor of Simerg and Barakah, provides his insight on the mottos.
Mawlana Hazar Imam, His Highness the Aga Khan, meets representatives of the Jamat on his arrival in Calgary, Alberta, for his Diamond Jubilee visit in May 2018.

By MALIK MERCHANT
(Publisher-Editor, BarakahSimerg and Simergphotos)

The Ismaili community is a dynamic community with the Imam-of-the-Time guiding his followers according to the time. The essence of the faith remains the same but the form may change over time in cognizance of differences in traditions, cultural, social or other factors. Similarly, there could be changes over time in the manner in which voluntary services may be rendered. Paraphrasing the 48th Imam’s Farman, Mawlana Sultan Mahomed Shah had once said that we should follow the Farmans of the Imam-of-the-Time, noting that as the world changes, even his Farmans would change as time progressed.

Ismaili Volunteers Bage
The volunteer’s badge with the motto “Work No Words” is based on Imam Sultan Mahomed Shah’s message, “Today I will give you  a small motto and that is ‘Work No Words’.” The motto needs to be revised to reflect Mawlana Shah Karim’s Diamond Jubilee Farman in Calgary “Work and Many Words.”

One of the best known motto given by the late Imam in the 20th century to the volunteers of the Ismaili community was “Work No Words.” It is inscribed on every badge that an Ismaili volunteer wears today. It is also something that many honorary workers serving in institutions in various capacities constantly bear in mind.

What do these words actually mean for any volunteer, badged or otherwise?

I think the motto carries several meanings. Perhaps it is an expression of humility — that one does the work without seeking recognition.

It can be perceived to mean that you serve without question and not react to any attitude that may be shown to you while you are doing your work. 

Other volunteers may have their own personal interpretations of the motto during the performance of their duties, and apply it during their service.

Remarkably, that motto was mentioned in the Farman Mawlana Hazar Imam made in Canada during the Diamond Jubilee. At the second Calgary mulaqat, on May 10th, 2018, while mentioning and praising the work of the volunteers, he made a reference to his grandfather’s motto “Work No Words” and declared that “Today my Farman is, ‘Work and Many Words’. Communicate, enjoy life, be happy….” 

Eighteen months have since passed but still there seems to be no discussion on this matter. The old motto “Work No Words” appears everywhere in the celebration of the 100th anniversary of the volunteers including a new video “All Work, No Words” that has just been released at The Ismaili website. There is absolutely no reference to the most recent Farman and the new motto. For example, I was quite surprised that the President of the National Council for Tanzania, Amin Lakhani, speaking as recently as July 19, 2019, used the motto that Mawlana Sultan Mohamed Shah gave in one of his speeches, but did not make any reference to the new motto given by Mawlana Hazar Imam. When I raised the issue with a long serving Jamati member, the volunteer became very defensive saying that he would like to see the old motto remain on his badge.

I beg to differ, I believe that we now have to adopt to a new paradigm based on the most recent Farman, “Work, and Many Words.”

How then is this to be interpreted?

Firstly, the volunteers badged and non-badged should not feel fearful to speak up and express their views on matters that concern them on services that they are performing and how they can become more effective, rather than simply taking orders as subordinates. The superiors in the volunteer leadership and heads of various institutions should make their teams more engaged in decision making and seek out creative thoughts, ideas as well as best practices. Quite so often when suggestions are made to institutional heads about new approaches, one is often made to feel that they already knew about the idea that has been brought up. A case in point was when a suggestion was made to make Jamati members more engaged in meetings that the Aga Khan Council and national institutional boards hold on a quarterly basis. The reply was, “We are thinking about it.” For how long?

Many serving in institutions who speak out are left marginalized for speaking out boldly, even when they have done so sincerely and from the heart. This should no longer be the norm. I have personally experienced such treatment.

The old motto “Work No Words” on the badge that volunteers have been wearing for some 70 years is in need of a change. Mawlana Hazar Imam’s Diamond Jubilee “Work and Many Words. Communicate…” should resonate with everyone. We should communicate openly and sincerely and the office bearers should listen respectfully. One area that should require particular attention is legitimate concerns of volunteers in doing their work.

There is one other aspect where the motto “Work, and Many Words” may be applied very effectively. Volunteers of the Jamat participate in many outreach programs outside the community. We have each been considered by the Imam to be his Da’is — a very important term in Ismaili history where only a select few were known as Da’is. Now, remarkably, Mawlana Hazar Imam has told everyone that he or she is a Da’i! The Diamond Jubilee Farmans made at various locations attest to this role we have been asked to play. I think another way of looking at the Farman “Work and Many Words. Communicate…” is in the context of the volunteer who as a Da’i would be a great communicator to others about the ideals, principles and ethos of the Ismaili community. The following Farman made by Mawlana Hazar Imam in 2002 in Dar es Salaam, Tanzania, gives us a clear direction on the role the volunteers as well as the youth and professionals in the Jamat can play:

“…It is important, I think, today, that my Jamat worldwide, not just here in Tanzania, my Jamat worldwide, should reaffirm the traditions that we have, the rectitude and correctitude of our interpretation of Islam, of the role, within Shia Islam, of the intellect, of the human intellect, so that the young, the less young, the old, all of you, wherever you are, are ambassadors of Islam — the Islam that we believe in, that we practice, and that guides us in our lives. So I say to you today, whether you are in Tanzania or whether you are in any other part of the world, stand up, do not run away. Speak openly and frankly about what is our interpretation of Islam.”

Interestingly, in his Diamond Jubilee Farman in Atlanta, USA, Mawlana Hazar Imam asked the Jamat if they knew the meaning of the word Qul (from Sura Ikhlas, which is recited by Ismailis in their Du’a multiple times everyday). One person out of thousands raised a hand! Was that a hint from the Imam to us to seek to understand our faith better? To be effective communicators, requires that we have good knowledge of the faith, its ideals and the work of the Imamat, including for example the AKDN agencies.

So my notion of the work of the volunteers — and indeed each one of us — is to work, and with “many words” express kindness to others, convey good ideas and best practices and pass on the ethos of Islamic and Ismaili principles to everyone we come across.

What should the new badge say? Totally opposite of “Work No Words.” Indeed, the badge should now say “Work and Many Words.” However those “many words” should be spoken with humility, sincerity and thoughtfulness.

I welcome your feedback. Please click LEAVE A COMMENT or send your comment in an email to Simerg@aol.com. You may remain anonymous. Your email address will never be shared.

Before departing this website please take a moment to review Simerg’s Table of Contents for links to hundreds of thought provoking pieces on a vast array of subjects including faith and culture, history and philosophy, and arts and letters to name a few.

Date posted: December 7, 2019.

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We welcome your feedback. Please click on LEAVE A COMMENT.

Malik Merchant is founding publisher/editor of 3 websites, Barakah (2017), Simerg (2009), and Simergphotos (2012). They are works of passion influenced by his parents involvement with literary pursuits and community publications, as well as his childhood dream of becoming a journalist. However, he spent almost 4 decades working as an IT consultant in both the public and private sectors in the UK, USA and Canada. He has volunteered in the Ismaili community as a teacher and librarian and was co-editor with his late father, Jehangir Merchant, of the flagship UK Ismaili publication Ilm. He has also held numerous institutional and Jamati portfolios, including being the Member for Religious Education and Chairman of the Ottawa Tariqah Committee. He is currently based in Ottawa and Toronto. He welcomes your feedback on this piece by completing LEAVE A REPLY or by sending him an email at Simerg@aol.com.

Kaba textile fragment at Aga Khan Museum Toronto

Outstanding 100 year old Ka’ba textile on display at Toronto’s Aga Khan Museum until September 9, 2019

The following piece has been compiled and adapted from material supplied by the Aga Khan Museum; it incorporates notes by Dr. Ulrike al-Khamis, the Museum’s Director of Collections and Public Programs.

From Mecca to Toronto

Ka’ba in Mecca. Photo: Aga Khan Museum; Toronto’s Aga Khan Museum. Photo: Rian Dewji.

On display for the first time in Toronto is a 100-year-old silk fragment from a hizam — part of a ceremonial draping that covers the Ka’ba, Islam’s holiest site to which millions of Muslims made the annual pilgrimage on Friday August 9, 2019.

The Ka’ba is draped in a black ceremonial covering known as the kiswa, and around the upper part of the kiswa runs the hizam — an ornamented belt embroidered  in silver and silver-gilt thread with Qur’anic verses relating to the pilgrimage.

This hizam is one of the Aga Khan Museum’s most significant textiles and is on special display until September 9, 2019. Measuring eight metres long and nearly one metre tall, it once belonged to a kiswa that measured 47 meters and was made in Cairo around the early 20th century.

Aga Khan Museum Textile from the Kaba
This textile from the Ka’ba is on display at the Aga Khan Museum until September 9, 2019. Free viewing was available during celebrations marking the Hajj and Eid al-Adha from August 10-14. Photo: The Aga Khan Museum.

As one of the most prominent kiswa ornaments, the hizam traditionally runs the length of the Ka‘ba’s upper perimeter. The inscription here contains verses 27-29 from chapter 22 (Al-Hajj) of the Qur’an:

“And proclaim to mankind the hajj. They will come to you on foot and on every lean camel, they will come from every deep and distant mountain highway. That they may witness things that are of benefit to them, and mention the name of Allah on appointed days, over the beast of cattle that He has provided for them. Then eat thereof and feed therewith the poor who have a very hard time. Then let them complete their prescribed duties and perform their vows, and circumambulate the Ancient House.”

The roundels contain further Qur’anic references that mention ‘God the Eternal’ as well as the Prophet Muhammad.

The Ka‘ba receives a new drape every year during the pilgrimage season. After it ends, the kiswa is taken down, divided and either gifted to dignitaries or sold to raise money for charity.

Note: The museum is open everyday from 10 am to 6 pm (8 pm on Wednesdays). It is closed on Mondays, except holiday Mondays.

19th/20th Century Views of Ka’ba

A bird’s eye view of the Ka’ba as photographed in 1889. Note the hizam that runs around the upper part of the Ka’ba. Photo: US Library of Congress.
ca. 1910. A close-up photo of the Ka’ba with the hizam running around the upper part of the black cloth (the kiswa). Photo: US Library of Congress.

Date posted: August 7, 2019.
Last updated: August 15, 2019.

[Before leaving this page, please take a moment to visit Simerg’s Table of Contents for links to a vast and rich collection of articles and photographs published on this blog as well as its two sister blogs Barakah and Simergphotos.]

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Photos: Doors Open Attracts Thousands to Toronto’s Aga Khan Museum and Ismaili Centre

PLEASE CLICK: Aga Khan Museum and Ismaili Centre Draw Thousands during Doors Open Event Held in Toronto on May 25-26, 2019

Please click on photo for report and photos.

Date posted: May 27, 2019.

Alamut’s Registration as a UNESCO World Heritage Site in Limbo

[Numerous reports in the Iranian media in November 2014 announced that Iran was planning to offer the castle of Alamut to UNESCO as a World Heritage Site. The historical significance of the fortress dates back to 1090 A.C. when the Ismaili dai Hassan Sabbah chose the Alamut region as the headquarters of Ismailis following the Nizari-Musteali split in Fatimid Egypt. But four years after the announcement, Iran Daily reports that numerous factors have prevented the registration of Alamut as a World Heritage Site site.]

Alamut Photo by ALIREZA JAVAHERI WIKIPEDIA 800

A winter view of the unassailable rock of Alamut and the famous castle of Alamut nesting on top of this huge mountain of granite stone. This was the Capital of a Confederation of the Ismaili State founded in 1090 AC, by a great genius of all times, Hasan-i Sabbah which lasted for 171 years against formidable enemies and ultimately surrendered before the Mongols in 1256 AC. The Ismaili State was defended by a string of castles, over one hundred in number and Alamut being the capital of the State. This photo of was taken on December 31, 2011 by Alireza Javaheri. Photo credit: Wikipedia. This file is licensed under the Creative Commons Attribution 3.0 Unported.

By CULTURAL HERITAGE DESK, IRAN DAILY

Alamut located in the northwestern province of Qazvin as an untapped and historical region deserves to be registered on UNESCO’s World Heritage List but various factors have prevented the goal from being reached.

Director General of Qazvin Cultural Heritage, Handicrafts and Tourism Department Mohammad Ali Hazrati said that a limited number of foreigners travel to Qazvin Province because it doesn’t have any registered site on UNESCO’s World Heritage List.

He added efforts are underway to send the dossier of Alamut natural and historical site to UNESCO for world registration.

Hazrati said Alamut with beautiful natural landscape has several ancient structures including Hassan Sabbah Castle and Pich Bon Caravanserai.

A number of regulations should be observed for registration of any site on UNESCO’s List.

“Illegal construction of buildings within the boundary of the historical structures, including Hassan Sabbah Castle, is among the problems faced by Alamut in this respect”, he said.

The Rock of Alamut.

A fall view of the Castle of Alamut, which is nested on the top of the colossal mass of granite rock. It became the centre of Nizari Ismaili activity after the fall of the Fatimid Empire. It is not until you come to the foot of this colossal mass of stone that you realize the immensity and impregnability of the fortress at its summit. Photo: © Copyright. Muslim Harji.

The steep trek to Alamut Castle. Photo: Copyright © Muslim Harji.

He added that a decree was issued for destruction of structures located in Alamut historical texture, but the resistance of local officials as well as some social considerations prevented it from being enforced.

Hazrati said the registration of Alamut on UNESCO’s World Heritage List would help the ancient site to be recognized more internationally, draw a large number of the visitors to the province and boost tourism and employment in the region.

The Former head of Iranian Center for Archeological Research, Hamideh Choobak, said all ancient sites located worldwide are of high value but international recognition would help increase the governments’ responsibility to protect and maintain them.

“Specific funds will also be made available to the sites by the government and international organizations”, she added.

Choobak, who is the head of Alamut Cultural Heritage Site, noted that Alamut deserves to be registered on UNESCO’s List but it is not enough.

She stressed that a number of conditions should be provided to help realize the target.

Attaining the summit at Alamut is a breath-taking and exhilarating experience. The fortress complex, one soon discovers, sits astride a dangerously narrow ledge of rock resembling the handle and blade of a knife. Photo: Copyright © Muslim Harji.

Milky Way Over Alamut

The Milky Way extends across the sky above the mountain fortress of Alamut in this all-sky view from Iran. The light dome at the lower right is from the capital Tehran, over 100 kilometers away to the southwest. The light on the upper right is from Qazvin, the closest major city to Alamut. Photo: Copyright. Babak Tafreshi/Dreamview.net.

The official said Hassan Sabbah Castle has been registered on the National Heritage List in the year to March 2002, adding some organizations failed to perform their responsibility toward the structure.

She reiterated that related organizations should raise the local people’s awareness about the benefits of the site’s registration on UNESCO’s List and encourage them to cooperate with officials in this respect.

Date posted: February 4, 2019.

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This piece, excluding the photos, was originally published in IRAN DAILYlicensed under a Creative Commons Attribution 4.0 International License.

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